Literary Fiction Fantasy

Area X has been cut off from the rest of the continent for decades. Nature has reclaimed the last vestiges of human civilization. This is the 12th expedition, and their group is made up of four women. Part of their mission is to map the terrain and collect specimens, and, above all, to avoid being contaminated by Area X itself. They arrive expecting the unexpected, and Area X delivers, but it's the surprises that came across the border with them, and the secrets the expedition members are keeping from one another, that change everything.

The long-awaited new novel from Margaret Atwood. The Year of the Flood is a dystopic masterpiece and a testament to her visionary power. The times and species have been changing at a rapid rate, and the social compact is wearing as thin as environmental stability. Adam One, the kindly leader of the God's Gardeners - a religion devoted to the melding of science and religion, as well as the preservation of all plant and animal life - has long predicted a natural disaster that will alter Earth as we know it. Now it has occurred, obliterating most human life.

Tom Hazard has a dangerous secret. He may look like an ordinary 41-year-old, but he was born in 1581. Owing to a rare condition, he’s been alive for centuries. From Shakespeare’s England to Jazz Age Paris to voyaging the Pacific alongside Captain Cook, Tom has seen a lot, and he now craves an ordinary life. Tom now has the perfect cover - working as a history teacher at a London school. Here, he can teach the kids about wars and witch hunts as if he’d never witnessed them first-hand. He can try to tame the past that is catching up with him. The only thing Tom can’t do is fall in love.

King Shrewd is dead at the hands of his son Regal. As is Fitz - or so his enemies and friends believe. But with the help of his allies and his beast magic, he emerges from the grave, deeply scarred in body and soul. The kingdom also teeters toward ruin: Regal has plundered and abandoned the capital, while the rightful heir, Prince Verity, is lost to his mad quest - perhaps to death. Only Verity's return - or the heir his princess carries - can save the Six Duchies.

From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behavior of those who come in to browse, and of those who pass in the street outside. She remains hopeful a customer will soon choose her, but when the possibility emerges that her circumstances may change forever, Klara is warned not to invest too much in the promises of humans.

With Kafka on the Shore, Haruki Murakami gives us a novel every bit as ambitious and expansive as The Wind-Up Bird Chronicle, which has been acclaimed both here and around the world for its uncommon ambition and achievement, and whose still-growing popularity suggests that it will be read and admired for decades to come.

Le Guin’s sharp and witty voice is on full display in this collection of twenty-four essays, revised by the author a decade after its initial publication in 1979. The collection covers a wide range of topics and Le Guin’s origins as a writer, her advocacy for science fiction and fantasy as mediums for true literary exploration, the writing of her own major works such as A Wizard of Earthsea and The Left Hand of Darkness, and her role as a public intellectual and educator.

Imagine a world in which the hopeless and vulnerable are forced to buy their freedom by working off their debt to society. Imagine a world divided into the privileged Mainland and the policed Gutter. In that world lives Elimina Dubois, one of only 100 children selected as a social experiment by the Mainland government to be taken from their mothers in the Gutter and raised in the land of opportunity. But when her Mainland mother dies when Elimina is just a teenager, Elimina finds herself alone, forced into an unfamiliar life of servitude, unsure of who she is and where she belongs.

In a sprawling mansion filled with peculiar treasures, January Scaller is a curiosity herself. As the ward of the wealthy Mr. Locke, she feels little different from the artifacts that decorate the halls: carefully maintained, largely ignored, and utterly out of place. Then she finds a strange book. A book that carries the scent of other worlds and tells a tale of secret doors, of love, adventure, and danger. Each page turn reveals impossible truths about the world, and January discovers a story increasingly entwined with her own.

The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor. Included on the recording are several shorter works. The Ainulindalë is a myth of the Creation and in the Valaquenta the nature and powers of each of the gods is described. The Akallabêth recounts the downfall of the great island kingdom of Númenor at the end of the Second Age, and Of the Rings of Power tells of the great events at the end of the Third Age.

Tackling some of humanity’s oldest questions along with new quandaries only he could imagine, these stories will change the way you think, feel, and see the world. They are Ted Chiang at his best: profound, sympathetic, revelatory. Ted Chiang tackles some of humanity’s oldest questions along with new quandaries only he could imagine.

Months after the Waterless Flood pandemic has wiped out most of humanity, Toby and Ren have rescued their friend Amanda from the vicious Painballers. They return to the MaddAddamite cob house, newly fortified against man and giant pigoon alike. Accompanying them are the Crakers, the gentle, quasi-human species engineered by the brilliant but deceased Crake. Their reluctant prophet, Snowman-the-Jimmy, is recovering from a debilitating fever, so it's left to Toby to preach the Craker theology, with Crake as Creator.

Piranesi lives in the House. Perhaps he always has. In his notebooks, day after day, he makes a clear and careful record of its wonders: the labyrinth of halls, the thousands upon thousands of statues, the tides that thunder up staircases, the clouds that move in slow procession through the upper halls. On Tuesdays and Fridays Piranesi sees his friend, the Other. At other times he brings tributes of food to the Dead. But mostly, he is alone.

Winter lasts most of the year at the edge of the Russian wilderness, and in the long nights, Vasilisa and her siblings love to gather by the fire to listen to their nurse’s fairy tales. Above all, Vasya loves the story of Frost, the blue-eyed winter demon. Wise Russians fear him, for he claims unwary souls, and they honor the spirits that protect their homes from evil. Then Vasya’s widowed father brings home a new wife from Moscow. Fiercely devout, Vasya’s stepmother forbids her family from honoring their household spirits, but Vasya fears what this may bring.

Since time immemorial the Spires have sheltered humanity, towering for miles over the mist-shrouded surface of the world. Within their halls aristocratic houses have ruled for generations, developing scientific marvels, fostering trade alliances, and building fleets of airships to keep the peace. Captain Grimm commands the merchant ship Predator. Fiercely loyal to Spire Albion, he has taken their side in the cold war with Spire Aurora, disrupting the enemy's shipping lines by attacking their cargo vessels.

Would King Dasharatha even have his coveted sons were it not for the sacrifice of his daughter Shanta? Was Manthara an evil, conniving handmaid to the queen or a loving mother who tried to protect her ward from palace intrigues? How did Meenakshi of the beautiful eyes transform into the embodiment of ugliness and immoral lust? In an epic that revolves around the life of a righteous prince, what role do the women play?

This is the way the world ends...for the last time. It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester. This is the Stillness, a land long familiar with catastrophe, where the power of the Earth is wielded as a weapon. And where there is no mercy.

A dark and sweeping adventure, Dreamcatcher is set in the haunted city of Derry - the site of Stephen King's It and Insomnia. In it, four young boys stand together and do a brave, good thing, an act that changes them in ways that they hardly understand. A quarter-century later, as grown men who have gone their separate ways, these friends come together once a year to hunt in the woods of Maine.

Ayla, one of the most remarkable and beloved heroines in contemporary fiction, continues to explore the world and the people around her with curiosity, insight, and, above all, courage. As the story opens, Ayla, Jondalar, and their infant daughter, Jonayla, are living with the Zelandonii in the Ninth Cave - a shelter of stone. Ayla has been chosen as an acolyte and has embarked on the arduous task of training to become a spiritual leader.

Rowan's attempt to escape Lasher and his pursuit of her and their child are at the heart of this extraordinary saga. It is a novel that moves around the globe, backward and forward through time, and between the human and demonic worlds. Its many voices - of women, of men, of demons and angels, present and past - haunt and enchant us. With a dreamlike power, the novel draws us through twilight paths, telling a chillingly hypnotic story of occult and spiritual aspirations and passion.