Latin American Fiction

Ramón López nació en la frontera entre los Estados Unidos y México, pero está decidido a salir y abrazar el sueño americano, y no está seguro si su complicada familia es una ayuda o un obstáculo. Hijo de inmigrantes, a medida que Ramón crece, su admiración por su padre emprendedor se agria al ver cómo sus sueños de éxito se marchitan. Su madre se encuentra constantemente preocupada por su hermano menor, quien lucha contra una discapacidad intelectual.

Es el año 2017 y Olga y su hermano, Pedro 'Prieto' Acevedo, tienen un renombre audaz en su ciudad natal de Nueva York. Prieto es un congresista popular que representa a su vecindario Latinx de Brooklyn que está en vías de ser gentrificado, mientras que Olga es la organizadora de bodas más destacada de los poderosos de Manhattan.

Una selección esencial de la obra de Luis Rafael Sánchez, el escritor puertorriqueño contemporáneo más reconocido internacionalmente. Esta "antología indócil" de Luis Rafael Sánchez, una figura clave de la literatura latinoamericana, atraviesa el cuento, la novela, la crónica periodística y el teatro de la mano de los profesores Luce López-Baralt y Aníbal González-Pérez.

Matadero Franklin es una narración inspirada en la juventud del Cabro Carrera, pero también es un relato sobre Santiago, los barrios de la capital y la forma de vivir que fue destruida con el golpe de Estado. Si pudiésemos mezclar Fargo, The Sopranos, Gangs of New York y ambientarlas en el Chile del siglo pasado, de seguro el resultado no sería tan sorprendente.

Una novela sobre las decisiones erradas que tomamos como individuos y colectividad Norogachi, Chihuahua. Unas furiosas garras de fuego iluminan el cielo nocturno y abrasan la iglesia de Nuestra Señora del Pilar. Mientras el pueblo trajina inútilmente cubetas de agua para intentar apagar el incendio y todos se preguntan qué sucedió, en la montaña sólo se escuchan los aullidos del Lobo Montejo, un exsacerdote que colgó los hábitos para formar una familia y vivir en comunidad.

1939. Alla fine della Guerra civile spagnola, il giovane medico Víctor Dalmau e un’amica di famiglia, la pianista Roser Bruguera, sono costretti, come altre migliaia di spagnoli, a scappare da Barcellona. Attraversati i Pirenei, a Bordeaux, fingendosi sposati, riescono a imbarcarsi a bordo del Winnipeg, il piroscafo preso a noleggio da Pablo Neruda per portare più di duemila profughi spagnoli in Cile – il “lungo petalo di mare e neve”, nelle parole dello stesso poeta –, in cerca di quella pace che non è stata concessa loro in patria.

"Es la novela de una particular clase social: la más alta, la del poder, las drogas, la política y los viajes de placer, esa clase social que todos nuestros países tienen, buena para nada, inútil hasta la exasperación. El planteo de esta novela es, en esencia, el vacío. La vacuidad de estas vidas es impresionante, y en tal sentido me parece un logro que este texto muestre tan virtuosamente la infatuación y el eterno desmoronamiento de las burguesías."

Estaba la pájara pinta sentada en un verde limón se ha vuelto, con el tiempo, un hito en la literatura colombiana y uno de los textos más estudiados para entender el origen de la violencia que todavía hoy azota a este país. Su lenguaje fresco, ágil y rico ha permitido que la novela perdure y que cada día sea más valorada por las nuevas generaciones.

Emilia and Gregorio spent their childhood following their grandmother through the mountains of central México, gathering the ingredients she used for curandera work and learning about the supernatural world. When she passes away, the siblings are left alone. So they scrape together their money and pay coyotes to smuggle them to their father in the United States. The siblings are exhausted before they even reach the border, where the coyotes seize Emilia for their own harsh ends.

Recently divorced, Palma, a forty-three-year-old Latina, takes stock of her life when she reconnects with her gangster younger cousin recently released from prison. Her sexual obsession with him flares as she checks out her other options, but their family secrets bring them together in unexpected ways. In this wildly entertaining and sexy novel, Ana Castillo creates a memorable character with a flare for fashion, a longing for family, and a penchant for adventure.

Todos sabemos desde la infancia qué personas forman nuestra familia y cuáles son los lazos que nos unen a cada una de ellas. Todos menos la protagonista de esta novela, a quien nunca contaron que ella también, en algún momento de su vida, había tenido una. ¿Qué sucedió en aquellos años para que todos los vestigios de la época desaparecieran?

Mariana, a young girl full of dreams and aspirations, lives an idyllic life on a lush California citrus ranch. Her world is turned upside down when her brother is killed, and a powerful man orchestrates her family's deportation. Mariana's life transforms from the protected embrace of life on the ranch to the chaotic whirlwind of Tijuana in the 1920s. As Prohibition rages north of the border, Tijuana descends into debauchery, with saloons, casinos, and brothels—earning the moniker Satan's Playground.

At eighteen, Soledad couldn't get away fast enough from her contentious family with their endless tragedies and petty fights. Two years later, she's an art student at Cooper Union with a gallery job and a hip East Village walk-up. But when Tia Gorda calls with the news that Soledad's mother has lapsed into an emotional coma, she insists that Soledad's return is the only cure. Fighting the memories of open hydrants, leering men, and slick-skinned teen girls with raunchy mouths and snapping gum, Soledad moves home to West 164th Street.

In fuga dalla schiavitù, il viaggio di una madre alla ricerca dei figli e della libertà. "È questa la libertà?" si chiede Rachel, mentre corre in una foresta immersa nel buio, sola, atterrita, esausta. Sta scappando dalla piantagione in cui ha trascorso tutta la sua esistenza, da un lavoro sfibrante, da un padrone brutale. Lo stesso padrone che, quella mattina del 1834, ha annunciato la fine della schiavitù, per poi aggiungere che tutti loro avrebbero dovuto prestare servizio come apprendisti per altri sei anni. Una beffa atroce. In quell'istante, qualcosa in Rachel si è spezzato.

Son los años cincuenta, Raquel y Alejo se aman a escondidas: los prejuicios del padre de Raquel les impiden verse libremente. Sin embargo, las precauciones para no ser encontrados fallan y una noche los protagonistas son sorprendidos. El castigo es la separación, la que llevará a Raquel a París y a Alejo, a la Amazonía peruana.

Fulfilling his father's last wishes, Dani embarks on a road trip back to his childhood village, a three-hour hearse journey from Madrid. Leaving behind the busy streets of the city for the deserted, archaic heart of Spain, Dani revisits the key junctions of his life: his conflicted relationship with a pragmatic and authoritarian father; the mystery of his birth; his school years in the repressed atmosphere of Catholic Spain; the origin of his band and its early successes; the emptiness left by a tragically lost friendship; his great loves.

Growing up with a kind but alcoholic father and a suspicious, passive-aggressive mother, the Bernal sisters each developed their own way of coping: Dulcina had her art and drugs and alcohol, Claudia plunged into her studies and fled to Princeton, and Maritza watched one Disney movie after another in between devouring romance novels. Now all grown up, the sisters are reunited at last for Maritza’s dream wedding. With all three Bernal sisters back in their East L.A. home, each begins to take steps to come to terms with each other, their parents, and secrets from their shared past.

This is the story of a successful young couple living in Austin, Texas, whose personal histories, identities, aptitudes and ambitions have brought them to this booming city in this time, to the music and tech industries, and to one another. New and old successes and family ties and responsibilities force them to reckon with the people their happy modern lives have made them. Two Twins is an exploration of millennial middle age, how our personal anthropologies inform what we want from life, and the kinds of love we’re capable of offering and the kinds we’re apt to receive.

Erin Simpkins is a cardiothoracic surgeon at the top of her game. Iliana Martinez is a beautiful Latina with surgical skills and a brilliant mind. Cobra Dilan is the tiniest surgeon in the operating room, a country doctor with a big heart and a patriotic allegiance to the ole south. These three young surgeons are the next generation of doctors at Penn's Landing Memorial Hospital. Their lives are extreme and full of drama. They work at an urban trauma center in Philadelphia where their personal lives cause problems in and out of the OR.

There’s only one solution for a nasty case of writer’s block, and that’s murder. Specifically, that of one Mercy McCabe, a cunning SoHo art dealer who was once our Latina narrator’s rival for the scrumptious Bebe. When she discovers that McCabe has squandered Bebe’s affections after stealing her away, revenge is not enough: She must admit her guilt, sentence herself, and beg for her own execution, Soviet-style.