High Art

Had Hitler succeeded in conquering Europe, he would have crowned himself Holy Roman Emperor. The Nazis had in their possession priceless artifacts that would give Hitler legitimacy in his subjects' eyes: the Crown Jewels of the Holy Roman Empire including the Spear of Destiny, alleged to have pierced Christ's side at the Crucifixion. Looted from the royal treasury in Vienna, Austria, the Crown Jewels were hidden in a secret bunker deep beneath Nrnberg castle, known to few.

Matt Pinfield is the ultimate music fan. He's the guy who knows every song, artist, and musical riff ever recorded, down to the most obscure band's B-side single on its vinyl-only EP import. As a child, music helped Pinfield make sense of the world. Later he would approach his music idols after concerts and explain why he loved their music. As an adult, rock music inspired his career, fueled relationships, and, at times, became a life raft.

When a nameless, struggling actor in 1970s New York gets the call that an enigmatic director wants him for an art film set in the Amazon, he doesn't hesitate: He flies to South America, no questions asked. He quickly realizes he's made a mistake. He's replacing another actor who quit after seeing the script - a script the director now claims doesn't exist. The movie is over budget. The production team seems headed for a breakdown. The air is so wet that the celluloid film disintegrates.

Born in Czechoslovakia, Mark Slouka's parents survived the Nazis only to be forced to then escape the Communist purges after the war. Smuggled out of their own country, the newlyweds joined a tide of refugees moving from Innsbruck to Sydney to New York, dragging with them a history of blood and betrayal that their son would be born into.

When we think of '70s cinema, we think of classics like The Godfather and Taxi Driver...but the riches found in the overlooked B-movies of the time, rolled out wherever they might find an audience, unexpectedly tell an eye-opening story about post-Watergate, post-Vietnam America. Revisiting the films that don't make the Academy Award montages, Charles Taylor finds a treasury many of us have forgotten, movies that in fact "unlock the secrets of the times".

For 75 years, Wonder Woman has served as an inspiration to people everywhere. Wonder Woman Psychology: Lassoing the Truth examines this powerful superhero - who was created by famous psychologist William Moulton Marston - through 20 chapters, including some very special interviews and the previously unpublished memoir of Elizabeth Holloway Marston.

In 1981, David Bowie and Queen both happened to be in Switzerland: They met and made "Under Pressure." Recorded on a lark, the song broke the path for subsequent pop anthems. In Under Pressure, Max Brzezinski tells the classic track's story, charting the relationship between pop music, collective politics, and dominant institutions of state, corporations, and civil society. Brzezinski shows that, like all great pop anthems, "Under Pressure" harnesses collective sentiments in order to model new ways of thinking and acting.

A comprehensive look at the making of the wildly successful Disney Channel film High School Musical, this unofficial guidebook explores the cultural phenomenon and loyal fan base the movie spawned. Providing detailed profiles on the film's cast members - including Zac Efron, Ashley Tisdale, Vanessa Anne Hudgens, and Corbin Bleu - this companion follows the cast around the world as they promote the film.

For Chicago's Oak Park and River Forest High School's Spoken Word Club, there is one phrase that reigns supreme: Respect the Mic. It's been the club's call to arms since its inception in 1999. As its founder Peter Kahn says, "It's a call of pride and history and tradition and hope." This vivid new collection of poetry and prose - curated by award-winning and bestselling poets Hanif Abdurraqib, Franny Choi, Peter Kahn, and Dan "Sully" Sullivan - illuminates just that, uplifting the incredible legacy this community has cultivated.

Jesse Ball has produced fourteen acclaimed works of deeply empathetic absurdism in poetry and fiction. Now, he offers listeners his first memoir, one that invites the listener into a raw and personal account of love, grief, and memory. Inspired by the memoir Édouard Leve put to paper shortly before his death, Autoportrait is an extraordinarily frank and intimate work from one of America's most brilliant young authors. Half-remembered moments are woven together with the joys and triumphs—and the mistakes and humiliations, too—that somehow tell us who we are, why we are here.

The celebrated author of over twenty-five books, Vollmann's equally ambitious and prolific career as a photographer, printmaker, and painter reflects the artist's deep interest in people existing on the margins, a profound empathy for his subjects, and the humility and generosity to meet them on their terms. In Shadows of Love, Shadows of Loneliness, a series of essays commissioned especially for this book lays out Vollmann's views on what photographs can and should say.

In a world filled with trolls, we all need to live life more like a goblin. What does it mean to "live life like a goblin"? It means to give no f--ks, but also all the f--ks in the world at the same time. It means to be constantly anxiety-ridden while also eternally optimistic. A goblin's heart, specifically John Goblikon's, is filled with love, joy, angst, constant quandary, Chili's Southwestern egg rolls, metal, and empathy. Through goblin eyes, we learn about life, death, business, food, music, travel, culture, dating, school, drinking, compassion, and much more!

Jews have a centuries-old tradition of telling jokes, from the ghettos of Europe to Hollywood and the Catskills. Jewish jokes are entertainment, the oral history of a culture, insightful social criticism, and survival tactic rolled into one. In 2008, Hollywood director and producer Sam Hoffman launched a website called Old Jews Telling Jokes. It’s just what it says: Jewish men and women over 60 sharing their favorite stories, tales, riddles, and punchlines.

At least 12 million people listen to Osgood every day on CBS radio, and millions more watch him on CBS News Sunday Morning. All of them would agree that no one delivers quite the way he does the offbeat stories that make listeners stop and pay attention; the commentaries in which he shares his sense of wonder, dismay, or amusement; the well-spun tales of irony that often burst forth into wordplay or even poetry.

In this landmark collection, William T. Vollmann offers a kaleidoscopic retrospective of the visual artwork he has produced over four decades, with new commentary from Vollmann on his process, inspiration, and the many intersections with his writing.

The second volume of the Lost & Found Sound collection explores how recorded sound has shaped and captured the history of the last 100 years. Drawing from the archives and attics of the nation, this historic and intimate collection of radio documentaries presents a compelling array of sonic pioneers and legends, eccentric collectors, and original American voices.

Billy Collins, U.S. poet laureate from 2001 to 2003, plays a game called, "I can feel it coming in the air tonight", in which he responds to questions about musician Phil Collins. Al Gore tries to match his former boss’ mastery of the My Little Pony children’s show in a game called "Maybe you can beat Bill Clinton at this". Olympian Jackie Joyner-Kersee rhymes with "cursy", so she is invited to play a game called "May Thunder Blast Your Head!" about curses from around the world. Of course.

This new release completes Brenner's recording of I Think There's a Terrorist in My Soup, his brilliant, healing post-9/11 comedy collection. Featuring audience-tested highlights from his stand-up shows, Another Terrorist confirms Brenner's conviction that "laughter is the best medicine, and if one can laugh, one can live."

StoryCorps OutLoud sets out across the country to record and preserve the stories of LGBT individuals along with their families and friends. OutLoud is a project undertaken in the memory of Isay's father, psychiatrist Dr. Richard Isay. Professionally credited for helping to persuade the mental-health community that homosexuality is not a mental disorder, Dr. Isay was himself a closeted gay man for many years.

El pintor mexicano más importante de la primera mitad del siglo XX. Sus trabajos y murales representan hoy, el punto más alto del arte contemporáneo no sólo de su país, sino a nivel mundial. Dueño de un espíritu incansable, organizador, pletórico de gracia y elegancia, su obra destaca nítidamente por su idealismo e intolerancia hacia lo que le parece el mal principal de este mundo: la explotación del hombre por el hombre.