Latin American Literature

Esposa de Diego Rivera y, después, del poeta y crítico Jorge Cuesta, autor insigne de los Contemporáneos, María Guadalupe Marín Preciado, Lupe Marín (1895-1983), fue protagonista de una época esplendorosa y musa de una pléyade de creadores como Xavier Villaurrutia y Juan Soriano, además de ejercer una influencia poderosa sobre hijos y nietos, herederos de un legado tan deslumbrante como imperioso. Una vida extraordinaria que sólo puede contarse en una novela.

The year is 1947. Israel Levis, a Cuban composer whose life once revolved around music and love, is finally returning home. En route to Habana, Cuba from Spain, he is a shadow of his former self, disillusioned after he was mistakenly sent to a camp during the Nazi occupation of France. In Habana, he escapes his anguish by reminiscing about his happiest moments before the war, when he lived a life of pleasure and excitement—and had a loving, if unrequited romance with Rita Valladares, the alluring singer who inspired Levis’s most famous composition, “Rosas Puras.”

Ramón López nació en la frontera entre los Estados Unidos y México, pero está decidido a salir y abrazar el sueño americano, y no está seguro si su complicada familia es una ayuda o un obstáculo. Hijo de inmigrantes, a medida que Ramón crece, su admiración por su padre emprendedor se agria al ver cómo sus sueños de éxito se marchitan. Su madre se encuentra constantemente preocupada por su hermano menor, quien lucha contra una discapacidad intelectual.

Una selección esencial de la obra de Luis Rafael Sánchez, el escritor puertorriqueño contemporáneo más reconocido internacionalmente. Esta "antología indócil" de Luis Rafael Sánchez, una figura clave de la literatura latinoamericana, atraviesa el cuento, la novela, la crónica periodística y el teatro de la mano de los profesores Luce López-Baralt y Aníbal González-Pérez.

Matadero Franklin es una narración inspirada en la juventud del Cabro Carrera, pero también es un relato sobre Santiago, los barrios de la capital y la forma de vivir que fue destruida con el golpe de Estado. Si pudiésemos mezclar Fargo, The Sopranos, Gangs of New York y ambientarlas en el Chile del siglo pasado, de seguro el resultado no sería tan sorprendente.

In fuga dalla schiavitù, il viaggio di una madre alla ricerca dei figli e della libertà. "È questa la libertà?" si chiede Rachel, mentre corre in una foresta immersa nel buio, sola, atterrita, esausta. Sta scappando dalla piantagione in cui ha trascorso tutta la sua esistenza, da un lavoro sfibrante, da un padrone brutale. Lo stesso padrone che, quella mattina del 1834, ha annunciato la fine della schiavitù, per poi aggiungere che tutti loro avrebbero dovuto prestare servizio come apprendisti per altri sei anni. Una beffa atroce. In quell'istante, qualcosa in Rachel si è spezzato.

In 1960s New York, Edward Ives is a picture of the American dream. Adopted as a child by a widowed print shop manager who helped him cultivate a love of drawing, he now has a successful career as an illustrator in advertising, a beautiful home with his wife and muse, Annie, and two loving children. But this idyllic life is brutally wrenched away when Ives’s 17-year-old son, Robert is murdered in a crime of opportunity that proves to be as random as it is senseless.

1939. Alla fine della Guerra civile spagnola, il giovane medico Víctor Dalmau e un’amica di famiglia, la pianista Roser Bruguera, sono costretti, come altre migliaia di spagnoli, a scappare da Barcellona. Attraversati i Pirenei, a Bordeaux, fingendosi sposati, riescono a imbarcarsi a bordo del Winnipeg, il piroscafo preso a noleggio da Pablo Neruda per portare più di duemila profughi spagnoli in Cile – il “lungo petalo di mare e neve”, nelle parole dello stesso poeta –, in cerca di quella pace che non è stata concessa loro in patria.

"Es la novela de una particular clase social: la más alta, la del poder, las drogas, la política y los viajes de placer, esa clase social que todos nuestros países tienen, buena para nada, inútil hasta la exasperación. El planteo de esta novela es, en esencia, el vacío. La vacuidad de estas vidas es impresionante, y en tal sentido me parece un logro que este texto muestre tan virtuosamente la infatuación y el eterno desmoronamiento de las burguesías."

Son los años cincuenta, Raquel y Alejo se aman a escondidas: los prejuicios del padre de Raquel les impiden verse libremente. Sin embargo, las precauciones para no ser encontrados fallan y una noche los protagonistas son sorprendidos. El castigo es la separación, la que llevará a Raquel a París y a Alejo, a la Amazonía peruana.

The veil between the living and the dead is obscured, chaos becomes panacea, and characters take drastic measures into their own hands. Survivors of all kinds seek strategy and solace: a group of homeless people organize an occupation of vacant condos, a new resident to a disturbing neighbourhood tries to make sense of madness, a dog investigates the sudden disappearance of his owner. The five intertwined vignettes in the title story are set in a Caribbean country where the spectre of the sugar plantation haunts everyone.

Estaba la pájara pinta sentada en un verde limón se ha vuelto, con el tiempo, un hito en la literatura colombiana y uno de los textos más estudiados para entender el origen de la violencia que todavía hoy azota a este país. Su lenguaje fresco, ágil y rico ha permitido que la novela perdure y que cada día sea más valorada por las nuevas generaciones.

Emilia and Gregorio spent their childhood following their grandmother through the mountains of central México, gathering the ingredients she used for curandera work and learning about the supernatural world. When she passes away, the siblings are left alone. So they scrape together their money and pay coyotes to smuggle them to their father in the United States. The siblings are exhausted before they even reach the border, where the coyotes seize Emilia for their own harsh ends.

En la Barcelona de la posguerra —ese espacio ya mítico donde transcurre la narrativa de Marsé—, el capitán Blay, con su cabeza vendada y sus suspicacias sobre los escapes de gas que están a punto de hacer volar toda la ciudad, se pasea por el barrio sacudido aún por los estertores de la guerra perdida y acompañado por los espectros gimientes de sus hijos muertos.

Hector Santinio is the younger son of Alejo and Mercedes, who moved to New York from Cuba in the mid-1940s. The family of four shares their modest apartment with extended relatives in Harlem, where homesickness and nostalgia are dispelled by nights of dancing and raucous parties. But life’s realities are nevertheless harsh in the Santinio family’s adoptive land.

Havana, Cuba. December 1958. Two brothers find themselves on opposite sides of Castro’s revolution. One dark night, after rescuing a leader of the revolt under house arrest, one brother finds himself hunted. The other, an influential attorney, must make a choice. Help his brother, placing the whole family at risk, or let Batista’s forces capture him. His decision will haunt them both for the rest of their lives.

Recently divorced, Palma, a forty-three-year-old Latina, takes stock of her life when she reconnects with her gangster younger cousin recently released from prison. Her sexual obsession with him flares as she checks out her other options, but their family secrets bring them together in unexpected ways. In this wildly entertaining and sexy novel, Ana Castillo creates a memorable character with a flare for fashion, a longing for family, and a penchant for adventure.

A collection of humorous, sexy, and highly neurotic tales about parenting, long-term relationships, systemic and interpersonal racism, and class conflict from the author of The Town of Babylon, The People Who Report More Stress deftly and poignantly expresses the frustration of knowing the problems and solutions to our society’s inequities but being unable to do anything about them.

Thirtysomething Flores and her mother, Paula, still live in the same Brooklyn apartment, but that may be the only thing they have in common. It’s been nearly three years since they lost beloved husband and father Martín, who had always been the bridge between them. One day, cleaning beneath his urn, Flores discovers a note written in her mother’s handwriting: Perdóname si te falle. Recuerda que siempre te quise. (“Forgive me if I failed you. Remember that I always loved you.”) But what would Paula need forgiveness for?

Yolanda García—Yo, for short—is the literary one in the family. Her first published novel, in which she uses as characters practically everyone she knows, was a big success. Now she’s basking in the spotlight while those “characters” find their very recognizable selves dangling in that same blinding light. But turnabout is fair play, and so here, Yolanda García’s family and friends tell the truth about Yo.