Literary Biography

Roald Dahl, el gran autor de literatura infantil, narra en Volando solo los acontecimientos más fascinantes de su vida. La vida de Roald Dahl estuvo siempre marcada por las ansias de aventuras, en este libro recogió algunos de los acontecimientos más emocionantes de su vida: las increíbles experiencias como piloto de combate en la Segunda Guerra Mundial, el placer de volar, la camaradería en tiempos difíciles y la exótica belleza de sus viajes por África.

Imagine sitting with an esteemed writer on his or her front porch somewhere in the world and swapping life stories. Dr. Wayne Flynt got the opportunity to do just this with Nelle Harper Lee. In a friendship that blossomed over a dozen years starting when Lee relocated back to Alabama after having had a stroke, Flynt and his wife Dartie became regular visitors at the assisted living facility that was Lee's new home. And there the conversation began, with an invitation to "Come in, sit down, and stay a while."

An autobiography usually requires a justification. The great autobiographies—those by Benvenuto Cellini, Jean-Jacques Rousseau, Benjamin Franklin, and Henry Brooks Adams—were justified by their authors living in interesting times, harboring radically new ideas, or participating in great events. Joseph Epstein qualifies on none of these counts. His life has been quiet, lucky in numerous ways, and far from dramatic. But it has also been emblematic of the great changes in our country since World War II. Never Say You’ve Had a Lucky Life is an intimate look at one life steeped in radical change.

Born on the West Coast, the son of Bronx-born parents, Steve Wasserman is a generalist and public intellectual but is perhaps less well known as a cultural essayist and social critic of the first rank. In thirty splendid essays, originally published in such diverse publications as The New Republic and The Nation, The American Conservative and The Progressive, The Village Voice and The Economist, Wasserman delivers a riveting account of the awakening of an empathetic sensibility and a lively mind.

At twenty-three, Michelle Ephraim was failing at everything. The only child of reclusive Holocaust-survivor parents who were dismayed by her literary studies, she found herself dumped by her boyfriend and bombing out of graduate school. Then, one night, she crashed a Shakespeare recitation party. Loopy from vodka and never having read a single line of Shakespeare, she was transfixed. Shakespeare, she decided, was the lifeline she needed.

Read by the author, Sarah Harkness. From an impoverished childhood in the Scottish highlands to Victorian London, this is the inspiring story of brothers Daniel and Alexander Macmillan who built a publishing empire - and brought Alice in Wonderland to the world. Their remarkable achievements are...

The literary establishment tends to regard Bob Dylan as an intriguing, if baffling, outsider. That changed overnight when Dylan was awarded the 2016 Nobel Prize in Literature, challenging us to think of him as an integral part of our national and international literary heritage. No One to Meet places Dylan the artist within a long tradition of literary production and offers an innovative way of understanding his unique, and often controversial, methods of composition.

Il primo atlante mondiale della grande criminalità. Le mafie sono cambiate immensamente negli ultimi decenni. Fanno meno morti, forse, ma sono molto più potenti, ramificate, ricche. Si sono internazionalizzate, spesso hanno lasciato gli affari «piccoli» (prostituzione, gioco d’azzardo ecc.) a organizzazioni minori per concentrarsi su più redditizi business (dal traffico d’armi a quello di organi ed esseri umani all’emigrazione al traffico delle scorie radioattive ecc.).

Presented here is Volume III of our Feminist Literary Classics series, featuring three of the most important feminist novels ever written: Orlando: A Biography by Virginia Woolf, O Pioneers! by Willa Cather and So Big by Edna Ferber. The first book in this collection is Orlando: A Biography, a groundbreaking English novel by Virginia Woolf that explores English history, gender roles and sexual politics in a way few books have before or since.

Richard Blanco's childhood and adolescence were experienced between two imaginary worlds: his parents' nostalgic world of 1950s Cuba and his imagined America, the country he saw on reruns of The Brady Bunch and Leave it to Beaver—an "exotic" life he yearned for as much as he yearned to see "la patria." A prismatic and lyrical narrative rich with the colors, sounds, smells, and textures of Miami, Richard Blanco's personal narrative is a resonant account of how he discovered his authentic self and ultimately, a deeper understanding of what it means to be American.

Over his decade and a half with the New York Police Department, Edwin Raymond consistently exposed the dark underbelly of modern policing, becoming the highest-ranking whistleblower in the history of the force and one of the country’s leading voices against police injustice. Offering a rare, often shocking view of American policing, An Inconvenient Cop pulls back the curtain on the many flaws woven into the NYPD’s training, data, and practices, which have since been repackaged and repurposed by police departments across the country.

Ghalib's poetic trajectory begins from Urdu, then moves to composing almost entirely in Persian and finally swings back to Urdu. It is nearly as complex as his poetry. However, his poetic output in Persian is far more than what he wrote in Urdu. More important is that he gave precedence to Persian over Urdu. Ghalib's voice presents us with a double bind, a linguistic paradox. Exploring his life, works and philosophy, this authoritative critical biography of Ghalib opens a window to many shades of India and the subcontinent's cultural and literary tradition.

In this lyrical, coming-of-age memoir, Daisy Hernández chronicles what the women in her Cuban-Colombian family taught her about love, money, and race. Her mother warns her about envidia and men who seduce you with pastries, while one tía bemoans that her niece is turning out to be “una india” instead of an American. Another auntie instructs that when two people are close, they are bound to become like uña y mugre, fingernails and dirt, and that no, Daisy’s father is not godless. He’s simply praying to a candy dish that can be traced back to Africa.

Horace was one of the greatest poets during the reign of Augustus and is seen as mark of cultural sophistication since this time. This Very Short Introduction examines how Horace's poetry has exerted enormous influence but argues that it is best understood within the traditions of ancient literature.

A classic portrait of immigrant life in the early decades of the twentieth century, A Walker in the City is a tour of tenements, subways, and synagogues—but also a universal story of the desires and fears we experience as we try to leave our small, familiar neighborhoods for something new.

For almost two centuries after his death, Shakespeare had no biography. The makings of one were not available. No chronology had been devised by which to coordinate the events in his life with the writing of his works. Nor was there an archive of primary materials on which to base a life. And the only work by Shakespeare written in the first person, the Sonnets, had yet to be critically edited and incorporated into the canon. Without a biography, how could Shakespeare have been valued and understood?

With the publication of her first book of poems in her sixty-third year, Amy Clampitt rose meteorically to fame, launching herself from obscurity to the upper ranks of American poetry all but overnight, and living a whirlwind eleven years, until her death in 1994. Years later, as renowned poetry scholar Willard Spiegelman wades into her papers and poems, he discovers a woman of dazzling intellect, staunch progressive politics, and an inexhaustible sense of wonder for the world and the words we’ve invented to describe it.

What happens when freedom of expression comes under threat? In frank and wide-ranging interviews, historian and critic Leonard S. Marcus probes the experience of thirteen leading authors of books for young people.

Once you have read about Chris Crutcher's life as a dateless, broken-toothed, scabbed-over, God-fearing dweeb, and once you have contemplated his ascension to the buckskin-upholstered throne of the King of the Mild Frontier, you will close this book, close your eyes and hold it to your chest, and say, "I, too, can be an author." Hell, anyone can.

Ted Geisel loved to doodle from the time he was a kid. He had an offbeat, fun-loving personality. He often threw dinner parties where guests wore outrageous hats! And he donned quirky hats when thinking up ideas for books-like his classic The Cat in the Hat. This biography brings an amazingly gifted author/illustrator to life.