Indigenous Science

Charles Eastman is unique among Indian writers, whether storytellers or oral historians. He was raised traditionally, as a Woodland Sioux, by his grandmother, from 1858 to 1874, until he was 15. He thus gained a thorough first-hand knowledge of the lifeways, language, culture, and oral history. His father (thought to have been hanged at Mankato, Minnesota) reappeared and insisted he receive the white man's education.

Colonists brought a different view of nature, one that saw its resources as commodities to be bought and sold. Over the course of centuries, this conflict of ideologies would continue, one that persists today in courtroom debates surrounding Indigenous rights, on frontlines protesting pipeline projects, and in the hearts and minds of people advocating that "water is life". So when a water protector proclaims "water is life", they speak not just in slogan form, but as part of an ancient philosophy that dates back millennia.

The autobiography of the famous Apache war chief, Geronimo. A shout of "Geronimo!!!" is still evoked to show courage. Hear, in his own words, the war story of Geronimo and his Chiricahua band of Apache Indians.

Based upon a 10,000 year old oral tradition, these stories reflect three essential elements of the cumulative wisdom of Paula Underwood's Native American ancestors. "Who Speaks for Wolf" deals with the human impact on the Earth, "Winter White and Summer Gold" deals with planning for the future, "Many Circles, Many Paths" deals with living together in peace.

National parks like Yellowstone, Yosemite, and Glacier preserve some of this country's most cherished wilderness landscapes. While visions of pristine, uninhabited nature led to the creation of these parks, they also inspired policies of Indian removal. By contrasting the native histories of these places with the links between Indian policy developments and preservationist efforts, this work examines the complex origins of the national parks and the troubling consequences of the American wilderness ideal.

Don’t Take Your Love to Town is a story of courage in the face of poverty and tragedy. Ruby recounts losing her mother when she was six, growing up in a mission in northern New South Wales and leaving home when she was 15. She lived in tin huts and tents in the bush and picked up work on the land while raising nine children virtually single-handedly. Later she struggled to make ends meet in the Koori areas of Sydney.

Human? is the story of acclaimed Wik artist Ziggy Ramo's experience growing up under the weight of this lie. We've had 236 years of continued destruction in the name of 'civilised progress', under an oppressive colonial system that punches down on almost everyone. We all deserve more. But to move forward we have to be honest about the past.

Eine deutsche Umweltschützerin entscheidet sich für die Liebe zu einem Massai – und für ein Leben in einer der patriarchalsten Kulturen der Welt. Auf einem Forschungsaufenthalt in Afrika begegnet die Biologin Stephanie Fuchs Sokoine, einem traditionell lebenden Massai. Die beiden verlieben sich, doch die Hürden sind groß, die ihrer Beziehung im Wege stehen. Schließlich geben sie ihrer Liebe eine Chance und Stephanie Fuchs zieht nach Tansania in Sokoines Dorf. Bald schon steht sie vor großen Herausforderungen: Sie muss ihren Platz in der traditionell lebenden Dorfgemeinschaft erst finden.

Child of Morning Star: Embers of an Ancient Dawn is a poetic collection of stories that draws on the author's travels and knowledge as a Dene artist and a lifelong student of history. In it, Antoine Mountain weaves stories about people and art and the moments when our world manages to pause just briefly enough that we can see the roots of our communal humanity. Each part of this book corresponds to the four directions of the Medicine Wheel and offers insight into history, social conditions, community, and the spiritual.

How the West Was Drawn explores the geographic and historical experiences of the Pawnees, the Iowas, and the Lakotas during the European and American contest for imperial control of the Great Plains during the 18th and 19th centuries. David Bernstein argues that the American West was a collaborative construction between Native peoples and Euro-American empires that developed cartographic processes and culturally specific maps, which in turn reflected encounter and conflict between settler states and indigenous peoples.

Invisible No More is a collection of stories by Native American leaders, many of them women, who are leading the way through cultural grounding and nation-building in the areas of community, environmental justice, and economic justice. Authors in the collection come from over a dozen Native nations. While telling their stories, authors excavate the history and ongoing effects of genocide and colonialism. At the same time, the authors detail ways that listeners might imagine the world differently, presenting stories of Native community building that offer benefits for all.

In this collection of deeply insightful and powerful essays, Chelsea Watego examines the ongoing and daily racism faced by First Nations peoples in so-called Australia. Rather than offer yet another account of ‘the Aboriginal problem’, she theorises a strategy for living in a society that has only ever imagined Indigenous peoples as destined to die out. Drawing on her own experiences and observations of the operations of the colony, she exposes the lies that settlers tell about Indigenous people.

As late as the 1960s, the Wari' Indians of the western Amazonian rainforest ate the roasted flesh of their dead as an expression of compassion for the deceased and for his or her close relatives. By removing and transforming the corpse, Wari' death rites helped the bereaved kin accept their loss and go on with their lives. Drawing on the recollections of Wari' elders who participated in consuming the dead, this book presents one of the richest, most authoritative ethnographic accounts of funerary cannibalism ever recorded.

I årene 1927-1930 var den danske opdagelsesrejsende Henning Haslund-Christensen karavanefører for en stor, kostbar og farlig ekspedition i Centralasien. Karavanen bestod af flere hundrede mænd og kameler, og den bevægede sig både gennem snelandskaber og ørkensand, passerede lovløse områder og krydsede Gobi-ørkenen, hvor tilrejsende ikke før havde vovet sig ind.

The Maria girls from Bastar practice sex as an institution before marriage, but with rules—one may not sleep with a partner more than three times; the Hallaki women from the Konkan coast sing throughout the day; the Kanjars have plundered, looted and killed generation after generation, and will show you how to roast a lizard when hungry. The original inhabitants of India, these Adivasis still live in forests and hills, with religious beliefs, traditions and rituals so far removed from the rest of the country that they represent an anthropological wealth of our heritage.

When the American government was founded, the Founders and Framers assumed a government of the people, by the people, and for the people. That government is dying. It is under the authority of not we, the people, but rather a small elite that is trying to snuff out the great experiment of man ruling himself - the common man - the man that within the right system of government can attain his purpose to achieve happiness.

In Extinction and the Human, Timothy Sweet ponders the realities of animal extinction and endangerment and the often divergent Native American and Euro-American narratives that surround them. He focuses especially on the force of human impact on megafauna—mammoths, whales, and the North American bison. Ultimately, he argues, it is the critical assessment of ideas of human exceptionalism that provides a necessary counterpoint both to apologies for human mastery over nature and deep ecology's attempts to erase the human.

This is a difficult piece to write. It cuts closer to the bone than most of what I have written; closer to my bones, through my blood and flesh to the bones of truth and country; there is truth here, not disguised but in the open, and that truth hurts. Colonisation in Australia is not over. Colonisation is a process, not an event - and the after-effects will continue while there are still people to remember it.

The Musician Healer resurrects a long-forgotten role for musicians and provides clear guidance for preparation and self-development as a musician healer in order to reactivate this role for the modern world. It begins with the author’s personal musical story that draws upon her Mi’kmaq/Abenaki First Nations and French Canadian roots, followed by the history of musician healers from ancient Egypt and India. Runningdeer then explores the energetic aspects of music healing, especially the quality of personal energies that a musician channels through her music.

Popular narratives of American history conceal as much as they reveal, presenting a national identity based on harvesting treasures that lay in wait for European colonization. In Whose Ruins tells another story: winding through the US landscape, from Native American earthworks in West Virginia to the Manhattan Project in New Mexico, this history is a tour of sites that were mined for an empire’s power.