Latin American Fiction

Esta novela explora la vida de una familia colombiana a lo largo de tres generaciones, ilustrando cómo los temas de arte, propósito y pertenencia evolucionan a través de las experiencias de la migración. La historia está inspirada en mi historia familiar, en una recreación ficticia que comienza con Richard, un joven artista colombiano desafiante en 1900, cuya vida se entrelaza con la de Tita, su esposa. Juntos gestionan un exitoso negocio de arte en medio de la agitación política y finalmente se mudan a Canadá.

En un rincón de El Salvador, la casa número nueve, con sus paredes de bajareque y techos de teja, resguarda los secretos y las memorias de la familia Fernández. A lo largo de los años, este hogar ha sido testigo de nacimientos, pérdidas y el inquebrantable espíritu de sus habitantes. Emilia y Gregorio, los pilares de esta historia, enfrentan con valentía las adversidades que les impone la vida, desde la lucha diaria por el sustento hasta el impacto de una guerra civil que amenaza con desmoronar su mundo.

Viața lui Dionisio Pinzón e guvernată de hazardul care-l aruncă ba în brațele sărăciei și disperării, ba într-ale abundenței și fericirii: din crainic al satului și muritor de foame, devine cocoșar de succes și jucător de cărți. Din târg în târg, îl însoțește, fără voia ei, La Caponera, frumoasa cântăreață, cu vocea și melodiile ei vrăjite. Sărbătorile și veselia satelor mexicane, libertatea și puterea magnetică a femeilor, dar și corupția și lăcomia, toate acestea se află în Cocoșul de aur.

Laconice, prozele din acest volum amintesc de opera lui Faulkner și de scriitori precum marii tragici ai lumii clasice: García Márquez îl cita adesea pe Sofocle în această privință. Proza „Zi-le să nu mă omoare!" a fost numită de Elias Canetti una dintre cele mai bune cinci opere din literatura universală, iar Günter Grass a citit-o în public la Berlin, alături de Rulfo, în 1981. Geografia mexicană a fost prefăcută de Rulfo, în „Ne-au dat pământ", în scenariul unei călătorii cu ecouri biblice. Kenzaburō Ōe recomandă aceste proze celor care vor să-și creeze propria poveste.

Un suicidio fallido lleva a tres personajes a revalorar todo aquello que han sido sus vidas y lo que podría depararles un hipotético futuro en un mundo inhóspito.

Totalmente revista e atualizada pelo autor–professor titular de Literatura Brasileira na USP–essa obra consagrada aos estudantes universitários, professores e pós-graduados, é tida como a melhor do gênero. Está divida em oito partes: Condição Colonial, Barroco, Arcádia e Ilustração, Romantismo, Realismo, Pré-Modernismo, Modernismo e Tendências Contemporâneas e História da Literatura Brasileira.

La prosa de Ignacio Piedrahíta es una de las más bellas de la literatura colombiana de los últimos años. Su voz nos habla desde la más cercana intimidad: la del que reflexiona mientras observa en silencio, la del que habla consigo mismo. Nos susurra al oído y se apropia de la geología para hacer imágenes de una amplia gama de sensaciones y sentimientos: usa como materia prima de su discurso los saberes de una ciencia que le permiten ser profundo sin ser pretencioso y vacío.

" Aunque el pasaje humano de Las estrellas son negras parezca ser el mismo, lo que impresiona es que siga existiendo en un inmenso paisaje urbano de ruinas y asomos de riqueza. Medio largo siglo después, la novela de Palacios es reconocible en la ciudad, distinta en sus accidentes urbanos y, sin embargo, igual en la profundidad de sus dolores.", Oscar Collazos, Revista Arcadia , 2007. Irra o Israel, el protagonista de este clásico recobrado, publicado por primera vez en la Colombia del año 49, después del Bogotazo, sueña con matar al intendente de una Quibdó que es la de los años cuarenta.

An unnamed paralegal, brought back to life through a controversial process, maneuvers through a near-future world that both needs and resents him. As the United States president spouts anti-reanimation rhetoric and giant pharmaceutical companies rake in profits, the man falls in love with lawyer Faustina Godínez. His world expands as he meets her network of family and friends, setting him on a course to discover his first-life history, which the reanimation process erased.

Xavier Velasco cuenta cómo se convirtió en novelista y lo que significa ser escritor de tiempo completo.

Benjamin lives with a name he hates in a run-down San Francisco apartment, until his brother Billy finds him. Billy's a war veteran who sleeps under a bridge with his loyal band of phone thieves, trying to avoid the police and the VA. Thirty years earlier, Benjamin had an Ivy League degree and was getting noticed for his Peace Corps work on the Ecuadorian coast. But Felicia also noticed, seducing him into a life of cajoling secrets from others to be peddled to the highest bidder. Felicia's talented protégé lived a privileged life until he made a mistake and had to flee with the name Gloria.

Ellenor, fille d'un riche attorney et Ralph, jeune avocat ambitieux, sont amis d'enfance. Peu à peu, leur amitié s'est transformée en un sentiment plus tendre. Ils s'éprennent l'un de l'autre et se fiancent. Et, tout à coup, une nuit de mai va bouleverser leur vie...

September 11, 1973: Eleven-year-old Alejandro Penda watches from his apartment window as Santiago, Chile falls to a military coup, destroying his family and his childhood. Arriving alone in America, he’s taken in by the Larks: a prominent family in the town of Guelisten. Though burdened by unresolved grief for his disappeared parents, he becomes fiercely loyal to the Larks, eventually marrying one of their daughters, Valerie.

When Malena Sevilla's tidy, carefully planned world collapses following her father’s mysterious suicide, she finds a letter - signed with an “A” - that reveals that her mother, whom she thought dead, is very much alive in San Isidro, a quaint town tucked in the Andes Mountains. Intent on meeting her, Malena arrives at Alameda Street and meets four sisters who couldn’t be more different from one another, but who share one thing in common: all of their names begin with an A.

Mary Shelley's 1818 novel presents the Faustian story of a man who aspires to create life out of death, with disastrous results. The novel is constructed as a series of first-person narratives, delivered by Captain Robert Walton, Victor Frankenstein, and his Creature, which makes it perfect for a dramatic reading presented by actor author Geoffrey Giuliano.

Empty Country imagines a quiet, seismic shift in history. After President Donald Trump orders all undocumented immigrants to leave the U.S. within 24 hours, there is no protest—only silence, and then movement. Millions walk south. As they vanish, the U.S. begins to crumble. Crops rot, businesses shutter, and invisible labor scaffolds collapse. In a visionary response, Mexico’s President Claudia Sheinbaum offers a 50-by-50-mile sanctuary in Sonora—a tax-free, autonomous zone. The migrants build a new city: Nueva Esperanza.

México, finales del siglo XVI. Desde su niñez, la falsa beata Crisanta Cruz y el indio apóstata Tlacotzin, desarrollaron una férrea voluntad de sobrevivir y una refinada malicia para burlarse de sus opresores. Ellos son la columna vertebral de una hilarante intriga novelesca que desnuda los vicios privados y las virtudes públicas de la sociedad colonial: la teatralidad del misticismo, los laberintos barrocos del deseo reprimido, el culto clandestino de los Dioses prehispánicos, la sórdida lucha por el poder entre las órdenes religiosas...

Captain Stephen Sorrell returns from the First World War decorated with the Military Cross but unnerved by the conflict. His mercenary wife has deserted him for 'one of the fellows who stayed behind' and left him responsible for their son, Christopher. A promised position in an antique shop fails to materialise, and Sorrell faces poverty. Despite losing status, he takes a job as a hotel porter, cleaning shoes and carrying luggage. Thus begins the long climb to financial security.

Cadix, 1811. Joseph Bonaparte est sur le trône d'Espagne et le pays lutte contre l'occupation des armées napoléoniennes. Mais dans la ville la plus libérale d'Europe, les batailles sont d'une autre nature. Des jeunes filles y sont brutalement assassinées à coups de fouet, à l'endroit exact où tombent les bombes françaises. Ces meurtres tracent sur la cité une carte sinistre, un échiquier sur lequel la main d'un joueur invisible semble déplacer ses pions selon les lignes de tir.

Tom Jones is a splendid Hogarthian panorama of 18th-century English life and morals, encompassing both city and country, and comprising some of the greatest comic characters in British literature. First published in 1749, it was an instant success and has gone on to become a classic of its genre. Quite simply, there has never been anything like it.