Indigenous Literature

When the local trader is found murdered the only clue points directly at Lucy Tallwoman. The FBI sweeps in to discover a decades-old trail of deceit and betrayal as the darker days of Lucy's past come back to haunt her. The family decides they need help . . . and fast.

Tressa Tarango's husband lost his soul somewhere on the cold high desert of the Navajo Reservation. She doesn't know who killed him and only by venturing among warring drug cartels can she exact the revenge to pacify his restless soul. Only she can ensure Luca's troubled spirit finds peace in the underworld. Though his murderous rampage will keep him from heaven—Tressa hopes she might yet secure him a higher place in hell.

A note is left on a car windshield, an old dog dies, and Kent Nerburn finds himself back on the Lakota reservation where he traveled more than a decade before with a tribal elder named Dan. The touching, funny, and haunting journey that ensues goes deep into reservation boarding-school mysteries, the dark confines of sweat lodges, and isolated Native homesteads far back in the Dakota hills in search of ghosts that have haunted Dan since childhood.

A Publishers Weekly Best Book of the Year A Book Riot Best Mystery & Thriller of the Year Three women in one twisted family race for answers in this striking mystery set in the Mexicali borderlands that "breathes new life into the myth of Persephone and Demeter" (Ana Reyes, author of The House...

When a young girl goes missing, the ghosts of the past collide with her family’s secrets in a mesmerizing Native American Southern Gothic When six-year-old Laurel Taylor vanishes without a trace, her family is left shattered, struggling to navigate the darkness of grief and unanswered...

For decades, a dark force has terrorized the Languille Lake reservation. Only spoken of in whispers as "the sandman," he lurks in the Hidden Atlantis Lake Resort and Casino, the reservation's main attraction and source of revenue, leeching its patrons' dreams and ambitions and also preventing the ghosts that linger there from moving on. Fleeing a breakup, Marion Lafournier, a mid-twenties Ojibwe, seeks solace in the slot machine's siren song.

Part manifesto, part memoir, This Wound Is a World is an invitation to “cut a hole in the sky / to world inside”. Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder their sadness and pain without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay”.

It’s 1806. A young republic just three decades old - the United States of America - is about to make a great push westward, across the Mississippi, into a wild, beautiful, and dangerous land. A territory of towering mountains and violent waters, of icy glaciers and searing deserts. The great northwest. It is a time and a place where fortunes will be made, destinies will be revealed, and legends will rise.

Now that Clara is almost in third grade, she’s finally old enough to spend her first summer away from home visiting her grandma, Unci, and her cousin at their home in Standing Rock Reservation. To welcome her visit, Uncle Louie brings an extra-special surprise in his pickup truck: the tipi that’s been passed down through their family for generations. The girls learn how to stack the poles and wrap the canvas covering around them, how to paint spirit pictures on its walls, and how the circle of the tipi tells its own story, reminding us to how to live in the great Circle of Life.

As a 41-year-old man confronts his own mortality in this collection's title story, he recalls his Spokane Indian father's chilling death from alcoholism and diabetes. Another tale features an eccentric salesman pursuing a married woman from airport to airport. And then there's the film editor who sees nothing wrong with altering footage to fit preconceived views - until he becomes the target of media distortion.

Zonia’s home is the Amazon rain forest, where it is always green and full of life. Every morning, the rain forest calls to Zonia, and every morning, she answers. She visits the sloth family, greets the giant anteater, and runs with the speedy jaguar. But one morning, the rain forest calls to her in a troubled voice. How will Zonia answer?

On the Flathead Indian Reservation, summer is ending, and Louise White Elk is determined to forge her own path. Raised by her Grandmother Magpie after the death of her mother, Louise and her younger sister have grown up into the harsh social and physical landscape of western Montana in the 1940s, where Native people endure boarding schools and life far from home. As she approaches adulthood, Louise hopes to create an independent life for herself and an improved future for her family—but three persistent men have other plans.

This lyrical runaway Swedish hit follows a reclusive, elderly couple who cross paths with a pair of twentysomething newcomers in a small mountain town, revealing an unexpected, shared history and the reclamation of a nearly extinct culture. Meet Máriddja: eccentric, eighty-five years old, and...

Melissa Lucashenko is one of Australia's most admired and awarded novelists. She is renowned for writing about ordinary Australians and the extraordinary lives they lead. This timely collection of essays and journalism - published together for the first time - spans two turbulent decades. With her trademark wit and wisdom, Lucashenko reflects on being caught in a siege, on the marginalised lives of prisoners and the urban poor, on Blak identity, Australian literature and on meeting her writing idol.

The Narrows of Fear (Wapawikoscikanik) navigates the unsettling, but necessary. When love of, and respect for, culture goes awry, it is our indigenous women who bring us back to what is important. This novel is an interweaving of stories centered on a range of characters, both male and female, though the women, for the most part, are the healers. Though several were abused both in their own community and in residential schools, these women are smart and loving and committed to helping one another.

Thirty years ago, tribal college educator and poet Thomas Davis began writing poems about the tribal college movement, beginning with the founding of College of Menominee Nation in Northern Wisconsin. He had no intention of developing a book out of the poems, using napkins and scraps of papers to create a mostly free verse poetry that chronicled the events and people trying to build a new kind of educational system that would preserve and evolve Indigenous language, history, and culture. Davis gave these poems away and many were lost. Until now.

In Living in the Tall Grass: Poems of Reconciliation, Chief Stacey Laforme gives a history of his people through stories and poetry to allow us to see through the eyes of indigenous people. In it, he hits hard on matters of residential schools, the environment, suicide among indigenous youth, domestic abuse, and so on, but also writes poems of love and hope. Chief Laforme’s universal message is, “We should not have to change to fit into society, the world should adapt to embrace our uniqueness.”

Catalina de Cerrato is being raised by her widowed father, Don Alonso, in 1551 Guatemala, scarcely thirty years since the Spanish invasion. A ruling member of the oppressive Spanish hierarchy, Don Alonso holds sway over the newly relegated lower class of Indigenous communities. Fiercely independent, Catalina struggles to honor her father and her late mother, a Maya noblewoman to whom Catalina made a vow that only she can keep: preserve the lost sacred text of the Popol Vuh, the treasured and now forbidden history of the K’iche’ people.

Buck, government name Michael Fineday, Ojibwe name Miskwa’ doden (Red Deer), is on the brink of suicide. He has just been served divorce papers by his wife, Naomi, who is fed up with his savior complex and the danger it often attracts to their door. Living on the border of Shakopee Mdewakanton Sioux Community reservation, Buck makes a living as a boatbuilder and carpenter. He spends his days alone, trying to win the trust of a feral cat … until a semi-feral girl shows up, fascinated by the canoe Buck is building.

Does time heal all wounds? Or do some last forever? Pennsylvania, 1971: Graham Davidson is a young man with survivor’s guilt after the death of three siblings. Estranged from his father and seeking a direction in his life, Graham learns about vision quests from a Crow Indian. He secures seasonal employment in Yellowstone National Park and embarks on a spiritual journey. Wyoming Territory, 1871: Under a full moon at a sacred thermal area, Graham finds himself in Yellowstone a century earlier - one year before it was established as a national park.