Latino Art

El Greco visits the Sistine Chapel and is appalled by Michelangelo's bodies. The mystery of Rothko's refusal to finish murals for the Seagram Building in New York is blended with the story of a hospital in which a prostitute walks the halls while the narrator's husband receives chemotherapy. Alfred de Dreux visits Gericault's workshop; Gustave Courbet's devilish seascapes incite viewers "to have sex, or to eat an apple"; Picasso organizes a cruel banquet in Rousseau's honor.... All of these fascinating episodes in art history interact with the narrator's life in Buenos Aires.

Richard Blanco's childhood and adolescence were experienced between two imaginary worlds: his parents' nostalgic world of 1950s Cuba and his imagined America, the country he saw on reruns of The Brady Bunch and Leave it to Beaver—an "exotic" life he yearned for as much as he yearned to see "la patria." A prismatic and lyrical narrative rich with the colors, sounds, smells, and textures of Miami, Richard Blanco's personal narrative is a resonant account of how he discovered his authentic self and ultimately, a deeper understanding of what it means to be American.

Esmeralda Santiago reminisces about her childhood in Puerto Rico and her early years in Brooklyn as the oldest of seven (soon to be 11) children. Her upbringing is turbulent on account of her parents’ relentless fighting, which only ever seems to stop when they have another baby. When her youngest brother has an accident, her mother decides to move to New York with her children to seek medical treatment. Arriving in the United States, 13-year-old Santiago experiences uprooting and a loss of identity while she tries to adapt to a culture and language that are foreign to her.

In A New America, Tommy Mottola explores the societal and cultural impact the Latino community and its music has had on America by sharing behind-the-scenes stories from his own life and his connection to the Latin sound throughout the decades - from his initial fascination with Latin music which started with Puente, to the mainstream success of Ritchie Valens, to the groove-laden guitar wizardry of Carlos Santana. >But A New America is more than a story about music and musicians. It is the story of a culture that continues to grow and influence America.

All They Will Call You is the harrowing account of "the worst airplane disaster in California's history", which claimed the lives of 32 passengers, including 28 Mexican citizens - farmworkers who were being deported by the US government. Outraged that media reports omitted only the names of the Mexican passengers, American folk icon Woody Guthrie penned a poem that went on to become one of the most important protest songs of the 20th century.

Jorge Ramos, an Emmy award-winning journalist, Univision's longtime anchorman and widely considered the "voice of the voiceless" within the Latino community, was forcefully removed from an Iowa press conference in 2015 by then-candidate Donald Trump after trying to ask about his plans on immigration. In this personal manifesto, Ramos sets out to examine what it means to be a Latino immigrant, or just an immigrant, in present-day America. With current research and statistics, a journalist nose for a story, and his own personal experience, Ramos shows us the changing face of America.

El Arte de amar (en latín, Ars amatoria) es un poema didáctico escrito por el poeta romano Ovidio. Escrito en latín y publicado entre los años 2 a. C. y 2 d. C. consta de tres libros o cantos en los que facilita una serie de consejos sobre las relaciones amorosas: dónde encontrar mujeres, cómo cortejarlas, cómo conquistarlas, cómo mantener el amor, cómo recuperarlo, cómo evitar que nos lo roben, etc.

"This story is the record of a struggle between two temperaments, two consciences and almost two epochs. It ended, as was inevitable, in disruption. Of the two human beings here described, one was born to fly backward, the other could not help being carried forward. The affection of these two persons was assailed by forces in comparison with which the changes that health or fortune or place introduce are as nothing.

"City-Center", "Backshop", "Service-Point" - die klassischen Fälle von "Denglisch", wie es Sprachkritiker ebenso neudeutsch wie spöttisch nennen, sind vielen Sprachpuristen ein Dorn im Auge. Dabei ist der Einfluss einer fremden Sprache auf das Deutsche durchaus kein neues Phänomen. Für Karl-Wilhelm Weeber müsste es deshalb richtig heißen: "Denglatein". Denn mindestens die Hälfte des heftig umstrittenen "Denglisch" hat seinen Ursprung im Lateinischen. Wer also beispielsweise durch die denglische City geht, durchstreift im Grunde die lateinische civitas.

Best-selling and Booker Prize-winning author Salman Rushdie offers incisive, often humorous takes on literature, culture, and world events in this New York Times Notable Book. In these stimulating pieces, Rushdie addresses a variety of subjects, including the death of the novel, India, soccer, and the Rolling Stones.

Escrito por Leila Cobo, la mayor autoridad de la música latina, La fórmula “Despacito” es una mirada profunda al detrás de escenas de la música que hace bailar al mundo entero.

Decoding "Despacito" tracks the stories behind the biggest Latin hits of the past 50 years. From the salsa born and bred in the streets of New York City, to Puerto Rican reggaetón and bilingual chart-toppers, this rich oral history is a veritable treasure trove of never-before heard anecdotes and insight from a who's who of Latin music artists, executives, observers, and players. Their stories, told in their own words, take you inside the hits, to the inner sanctum of the creative minds behind the tracks that have defined eras and become hallmarks of history.

Jorge Ramos, periodista galardonado con premios Emmy, reconocido presentador del Noticiero Univisión y considerado "la voz de los sin voz" de la comunidad latina, fue expulsado de una rueda de prensa del candidato presidencial Donald Trump en Iowa en el año 2015 tras cuestionar sus planes sobre inmigración.

Tras el rotundo éxito de William Ospina con Pa' que se acabe la vaina, Enrique Serrano escribe aquí su propia visión del pasado y el futuro del país desde una acera ideológica distinta y con un resultado igualmente notable.

For All of Us, One Today is a fluid, poetic story anchored by Richard Blanco’s experiences as the inaugural poet in 2013, and beyond. In this brief and evocative narrative, he shares for the first time his journey as a Latino immigrant and openly gay man discovering an emotional new understanding of what it means to be an American. He tells the story of the call from the White House committee and all the exhilaration and upheaval of the days that followed.

Half-Cuban, half-Puerto Rican, Luis "DJ Disco Wiz" Cedeño is 100 percent Boogie Down Bronx. Born in the 60s, Wiz struggled in a turbulent and violent relationship with his alcoholic father while trying to protect his mother who was suffering from breast cancer. Raised in the 70s, Wiz learned the code of the streets while hustling with his crew, the East Side Boys.

Aparentemente da noite para o dia, o programa de TV mais popular da história da América Latina havia desaparecido de todas as redes a cabo e de streaming, e ninguém sabia o motivo. Seu desaparecimento trouxe à tona questões sobre a história confusa do programa. Nesta série, investigamos os problemas políticos, cômicos e interpessoais do programa, juntamente com a experiência de assistir a um programa que definiu gerações da televisão latino-americana. Separamos a nostalgia dos danos reais causados por Chaves para reformular o que significa amar uma obra de arte complicada.

Orthodoxy, first published 1908, is Chesterton's spiritual autobiography. Subtitled, 'The romance of faith', Chesterton declares that people need a life of 'practical romance; the combination of something that is strange with something that is secure.'

En estas páginas, la exploración de la música latinoamericana conduce hacia la historia más amplia de la conceptualización de la región. Tal como sostiene Palomino: "La música proporciona así un modelo para comprender ahora los mecanismos nacionales y transnacionales que siguen produciendo el lugar de América Latina en el marco de la cultura global conflictiva y fascinante que habitamos".

"Hace tiempo que no leía algo tan bueno. En pana puede leerse como una autobiografía—porque es la biografía de unos autos—o un ménage à trois entre novela, ensayo y poesía, o una exagerada nota al pie acerca del copiloto como un pequeño dios. Martín Cinzano ha escrito un libro inolvidable, muy divertido, melancólico, vertiginoso e introspectivo: callejero, carretero y carrilero." —Alejandro Zambra