Indigenous Fiction

For decades, a dark force has terrorized the Languille Lake reservation. Only spoken of in whispers as "the sandman," he lurks in the Hidden Atlantis Lake Resort and Casino, the reservation's main attraction and source of revenue, leeching its patrons' dreams and ambitions and also preventing the ghosts that linger there from moving on. Fleeing a breakup, Marion Lafournier, a mid-twenties Ojibwe, seeks solace in the slot machine's siren song.

Now that Clara is almost in third grade, she’s finally old enough to spend her first summer away from home visiting her grandma, Unci, and her cousin at their home in Standing Rock Reservation. To welcome her visit, Uncle Louie brings an extra-special surprise in his pickup truck: the tipi that’s been passed down through their family for generations. The girls learn how to stack the poles and wrap the canvas covering around them, how to paint spirit pictures on its walls, and how the circle of the tipi tells its own story, reminding us to how to live in the great Circle of Life.

They call themselves "Niitsitapi" ("Original People"), but in the United States, they are known as the Blackfeet. In Canada, they are known by their more particular band names, one of which is Blackfoot, but regardless of the name, they are a tribe of Native American peoples ("First Nations" in Canada) who, until the modern time period, lived in small, decentralized bands and hunted the bison on the northern Great Plains.

The year is 1870, and Fool's Crow, so called after he killed the chief of the Crows during a raid, has a vision at the annual Sun Dance ceremony. The young warrior sees the end of the Indian way of life and the choice that must be made: resistance or humiliating accommodation. "A major...

Zonia’s home is the Amazon rain forest, where it is always green and full of life. Every morning, the rain forest calls to Zonia, and every morning, she answers. She visits the sloth family, greets the giant anteater, and runs with the speedy jaguar. But one morning, the rain forest calls to her in a troubled voice. How will Zonia answer?

Latinas of Indigenous descent living in the American West take center stage in this haunting debut story collection—a powerful meditation on friendship, mothers and daughters, and the deep-rooted truths of our homelands. Kali Fajardo-Anstine’s magnetic story collection breathes life into...

When the local trader is found murdered the only clue points directly at Lucy Tallwoman. The FBI sweeps in to discover a decades-old trail of deceit and betrayal as the darker days of Lucy's past come back to haunt her. The family decides they need help . . . and fast.

New York Timesbestselling author Ted Dekker brings an exotic tale of adventure and creates his most memorable character ever. The story of how I, Julian Carter, and my precious two-year old son, Stephen, left Atlanta Georgia and found ourselves on a white sailboat, tossed about like a cork on a...

Buck, government name Michael Fineday, Ojibwe name Miskwa’ doden (Red Deer), is on the brink of suicide. He has just been served divorce papers by his wife, Naomi, who is fed up with his savior complex and the danger it often attracts to their door. Living on the border of Shakopee Mdewakanton Sioux Community reservation, Buck makes a living as a boatbuilder and carpenter. He spends his days alone, trying to win the trust of a feral cat … until a semi-feral girl shows up, fascinated by the canoe Buck is building.

Thirty years ago, tribal college educator and poet Thomas Davis began writing poems about the tribal college movement, beginning with the founding of College of Menominee Nation in Northern Wisconsin. He had no intention of developing a book out of the poems, using napkins and scraps of papers to create a mostly free verse poetry that chronicled the events and people trying to build a new kind of educational system that would preserve and evolve Indigenous language, history, and culture. Davis gave these poems away and many were lost. Until now.

It’s 1806. A young republic just three decades old - the United States of America - is about to make a great push westward, across the Mississippi, into a wild, beautiful, and dangerous land. A territory of towering mountains and violent waters, of icy glaciers and searing deserts. The great northwest. It is a time and a place where fortunes will be made, destinies will be revealed, and legends will rise.

Native Country of the Heart is the writer and activist Cherrie Moraga's love letter to her "unlettered" mother. It begins with her mother, Elvira Isabel Moraga, who as a child, along with her siblings, was hired out by her own father to pick cotton in California's Imperial Valley. The lives of Cherrie and her mother, and of their people, are woven together in a story of critical reflection and deep personal revelation as Moraga charts her own coming to consciousness alongside the heartbreaking story of her mother's decline.

In Living in the Tall Grass: Poems of Reconciliation, Chief Stacey Laforme gives a history of his people through stories and poetry to allow us to see through the eyes of indigenous people. In it, he hits hard on matters of residential schools, the environment, suicide among indigenous youth, domestic abuse, and so on, but also writes poems of love and hope. Chief Laforme’s universal message is, “We should not have to change to fit into society, the world should adapt to embrace our uniqueness.”

A moving and deeply engaging novel about a young Native American man as he learns to find strength in his familial identity. Told in a series of voices, Calling for a Blanket Dance takes us into the life of Ever Geimausaddle through the multigenerational perspectives of his family as they face...

“Nikki Payne skillfully spins the tale of a well-known Jane Austen classic and makes it entirely her own. Thoughtful, hilarious, and smolderingly steamy.”—Kristina Forest, author of The Partner Plot Two sisters roll up their sleeves to run a dilapidated inn but must learn to work with the...

Eagle Voice Remembers is John Neihardt's mature and reflective interpretation of the old Sioux way of life. He served as a translator of the Sioux past, whose audience has proved not to be limited by space or time. Through his writings, Black Elk, Eagle Elk, and other old men who were of that last generation of Sioux to have participated in the old buffalo-hunting life and the disorienting period of strife with the U.S. Army found a literary voice.

Catalina de Cerrato is being raised by her widowed father, Don Alonso, in 1551 Guatemala, scarcely thirty years since the Spanish invasion. A ruling member of the oppressive Spanish hierarchy, Don Alonso holds sway over the newly relegated lower class of Indigenous communities. Fiercely independent, Catalina struggles to honor her father and her late mother, a Maya noblewoman to whom Catalina made a vow that only she can keep: preserve the lost sacred text of the Popol Vuh, the treasured and now forbidden history of the K’iche’ people.

In the beginning, the world is spoken into existence with one word: “Earth.” There are no inhabitants, and no sun—only the broad sky, silent sea, and sovereign Framer and Shaper. Then come the twin heroes Hunahpu and Xbalanque. Wielding blowguns, they begin a journey to hell and back, ready to confront the folly of false deities as well as death itself, in service to the world and to humanity. This is the story of the Mayan Popol Vuh, “the book of the woven mat,” one of the only epics indigenous to the Americas.

As war overtakes the frontier, Emma's family farmstead is attacked by Dakota-Sioux warriors; on that same prairie, Oenikika desperately tries to hold on to her calling as a healer and follow the orders of her father, Chief Little Crow. When the war is over and revenge-fueled war trials begin, each young woman is faced with an impossible choice. In a swiftly changing world, both Emma and Oenikika must look deep within and fight for the truth of their convictions-even as horror and injustice unfolds all around them.

As a 41-year-old man confronts his own mortality in this collection's title story, he recalls his Spokane Indian father's chilling death from alcoholism and diabetes. Another tale features an eccentric salesman pursuing a married woman from airport to airport. And then there's the film editor who sees nothing wrong with altering footage to fit preconceived views - until he becomes the target of media distortion.