Historical Detective

England, 1941. When Jane Treen is summoned to her boss’s office at the end of a long day, she smooths down her tweed skirt and makes them both another strong pot of coffee. Brigadier Remmington-Blythe slides a folded copy of the evening newspaper towards her, with one small article circled in red ink. A body has been found on an English beach in the little seaside town where she grew up, and he wants her to investigate. Jane is used to managing secret agents and spies, but she is now part of The Secret Detective Agency, England’s answer to solving the most mysterious murders.

London, 1941: Miss Jane Treen is at her desk, strong black coffee in hand and fluffy ginger cat by her side, when her top-secret government work is interrupted by an urgent call to Devon. A woman has been found dead in a lake in a place where she shouldn’t have been. Jane needs to gather the clues and find the killer before someone else from the agency gets hurt… Shy and handsome code-breaker Arthur Cilento is bewildered by the arrival of the efficient Miss Treen and her cat Marmaduke.

Mr. Shaitana is famous as a flamboyant party host. Nevertheless, he is a man of whom everybody is a little afraid. So when he boasts to Hercule Poirot that he considers murder an art form, the detective has some reservations about accepting a party invitation to view Shaitana's "private collection". Indeed, what begins as an absorbing evening of bridge is to turn into a more dangerous game altogether.

There are few people Nero Wolfe respects, and Lon Cohen of the New York Gazette is one of them. So when Cohen asks for a favor, the famously brilliant - and notoriously lazy - detective is inclined to listen. According to Cohen, someone wants to kill the Gazette’s gossip columnist, Cameron Clay. Death threats are a regular hazard for Clay, who’s hurled insults and accusations at every boldfaced name in the five boroughs. But the latest threats have carried a more sinister tone.

Edinburgh, 1869: Modern-day homicide detective Mallory Atkinson is adjusting to her new life in Victorian Scotland. Her employers know she’s not housemaid Catriona Mitchell—even though Mallory is in Catriona’s body—and Mallory is now officially an undertaker’s assistant. Dr. Duncan Gray moonlights as a medical examiner, and their latest case hits close to home. Men are dropping dead from a powerful poison, and all signs point to the grieving widows… the latest of which is Gray’s oldest sister. Poison is said to be a woman’s weapon, though Mallory has to wonder if it’s as simple as that.

London, 1899: When a mysterious packet is stolen from a diplomatic courier, Sherlock and Lucy are called upon to recover it before its ominous contents fall into the wrong hands. The Baker Street gang uncovers a dark, tangled web of intrigue and an evil plot that could very well bring all of England to its knees. When a notorious criminal is found dead in the bookstore basement, and the bookseller is arrested for the crime, the danger becomes very real, and very personal. Can Holmes and Lucy find the perilous packet, catch the murderous mastermind, and foil the fiendish plot?

A struggling young Persian artist sends Flynn, one of Sherlock Holmes’ Baker Street Irregulars, out to buy provisions for a celebratory dinner. But when he brings the requested groceries to the artist’s wife, her joy quickly turns to fear. Then Flynn returns to the artist’s studio, only to find that disaster has struck. Meanwhile, the National Portrait Gallery enlists the help of Sherlock Homes to investigate the mysterious theft of The Pink Lady. As Holmes sets out to recover the precious painting, he uncovers a dark web of deceit far more complex than he imagined.

In September 1926, the Honorable Daisy Dalrymple Fletcher visits Sybil Sutherby, a school friend now living in Derbyshire as the confidential secretary to a novelist. Suspecting that something is seriously amiss, Sybil has asked Daisy to discretely investigate. Upon arrival, Daisy finds a household of relatives and would-be suitors living off the hospitality of Humphrey Birtwhistle, who had been supporting them through his thrice-yearly, pseudonymous Westerns. When he took ill, though, Sybil took over writing them while he recovered, only to see the sales increase. Now, she fears that someone in the household is poisoning Birtwhistle to keep him ill and Sybil writing the better-paying versions.

The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. But his delicate mission is suddenly overshadowed by seven bizarre deaths that take place in seven days and nights of apocalyptic terror. Brother William turns detective, and a uniquely deft one at that. His tools are the logic of Aristotle, the theology of Aquinas, the empirical insights of Roger Bacon-- all sharpened to a glistening edge by his wry humor and ferocious curiosity.

Childbirth can be dangerous even for the wealthy. So when opera singer Claire Buchanan shows Prudence and Geoffrey a postmortem cabinet photograph of her deceased twin sister and newborn niece, they express sadness but not surprise. The popular black-bordered portraits are the era's way of coping with the devastating losses that plague every family. What makes this death different is that Claire is convinced Catherine and her child were murdered.

Hercule Poirot's quiet supper in a London coffeehouse is interrupted when a young woman confides to him that she is about to be murdered. She is terrified - but begs Poirot not to find and punish her killer. Once she is dead, she insists, justice will have been done. Later that night, Poirot learns that three guests at a fashionable London Hotel have been murdered, and a cufflink has been placed in each one’s mouth. Could there be a connection with the frightened woman?

Roger Ackroyd knew too much. He knew that the woman he loved had poisoned her brutal first husband. He suspected, also, that someone had been blackmailing her. Then, tragically, came the news that she had taken her own life with a drug overdose. But the evening post brought Roger one last fatal scrap of information. Unfortunately, before he could finish reading the letter, he was stabbed to death.

Slamming the door on the hellscape of 1980s Belfast, Detective Inspector Sean Duffy hopes that the 1990s are going to be better for him and the people of Northern Ireland. As a Catholic cop in the mainly Protestant RUC he still has a target on his back, and with a steady girlfriend and a child the stakes couldn’t be higher. After handling a mercurial triple agent and surviving the riots and bombings and assassination attempts, all Duffy wants to do now is live. But in his final days in charge of Carrickfergus CID, a missing persons report captures his attention.

Lady Rose Summer, the wayward Edwardian debutante who keeps getting mixed up in disreputable adventures, would swear she is not a jealous woman. After all, she knows her engagement to private detective Captain Harry Cathcart is only a ploy to keep her parents from shipping her off to India. But then Harry's latest client, Dolores Duval--a vision of curves with a seductive French accent--starts appearing everywhere at his side.

Ever since she drove her best friend's fiance to kill himself, Isabel Drew has been nicknamed Jezebel. She is domineering, arrogant, vain - and beautiful enough to get away with it. She is starring as a princess in a medieval pageant when her past catches up to her. On tiny slips of paper, threats appear, promising death to Isabel and those around her. Fearing she may be attacked, she invites the brilliant Inspector Cockrill to keep her safe after the performance.

Like most women, Elizabeth Miles assumes many roles; unlike most, hers have made her a woman on the run. Living on the edge of society, Elizabeth uses her guile to relieve so-called respectable men of their ill-gotten gains. But brutal and greedy entrepreneur Oscar Thornton is out for blood. He's lost a great deal of money and is not going to forgive a woman for outwitting him. With his thugs hot on her trail, Elizabeth seizes the moment to blend in with a group of women who have an agenda of their own.

Sir Robert of Offord dies mysteriously just after accusing his new wife of adultery and his son-by-marriage wants the shire's new Crowner to prove the knight was murdered. Instead, Sir Faucon de Ramis discovers that a bell owned by the dead man is missing. But who could have taken it - the daughter who loved it as a child, the knight who wants it as collateral, or the prior who wishes to restore it to its holy purpose of calling the angels? Follow Warwickshire's new Servant of the Crown as Sir Faucon embarks on his most unusual and convoluted hunt yet.

It's the time of year when the immortal army of the ancient king rides Watling Street and the dead become uneasy in their graves. Indeed, in the far north of Warwickshire, the villagers insist that one dead man returned to kill his only son. Now it's up to Sir Faucon de Ramis, the shire's new Crowner, to run the walking corpse to ground and put him back where he belongs.

Lady Emily Hardcastle is an eccentric widow with a secret past. Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they've just moved from London to the country, hoping for a quiet life. But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There's a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation...

July 8, 1921. Ireland. A British Officer is shot dead on a remote hillside south of Dublin. November 22, 2015. United Kingdom. Former police detective Jayne Sinclair, now working as a genealogical investigator, receives a phone call from an adopted American billionaire asking her to discover the identity of his real father. How are the two events linked? Jayne Sinclair has only three clues to help her: a photocopied birth certificate, a stolen book, and an old photograph.