Humor Classics

Award-winning storyteller Barbara McBride-Smith breathes life (albeit a wizened Texan version) into the old Greek myths. With her incurable Texas drawl, she spins the Greek myths as you've never heard them before, rendering them 99% more fun while retaining 100% of their original insights into the crooked ways of the human heart and the no less crooked ways of the ancient Greek gods.

Jeeves, not only a tireless servant to the feckless Bertie Wooster, is the saviour of a good many other individuals as well. The list is long: Bingo Little has cause to be grateful to Jeeves in the affair of the marooned cabinet minister; Sippy Sipperley, when he is persecuted by his former headmaster; Tuppy Glossop, in his foolhardy pursuit of Cora Bellinger the opera singer; not to mention Miss Dalgeish the dog-girl; Bertie's fat Uncle George when he brushes with the lower classes; even the dog McIntosh is returned to the dreaded Aunt Agatha through Jeeves' good offices.

Set in Ireland just after World War II, The Ginger Man is J. P. Donleavy's wildly funny, picaresque classic novel of the misadventures of Sebastian Dangerfield, a young American ne'er-do-well studying at Trinity College in Dublin. Dangerfield's appetite for women, liquor, and general roguishness is insatiable - and he satisfies it with endless charm.

Everyone - even Augustus the cat - has cause to be obliged to Jeeves when he manages to retrieve the infamous Book - the book which lays bare the private lives of three-quarters of the upper classes. And which could prove to be political dynamite at the Market Snodsbury by-election.

A member of the landed gentry, with a seemingly guaranteed income from his estate in the country, Oblomov lives in Petersburg, uninterested in the business that provides his living and barely aware that the revenue is diminishing. Not that he leads a dissolute life of extravagance, balls and entertainment. Instead he is a dreamer, a sybarite, content above all to spend most of the day supine, in bed. The novel opens with Oblomov thus ensconced, attended only by his dirty, grumbling, indolent servant Zahar, who has looked after him since childhood, catering to his every need.

Loch is seeking revenge. It would help if she wasn’t in jail. The plan: To steal a priceless elven manuscript that once belonged to her family, but is now in the hands of the most powerful man in the Republic. To do so, Loch - former soldier, former prisoner, and current fugitive - must assemble a crack team of magical misfits that includes a cynical illusionist, a shape shifting unicorn, a repentant death priestess, a talking magical war hammer, and a lad with seemingly no skills.

It takes only one halfling bomb, and Offi Numminen’s world is turned upside-down - or downside-up, really, since he lives in a hole in the ground. His goth cardigans and aggressive melancholy set him apart from the other gnomes, as does his decision to fight back against their halfling oppressors. Suddenly Offi is the leader of a band of lovable misfits and outcasts - from a gryphon who would literally kill for omelets to a young dwarf herbalist who is better with bees than with his cudgel to an assertive and cheerful teen witch with a beard as long as her book of curses.

In volume II of The Flashman Papers, Flashman tangles with femme fatale Lola Montez and the dastardly Otto Von Bismarck in a battle of wits which will decide the destiny of a continent.

In this volume of The Flashman Papers, Flashman, the arch-cad and toady, matches his wits, his talents for deceit and malice, and above all his speed in evasion against the most brilliant European statesman and against the most beautiful and unscrupulous adventuress of the era.

Uncle Fred, or to give him his full title: Fredrick Altamont Cornwallis Twistleton, fifth Earl of Ickenham, is considered by some as a "splendid gentleman, a sportsman to his fingertips". Mr Twistleton, nephew to Earl, and otherwise known as "Pongo" to his friends, has a differing view. He simply describes his uncle as "being loopy to the tonsils".

More preoccupied with drinking, sleeping, and writing, an unnamed student neglects his studies and invents three separate openings for a novel. The first introduces the Pooka MacPhellimey, "a member of the devil class", the second involves Mr. John Furriskey, a character belonging to another of the student's creations (writer Dermot Trellis), while the final opening features legendary Irish heroes Finn Mac Cool and Mad King Sweeny. Soon, Trellis' creations rebel against him, doing as they like while he sleeps, and the characters begin wandering in and out of each other's tales.

Alison Hart, a medium by trade, tours the dormitory towns of London's orbital ring road with her flint-hearted sidekick, Colette, passing on messages from beloved dead ancestors. But behind her plump, smiling persona hides a desperate woman: she knows the terrors the next life holds but must conceal them from her wide-eyed clients. At the same time she is plagued by spirits from her own past, who infiltrate her body and home, becoming stronger and nastier the more she resists....

A taste of her own medicine. George is alone in the house with Grandma. The most horrid, grizzly old grunion of a grandma ever. She needs something stronger than her usual medicine to cure her grouchiness. A special grandma medicine, a remedy for everything. And George knows just what to put into it. Grandma's in for the surprise of her life - and so is George, when he sees the results of his mixture!

From USA Today best-selling author Meghan Quinn comes a sassy and sweet romance about an Irish rebel who falls in love with the wrong girl. Full of witty banter and swoony moments, it's the perfect romantic comedy to binge on.

Welcome to the Monkey House is a collection of Kurt Vonnegut's shorter works. Originally printed in publications as diverse as The Magazine of Fantasy and Science Fiction and The Atlantic Monthly, what these superb stories share is Vonnegut's audacious sense of humor and extraordinary range of creative vision.

"It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains." So begins Pride and Prejudice and Zombies, an expanded edition of the beloved Jane Austen novel featuring all-new scenes of bone-crunching zombie mayhem.

His year in Hollywood completed, Monty leaves behind his heartbroken secretary and arrives in London to claim the hand of hockey international, Gertrude Butterwick. But the Bodkin road to happiness is arduous, and pitfalled through and through.

When Maud Marsh flings herself into George Bevan's cab in Piccadilly, he starts believing in damsels in distress. George traces his mysterious traveling companion to Belpher Castle, home of Lord Marshmoreton, where things become severely muddled. Maud's aunt, Lady Caroline Byng, wants Maud to marry Reggie, her stepson. Maud, meanwhile, is known to be in love with an unknown American she met in Wales. So when George turns up speaking American, a nasty case of mistaken identity breaks out.

A tempestuous acquaintance and disastrous marriage proposal makes it unlikely Mr. Darcy and Elizabeth Bennet will ever reconcile. Despairing of their own reunion, they attend with great energy to salvaging that of Darcy’s friend Mr. Bingley and Elizabeth’s sister Jane. People are rarely so easily maneuvered in and out of love, however, they follow a series of misunderstandings, both willful and unwitting, that complicates all four star-crossed lovers’ alliances more than ever before.

In the bar-parlour of the Angler’s Rest, Mr Mulliner tells his amazing tales, which hold the assembled company of Pints of Stout and Whiskies and Splash in the palm of his expressive hand. Here you can discover what happened to The Man Who Gave Up Smoking, share a frisson when the butler delivers Something Squishy on a silver salver (‘your serpent, Sir,’ said the voice of Simmons) – and experience the dreadful Unpleasantness at Bludleigh Court.

Published in rapid succession in the middle 1930s, these two books shocked European literature and world consciousness. Nominally fiction but more rightly called "creative confessions," they told of the author's childhood in excoriating Paris slums, of service in the mud wastes of World War I and African jungles. Mixing unmitigated despair with Gargantuan comedy, they also created a new style, in which invective and obscenity were laced with phrases of unforgettable poetry. Celine's influence revolutionized the contemporary approach to fiction.