History Science Art

Dumped by his fiancée, Ferentz Lafargue had a chance encounter with the seminal Stevie Wonder album Songs in the Key of Life. Healed by the songs, Lafargue was inspired to look at how music has shaped his life. In this entertaining memoir, he shares recollections of Michael Jackson, Aerosmith, Kanye West, and many others.

Splatter Capital shows how a subgenre of cinematic horror has developed a unique perspective on the cycles of capitalism. It argues that the messy brand of horror mobilized in gore or "splatter" films is extremely responsive to the internal contradictions that threaten the future sustainability of capitalist accumulation. And, while responding to the prospect of that end, splatter promotes an extant truth: capitalist accumulation is and always has been a nightmare of systematized bloodshed.

Listen to This stands out as the first book exclusively dedicated to Davis' watershed 1969 album, Bitches Brew. Victor Svorinich traces its incarnations and inspirations for 10-plus years before its release. The album arrived as the jazz scene waned beneath the rise of rock and roll and as Davis faced large changes in social conditions affecting the African-American consciousness.

Bella and Edward, and their family and friends, have faced countless dangers and philosophical dilemmas in Stephenie Meyer's Twilight novels. This book is the first to explore them, drawing on the wisdom of philosophical heavyweights to answer essential questions such as: What do the struggles of "vegetarian" vampires who control their biological urge for human blood say about free will? Are vampires morally absolved if they kill only animals and not people? From a feminist perspective, is Edward a romantic hero or is he just a stalker? Is Jacob "better" for Bella than Edward?

Since 2001, the US Department of State has been sending hip hop artists abroad to perform and teach as goodwill ambassadors. There are good reasons for this: Hip hop is known and loved across the globe, acknowledged and appreciated as a product of American culture. Hip hop has from its beginning been a means of creating community through artistic collaboration, fostering what hip hop artists call building.

Thirty thousand years ago our prehistoric ancestors painted perfect images of animals on walls of tortuous caves, most often without any light. How was this possible? Scholars and archaeologists have for centuries pored over these works of art, speculating and hoping to come away with the key to the mystery. David and Lefrre give us a new understanding of an art lost in time, revealing what had until recently remained unexplainable - the oldest enigma in humanity has been solved.

On a cold November day in Amsterdam in 2004, the celebrated and controversial Dutch filmmaker Theo van Gogh was shot and killed by an Islamic extremist for making a movie that "insulted the prophet Mohammed." The murder sent shock waves across Europe and around the world. Shortly thereafter, Ian Buruma returned to his native land to investigate the event and its larger meaning as part of the great dilemma of our time.

In 2010—long before the release of Lemonade—Professor Kevin Allred created the university course "Politicizing Beyonce" to both wide acclaim and controversy. He outlines his pedagogical philosophy in Ain't I a Diva?, exploring the process of teaching Beyonce and what it means to use a superstar to blow up the canon. Allred brings his syllabus to life by pairing music videos and songs with historical and academic texts, and combines analysis with classroom anecdotes.

America has been through the biggest financial crisis since the great Depression, unemployment numbers are frightening, median wages have been flat since the 1970s, and it is common to expect that things will get worse before they get better. Certainly, the multidecade stagnation is not yet over. How will we get out of this mess?

In 1948 most White people in the North had no idea how unjust and unequal daily life was for the 10 million African Americans living in the South. But that suddenly changed after Ray Sprigle, a famous White journalist from Pittsburgh, went undercover and lived as a Black man in the Jim Crow South. Escorted through the South's parallel Black society by John Wesley Dobbs, a historic Black civil rights pioneer from Atlanta, Sprigle met with sharecroppers, local Black leaders, and families of lynching victims.

Before The Beatles landed on American shores in February 1964, only two British acts had topped the Billboard singles chart. In the first quarter of 1964, however, the Beatles alone accounted for 60% of all recorded music sold in the United States; in 1964 and 1965 British acts occupied the number one position for 52 of the 104 weeks; and from 1964 through to 1970, the Rolling Stones, Herman's Hermits, the Dave Clark Five, the Animals, and more placed more than 130 songs on the American Top Forty.

Beatleness explains how the band became a source of emotional, intellectual, aesthetic, and spiritual nurturance in fans’ lives, creating a relationship that was historically unique. Looking at that relationship against the backdrop of the sexual revolution, the Vietnam War, political assassinations, and other events of those tumultuous years, the audiobook critically examines the often-heard assertion that the Beatles changed everything.

Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic-and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of "authenticity" have blinded us to rock's inextricably interracial artistic enterprise.

Contrary to popular belief, the roots of American country music do not lie solely on southern farms or in mountain hollows. Rather, much of this music recorded before World War II emerged from the bustling cities and towns of the Piedmont South. No group contributed more to the commercialization of early country music than southern factory workers.

Danny Goldberg's new book is a subjective history of 1967, the year he graduated from high school. It is, he writes, "an attempt at trying to remember the culture that mesmerized me, to visit the places and conversations I was not cool enough to have been a part of." It is also a refreshing and new analysis of the era; by looking at not only the political causes, but also the spiritual, musical, and psychedelic movements, Goldberg provides a unique perspective on how and why the legacy of 1967 lives on today.

A Thousand Cuts is a candid exploration of one of America's strangest and most quickly vanishing subcultures. It is about the death of physical film in the digital era and about a paranoid, secretive, eccentric, and sometimes obsessive group of film-mad collectors who made movies and their projection a private religion in the time before DVDs and Blu-rays.

In 1948, the Orioles, a Baltimore-based vocal group, recorded "It's Too Soon to Know". Combining the sound of Tin Pan Alley with gospel and blues sensibilities, the Orioles saw their first hit reach #13 on the pop charts, thus introducing the nation to vocal rhythm & blues and paving the way for the most successful groups of the 1950s. In the first scholarly treatment of this influential musical genre, Stuart Goosman chronicles the Orioles' story and that of myriad other black vocal groups in the postwar period.

Tupac Amaru Shakur (1971–1996) was an American rap artist, actor, and social activist. More than seventy-five million of his albums have sold worldwide, making him one of the bestselling music artists in the world. Rolling Stone magazine named him the 86th Greatest Artist of All Time.

Shakur also gained notoriety for his conflicts with the law and time spent in prison.

Throughout his career, Johnny Cash was depicted - and depicted himself - as a walking contradiction: social protestor and establishment patriot, drugged wildman and devout Christian crusader, rebel outlaw hillbilly thug and elder statesman. Leigh H. Edwards explores the allure of this paradoxical image and its cultural significance. She argues that Cash embodied irresolvable contradictions of American identity that reflect foundational issues in the American experience.

Vincent van Gogh fakes his death. Ellis Spenser longs to paint. Holly Carter conceals a famous lineage. Theo van Gogh gains his health, but loses the woman he loves. Mimi Calais says she's a vampire.... Tom Spencer hatches a plan. Ellis and Tom Spencer oversee the drug safety organization in one of the world's largest and most respected companies, Pratt Pharmaceuticals. Tom's deviant plan for their future begins to splinter when Ellis meets Holly Carter, a lonely Southern woman who has come to New York to pursue art while furthering her pharmaceutical career.