Historical Fiction England

Thanks to house tamer Hulda Larkin, the mischief infesting Whimbrel House has calmed. But if Hulda’s job is done, what does that mean for Merritt Fernsby, inheritor of the remote Narragansett Bay estate, who’s only now coming to terms with his enchanted place in the world? Merritt has realized his own burgeoning powers, which draw the thoughts of every plant, insect, and dog. His nights are sleepless, with an uncontrollable cacophony of voices that compel a long-overdue search into his uncanny bloodline. It’s not the only puzzle uniting Merritt and his ex-housekeeper, Hulda.

In his wickedly brilliant first novel, Debut Dagger Award winner Alan Bradley introduces one of the most singular and engaging heroines in recent fiction: Eleven-year-old Flavia de Luce, an aspiring chemist with a passion for poison. It is the summer of 1950 - and a series of inexplicable events has struck Buckshaw, the decaying English mansion that Flavia’s family calls home. A dead bird is found on the doorstep, a postage stamp bizarrely pinned to its beak. Hours later, Flavia finds a man lying in the cucumber patch and watches him as he takes his dying breath.

The Crusaders, led by Richard I of England, are encamped in the Holy Land, and torn by the dissensions and jealousies of the leaders, including, besides Coeur de Lion himself, Philip of France, the duke of Austria, the Marquis of Montferrat, and the Grand Master of the Templars. The army's impotence is accentuated by the illness of Richard.

The child of a scheming father and ruthless mother, Lady Jane Grey is born during a time when ambition dictates action. Cousin to Edward VI, Mary I, and Elizabeth I, she is merely a pawn in a political and religious game in which one false step means a certain demise. But Lady Jane has remarkable qualities that help her to withstand the constant pressures of the royal machinery far better than most expect.

1957: Jean Swinney is a feature writer on a local paper in the southeast suburbs of London. Clever but with limited career opportunities and on the brink of forty, Jean lives a dreary existence that includes caring for her demanding widowed mother, who rarely leaves the house. It’s a small life with little joy and no likelihood of escape.

After a nearly fatal blow to the skull, traumatized private detective Ian Cameron is found dazed and confused on a muddy riverbank in Victorian London. Among his effects: a bloodstained business card bearing the name of a master wizard and a curious pocket watch that doesn’t seem to tell time. To retrieve his lost memories, Ian demands answers from Edwina and Mary Blackwood, sister witches with a murky past. But as their secret is slowly unveiled, a dangerous mystery emerges on the darkened streets of London.

England, 1904. Two years ago, Captain Archie Curtis lost his friends, fingers, and future to a terrible military accident. Alone, purposeless, and angry, Curtis is determined to discover if he and his comrades were the victims of fate, or of sabotage. Curtis's search takes him to an isolated, ultra-modern country house, where he meets and instantly clashes with fellow guest Daniel da Silva. Effete, decadent, foreign, and all-too-obviously queer, the sophisticated poet is everything the straightforward British officer fears and distrusts.

With his laughing eyes and wild, rakish good looks, Lord Rannulf Bedwyn is a hard man to resist. To Judith Law, a woman in need of rescue when her stagecoach overturns, Rannulf is simply her savior, a heroic stranger she will reward with one night of reckless passion before she must become a companion to her wealthy aunt. Imagine Judith's shock when the same stranger turns out to be among England's most eligible bachelors, and when he arrives at Harewood Grange to woo her cousin.

The marriage of the Englishman Richard Marsdon and his young American wife, Celia, slowly turns tragic as Richard withdraws into himself and Celia suffers a debilitating emotional breakdown. A wise mystic realizes that Celia can escape her past only by reliving it. She journeys back four hundred years to her former life as the servant girl Celia de Bohun during the reign of Edward VI - and to her doomed love affair with the chaplain Stephen Marsdon.

The year is 1862 and murderous desires are simmering in England. Nineteen-year-old Sarah Bonetta Forbes (Sally), once a princess of the Egbado Clan, desires one thing above all else: revenge against the British Crown and its system of colonial "humanitarianism," which stole her dignity and transformed her into royal property. From military men to political leaders, she’s vowed to ruin all who’ve had a hand in her afflictions. The top of her list? Her godmother, Britain’s mighty monarch, Queen Victoria herself.