High Art

In Wild Things, Vanity Fair contributing editor Bruce Handy revisits the classics of every American childhood, from fairy tales to The Very Hungry Caterpillar, and explores the back stories of their creators, using context and biography to understand how some of the most insightful, creative, and witty authors and illustrators of their times created their often deeply personal masterpieces.

Christopher and His Kind covers the most memorable 10 years in the writer's life, from 1929, when Isherwood left England to spend a week in Berlin and decided to stay there indefinitely, to 1939, when he arrived in America. When the book was published in 1976, readers were deeply impressed by the courageous candor with which he describes his life in gay Berlin of the 1930s and his struggles to save his companion, Heinz, from the Nazis.

Raised up from poverty by a determined single mother, gifted and beautiful twin sisters Christa and Cara Parravani were able to create a private haven of splendor and amusement that they shared between themselves. They earned their way into a prestigious college, established careers as artists (a photographer and a writer, respectively), and entered young marriages. But plagued by their father's early rejection of them and further damaged by being raped as a young woman, Cara veered into depression, drugs, and a shocking early death.

Jews have a centuries-old tradition of telling jokes, from the ghettos of Europe to Hollywood and the Catskills. Jewish jokes are entertainment, the oral history of a culture, insightful social criticism, and survival tactic rolled into one. In 2008, Hollywood director and producer Sam Hoffman launched a website called Old Jews Telling Jokes. It’s just what it says: Jewish men and women over 60 sharing their favorite stories, tales, riddles, and punchlines.

Little black dresses. Fake pearls. Jersey knit. Blazers. Ballet flats. Today - and for nearly the last hundred years - we all see some version of Gabrielle "Coco" Chanel every time we pass a woman on the street. But few among us realize that Chanel’s role in the events of the twentieth century was as pervasive as her influence on fashion, or how deeply she absorbed and then brilliantly reimagined the historical currents around her.

At the end of the 1960s, the mysterious Tom Forçade suddenly appeared, insinuating himself into the top echelons of countercultural politics and assuming control of the Underground Press Syndicate, a coalition of newspapers across the country. Weathering government surveillance and harassment, he embarked on a landmark court battle to obtain White House press credentials. But his audacious exploits—pieing Congressional panelists, stealing presidential portraits, and picking fights with other activists—led to accusations that he was an agent provocateur.

What does it mean to be a "diva"? A shifting, increasingly loaded term, it has been used to both deride and celebrate charismatic and unapologetically fierce performers like Aretha Franklin, Divine, and the women of Labelle. In this brilliant, powerful blend of incisive criticism and electric memoir, Deborah Paredez-scholar, cultural critic, and lifelong diva devotee-unravels our enduring fascination with these icons and explores how divas have challenged American ideas about feminism, performance, and freedom.

Max Allan Collins became Spillane's friend and collaborator, continuing the Mike Hammer series for years after the author's death, building upon unfinished manuscripts the writer left behind. Now, with coauthor James Traylor, Collins has produced the first comprehensive and authoritative profile of the Mystery Writers of America Grand Master. It is a must-listen for any fan of the author—or of the generations of crime writers that were influenced by his work.

Mark Doty has always felt haunted by Walt Whitman's bold, perennially new American voice, and by his equally radical claims about body and soul and what it means to be a self. In What Is the Grass, Doty - a poet, a New Yorker, and an American - keeps company with Whitman and his Leaves of Grass, tracing the resonances between his own experience and the legendary poet's life and work.

Music composed for television had, until recently, never been taken seriously by scholars or critics. Catchy TV themes, often for popular weekly series, were fondly remembered but not considered much more culturally significant than commercial jingles. Yet noted composers like John Williams, Henry Mancini, and Jerry Goldsmith learned and/or honed their craft in television before going on to major success in feature films.

In Gene Smith's Sink, Stephenson revives Smith's life and legacy, merging traditional biography with highly untraditional digressions. Traveling across 29 states, Japan, and the Pacific, Stephenson tracks down a lively cast of characters, including the playwright Tennessee Williams, to whom Smith likened himself; the avant-garde filmmaker Stan Brakhage, with whom he once shared a chalet; the artist Mary Frank, who was married to his friend Robert Frank; and Thelonious Monk and Sonny Clark, whom Smith recorded on surreptitious tapes.

In 1967, the dancer Marta Becket and her husband were traveling through Death Valley Junction when they came across an abandoned theater. Marta decided it was hers. She painted her ideal audience on its walls and danced her own dances until her death five decades later. In the present day, Gia has ended a relationship and taken a leave from her job in film studies at a university. She is sleeping fifteen hours a night and ignoring calls from her mother.

Granny Takes A Trip was more than just a shop and a fashion brand; it was the original rock and roll clothes boutique, the template for all that followed. What started as an odd retail venture/art installation in a depressed part of London known as World's End became an international byword for glam decadence in Manhattan and Hollywood, combining flamboyant style and all manner of countercultural activity to attract everyone from Pattie Boyd, Marianne Faithfull and Anita Pallenberg to Elton John, Jimi Hendrix, Miles Davis, Mick Jagger, Rod Stewart, the Beatles, and Lou Reed.

With Muse of Fire, Michael Korda, the bestselling author of Alone and Hero, takes a novel approach to World War I by telling its history through the lives of the soldier-poets whose verses memorialize the war's unimaginable horrors. He begins with Rupert Brooke and the halcyon days before violence engulfed his generation—destroying the self-contented world of Edwardian England—and ends with the tragic death of Wilfred Owen, killed only days before the armistice brought an end to a war that took over 25,000,000 lives.

Marguerite Higgins was both the scourge and envy of the journalistic world. A longtime reporter for the New York Herald Tribune, she first catapulted to fame with her dramatic account of the liberation of Dachau at the end of World War II. Brash, beautiful, ruthlessly competitive, and sexually adventurous, she forced her way to the front despite being told the combat zone was no place for a woman. While the Herald Tribune exploited her feminine appeal—it was Maggie's dogged determination, talent for breaking news, and unwavering ambition that brought her success from one war zone to another.

Go deeper inside the hit TV show The Boys and its characters with psychologists, media experts, filmmakers, and more—including the original comic series' cocreator and the actors behind Soldier Boy and Stormfront. Supes Ain't Always Heroes offers a fresh look at The Boys, delving into the show's unflinching depiction of celebrity, politics, social media, corporate greed, racism, sexism, and more.

Xiaolu Guo has been lauded as a "voice . . . speaking with full freedom" (Wall Street Journal), which has made her one of the most acclaimed Chinese-born writers of her generation. Her new memoir, Radical, is an exploration of a city, an electrically honest rendering of what it means to be an outsider, and the sojourn that upended her sense of self as a woman, partner, mother, and artist.

Bram Stoker, despite having a name nearly as famous as his legendary undead count, has remained a puzzling enigma. Now, in this psychological and cultural portrait, David J. Skal exhumes the inner world and strange genius of the writer who conjured an undying cultural icon.

Ride the High Country helped the genre mature and adapt to turbulent, changing times. It launched Peckinpah's career by invoking the themes of honor, loyalty, and compromised ideals, the destruction of the West and its heroes, and the difficulty of doing right in an unjust world--themes developed to their pinnacle in Peckinpah's later masterpiece, The Wild Bunch.

A fierce memoir of a mother's murder, a daughter's coming-of-age in the wake of immense loss, and her ultimate mission to know the woman who gave her life.