High Art

In 1967, the dancer Marta Becket and her husband were traveling through Death Valley Junction when they came across an abandoned theater. Marta decided it was hers. She painted her ideal audience on its walls and danced her own dances until her death five decades later. In the present day, Gia has ended a relationship and taken a leave from her job in film studies at a university. She is sleeping fifteen hours a night and ignoring calls from her mother.

Айра - самая невезучая адептка в академии высокого искусства. Но не потому, что является изгоем в собственном классе и сильно отстает от сокурсников по уровню знаний. А по причине того, что совершенно не помнит своего прошлого, поэтому начала жизнь, что называется, с чистого листа.

Айра - самая необычная адептка в Академии высокого искусства. Не только потому, что умудрилась поладить со смертоносным игольником и в короткие сроки обогнать сверстников по уровню знаний, но и из-за дружбы с самым настоящим метаморфом. В качестве персонального учителя у нее теперь числится древний призрак.

This illuminating book weaves personal stories of a multilingual upbringing with the latest scientific breakthroughs in interspecies communication to show how the skill of deep listening enhances our curiosity and empathy toward the world around us.

Айра—самая упрямая адептка Академии высокого искусства. Но не потому, что умудрилась выжить после смертельного удара, а из-за того, что посмела открыто бросить вызов боевому магу Викрану дер Соллену. Теперь ей придется постараться, чтобы ни в чем не уступить ему. И сделать все, чтобы избежать инициации.

Emily Dickinson and Charles Darwin were born at a time when the science of studying the natural world was known as natural philosophy, a pastime for poets, priests, and schoolgirls. The world began to change in the 1830s, while Darwin was exploring the Pacific aboard the Beagle and Dickinson was a student in Amherst, Massachusetts. Poetry and science started to grow apart, and modern thinkers challenged the old orthodoxies, offering thrilling new perspectives that suddenly felt radical—and too dangerous for women.

In this thoughtful collection of essays, Andrea Barrett draws from her experiences writing some of the most acclaimed historical fiction of our time to explore the mysteries and delights of the genre. Inspiration found in the past, she argues, can illuminate fiction, just as dust scatters light and makes the unseen visible.

In 2001, Ian McKellen put on the robe and pointed hat of a wizard named Gandalf and won a place in the hearts of Tolkien fans worldwide. Though his role in the film adaptation of Lord of the Rings introduced him to a new audience, McKellen had a thriving career a lifetime before his visit to Middle Earth. He made his West End acting debut in 1964 in James Saunders's A Scent of Flowers, but it was in 1980 that he took Broadway by storm when he played Antonio Salieri in Peter Shaffer's Tony Award-winning play Amadeus....

Music composed for television had, until recently, never been taken seriously by scholars or critics. Catchy TV themes, often for popular weekly series, were fondly remembered but not considered much more culturally significant than commercial jingles. Yet noted composers like John Williams, Henry Mancini, and Jerry Goldsmith learned and/or honed their craft in television before going on to major success in feature films.

Mecklenburgh Square has always been a radical address. Nestled in the heart of Bloomsbury, these townhouses have borne witness to the lives of some of the century's most revolutionary cultural figures - many of whom were extraordinary women. United by their desire to experiment with new ways of living - and, therefore, of being - these authors and thinkers were trailblazers in their commitment to creative independence.

Arguably the greatest choreographer who ever lived, George Balanchine was one of the cultural titans of the twentieth century—the New York Times called him "the Shakespeare of dancing." His radical approach to choreography—and life—reinvented the art of ballet and made him a legend. Written with enormous style and artistry, and based on more than one hundred interviews and research in archives across Russia, Europe, and the Americas, Mr. B carries us through Balanchine's tumultuous and high-pitched life story and into the making of his extraordinary dances.

Pop Song is a book about love and about falling in love - with a place, or a painting, or a person - and the joy and terror inherent in the experience of that love. Plumbing the well of culture for clues and patterns about love and loss - from Agnes Martin's abstract paintings to James Turrell's transcendent light works, and Anne Carson's Eros the Bittersweet to Frank Ocean's Blonde - Larissa Pham writes of her youthful attempts to find meaning in travel, sex, drugs, and art, before sensing that she might need to turn her gaze upon herself.

Tom and Ray lead colorful (not to mention grimy) lives, and each week they share the hilarity with millions of radio listeners. Their latest collection will delight diehard fans and anyone who cares about cars and good humor.

From a longtime Vanity Fair writer and editor, a delightfully entertaining, intelligent, and illuminating history and tribute to teen movies—from Rebel Without a Cause to Fast Times at Ridgemont High, and on to John Hughes, Mean Girls, The Hunger Games, and more.

Plagued by the suicides of both his siblings, heir to alcohol and drug abuse, divorce and economic ruin, James Brown lived a life clouded by addiction, broken promises and despair. In The Los Angeles Diaries, he reveals his struggle for survival, mining his past to present the inspiring story of his redemption. Beautifully written and limned with dark humor, these 12 deeply confessional, interconnected chapters address personal failure, heartbreak, the trials of writing for Hollywood, and the life-shattering events that finally convinced Brown that he must "change or die".

In the fall of 1948 Hemingway and his fourth wife traveled for the first time to Venice, which Hemingway called "a goddam wonderful city." He was a year shy of his 50th birthday and hadn't published a novel in nearly a decade. At a duck shoot in the lagoon he met and fell in love with Adriana Ivancich, a striking Venetian girl just out of finishing school. Di Robilant - whose great-uncle moved in Hemingway's revolving circle of bon vivants, aristocrats, and artists - re-creates with sparkling clarity this surprising, years-long relationship.

Jimmy Breslin: The Man Who Told the Truth is the first biography of the legendary writer, vividly portrayed by Richard Esposito, a former colleague of the Big Man. From Breslin's humble beginnings as a copy boy, to winning the 1986 Pulitzer Prize for Commentary, the writer's life was as fascinating as any of his subjects.

Ah, 55. Gateway to the golden years! Professional submitting. Emotional maturity. Easy surfing toward the glassy blue waters of retirement...Or maybe not? Middle age, for Sandra Tsing Loh, feels more like living a disorganized 25-year-old's life in an 85-year-old's malfunctioning body. With raucous wit and carefree candor, Loh recounts the struggles of leaning in, staying lean, and keeping her family well-fed and financially afloat - all those burdens of running a household that still, all-too-often, fall to women.

Through his alcoholism and her mental illness, his career lows and her institutional confinement, F. Scott and Zelda Fitzgerald's devotion to each other endured for over 22 years. Now, for the first time, we have the story of their love in the couple's own letters. Dear Scott, Dearest Zelda consists of more than 75 percent previously unpublished or out-of-print letters, as well as extensive narrative on the Fitzgeralds' marriage by Fitzgerald scholars Jackson R. Bryer and Cathy W. Barks.

In this Very Short Introduction Ritchie Robertson covers the life and work of Johann Wolfgang von Goethe (1749-1832): scientist, administrator, artist, art critic, and supreme literary writer in a vast variety of genres. Looking at Goethe's poetry, novels, and drama pieces, as well as his travel writing, autobiography, and essays on art and aesthetics, Robertson analyzes some of the key themes in his works: love, nature, religion, and tragedy.