Latin American Literature

Este libro es la primera publicación en el género narrativo del autor y recopila cuentos y microcuentos, cuya temática común es el erotismo. El erotismo humano es considerado un tema fundamental de la literatura a lo largo de toda la historia de la humanidad. Para algunos, incluso, constituye un género o subgénero en las letras. Este texto incluye historias censurables, lujuriosas y que de otro modo debieran quedarse en el silencio o en el secreto más arcano.

Un escritor recibe la noticia de la muerte del que fue su maestro como periodista y con el que, a pesar de no verse apenas ya, mantenía una amistad inquebrantable. Después del funeral, alguien le hace llegar de manera anónima un ejemplar de una novela que publicó el fallecido cuando era joven, un libro que prohibió la censura y que todos creían desaparecido.

Esta novela explora la vida de una familia colombiana a lo largo de tres generaciones, ilustrando cómo los temas de arte, propósito y pertenencia evolucionan a través de las experiencias de la migración. La historia está inspirada en mi historia familiar, en una recreación ficticia que comienza con Richard, un joven artista colombiano desafiante en 1900, cuya vida se entrelaza con la de Tita, su esposa. Juntos gestionan un exitoso negocio de arte en medio de la agitación política y finalmente se mudan a Canadá.

What does it mean to be other? What does it mean to love in a world determined to keep us apart? These questions murmur in the heart of each of Brenda Peynado’s strange and singular stories. Threaded with magic, transcending time and place, these stories explore what it means to cross borders and break down walls, personally and politically.

Son dos vidas paralelas a pesar de las distancias personales que los separan. Con sus incomparables ingenios han logrado situar la literatura de América Latina en los más altos niveles y llenado de magia nuestra imaginación. En este libro, usted querido lector, encontrará datos y memorias sobre estos dos titanes de la escritura contemporánea.

Immune to the consequences of immorality, five privileged young men in Bogotá bond over a shared code: worship drugs and drink, exploit women, and scorn the underclass. As males, they declare the right to freedom of pleasure. As friends, only disloyalty to each other is forbidden. When a little girl from the slums disappears, the limits of a perverse and sacred bond will be tested in ways none of them could have imagined.

La prosa de Ignacio Piedrahíta es una de las más bellas de la literatura colombiana de los últimos años. Su voz nos habla desde la más cercana intimidad: la del que reflexiona mientras observa en silencio, la del que habla consigo mismo. Nos susurra al oído y se apropia de la geología para hacer imágenes de una amplia gama de sensaciones y sentimientos: usa como materia prima de su discurso los saberes de una ciencia que le permiten ser profundo sin ser pretencioso y vacío.

La heredera de una gran hacienda de Yucatán y un arqueólogo inglés. La sombra mágica del jaguar. Dos cadáveres, una ciudad perdida y un misterio por resolver.

When Lola comes home to her parents' house to find a horde of relatives mourning her death, no one is more surprised than she is. The news had reported that one Lola Cruz, private investigator, was found murdered in an alley, causing great alarm in the Cruz family. Before Lola can say, "boo", a cop comes to the house. It turns out the dead woman had a driver's license with Lola's information.

On a frigid, January night, a blond, blue-eyed high school girl walks out of an English class she tutors for immigrants - and vanishes. Suspicion quickly falls on the men she was teaching, many of whom are undocumented. As disturbing evidence trickles in, news of the incident spreads beyond the scenic town of Lake Holly, New York, unearthing deep-seated fears and enflaming cultural tensions. For county police detective Jimmy Vega, the situation is personal.

It's 2004 in Muriga, a quiet town in Spain's northern Basque Country, a place with more secrets than inhabitants. Five years have passed since the kidnapping and murder of a young local politician - a family man and father - and the town's rhythms have almost returned to normal. But in the aftermath of the Atocha train bombings in Madrid, an act of terrorism that rocked the nation and the world, the townspeople want a reckoning of Muriga's own troubled past.

South Korea, 1970s: A rash of armed robberies at local Korean banks doesn't concern the American military - until a fatality occurs, and proof surfaces that US soldiers are behind the crimes. The case has been assigned to CID Agents Jake Burrows and Felix Slabem, but they certainly won't do anything that might make 8th United States Army look bad. So Sergeants George Sueno and Ernie Bascom have decided to step in and investigate the robberies - and murder - themselves.

Venezuela, 1992. Unknown colonel Hugo Chávez stages an ill-fated coup against a corrupt government, igniting the passions of Venezuela’s poor and catapulting the oil-rich country to international attention. For two rival spies hurriedly dispatched to Caracas - one from Washington, DC, and the other from Fidel Castro’s Cuba - this is a career-defining mission.

When Felice learns that she’s the daughter of La Llorona, she catches a ride to the magical town of Tres Leches, where her mother is said to be haunting the river. Growing up with her uncle Clem in Corpus Christi, Felice knew that she had been rescued from drowning—it’s where her intense fear of water comes from—but she had no idea her mother remained trapped between worlds, looking for her.

The Awana tribe, who live in the remote Amazon jungle in the Brazilian state of Pará, have dwindled to only forty-one members - and now thirty-nine of them have dropped dead of what looks like poison. The neighboring white townsfolk don't seem to be mourning the genocide much – in fact, the only person who seems to care at all is Jade Calmon, the official tribal relations agent assigned to the area. She wants justice for the two survivors, a father and his eight-year-old son.

El Greco visits the Sistine Chapel and is appalled by Michelangelo's bodies. The mystery of Rothko's refusal to finish murals for the Seagram Building in New York is blended with the story of a hospital in which a prostitute walks the halls while the narrator's husband receives chemotherapy. Alfred de Dreux visits Gericault's workshop; Gustave Courbet's devilish seascapes incite viewers "to have sex, or to eat an apple"; Picasso organizes a cruel banquet in Rousseau's honor.... All of these fascinating episodes in art history interact with the narrator's life in Buenos Aires.

En 1651, Robinson Crusoé quitte York, en Angleterre pour naviguer, contre la volonté de ses parents qui voulaient qu'il devienne avocat. Le navire est arraisonné par des pirates de Salé et Crusoé devient l'esclave d'un Maure. Il parvient à s'échapper sur un bateau et ne doit son salut qu'à un navire portugais qui passe au large de la côte ouest de l'Afrique. Arrivé au Brésil, Crusoé devient le propriétaire d'une plantation.

In the heart of the Great Depression, Rancho Las Moras, like everywhere else in Texas, is gripped by the drought of the Dust Bowl, and resentment is building among white farmers against Mexican Americans. All around town, signs go up proclaiming “No Dogs or Mexicans” and “No Mexicans Allowed.” When Estrella organizes a protest against the treatment of tejanos in their town of Monteseco, Texas, her whole family becomes a target of “repatriation” efforts to send Mexicans “back to Mexico”—whether they were ever Mexican citizens or not.

South Korea, 1974: A young Korean woman is found strangled to death on the frozen banks of the Sonyu River with only a carefully calligraphed poem on her person. Sergeants George Sueño and Ernie Bascom, agents in the US Eighth Army CID, are called in by the formidable KNP detective Gil Kwon-up to investigate. As they begin to investigate, George and Ernie come into direct contact with the US Army's Second Infantry Division, a disciplined and often brutal force.

En un rincón de El Salvador, la casa número nueve, con sus paredes de bajareque y techos de teja, resguarda los secretos y las memorias de la familia Fernández. A lo largo de los años, este hogar ha sido testigo de nacimientos, pérdidas y el inquebrantable espíritu de sus habitantes. Emilia y Gregorio, los pilares de esta historia, enfrentan con valentía las adversidades que les impone la vida, desde la lucha diaria por el sustento hasta el impacto de una guerra civil que amenaza con desmoronar su mundo.