Literary Humor

On paper, Bette Robinson's life is good. At 26, she's got a great deal on an apartment in Manhattan, and she's on target to become an associate at the prestigious investment bank where she works with her best friend. Her 80-hour workweeks might keep her from socializing or dating outside her office walls, but she's paying her dues on the well-trod path to wealth and happiness. So when Bette quits her job like the impulsive girl she's never been, she has no idea what to do next.

Michael Beard is a Nobel prize-winning physicist whose best work is behind him. Trading on his reputation, he speaks for enormous fees, lends his name to the letterheads of renowned scientific institutions and half-heartedly heads a government-backed initiative tackling global warming. A compulsive womaniser, Beard finds his fifth marriage floundering. But this time it is different: she is having the affair, and he is still in love with her.

From the frenzy of the 2012 Olympics to the aftermath of the Brexit referendum, here Jonathan Coe chronicles the story of modern Britain by way of a cast of characters whose world is being upended. There are newlyweds who disagree about the country’s future and, possibly, their relationship; a political commentator who writes impassioned columns about austerity from his lavish town house while his radical teenage daughter undertakes a relentless quest for universal justice; and Benjamin Trotter, who embarks on an apparently doomed new career in middle age, and his father.

May We Be Forgiven, a darkly comic novel of 21st-century domestic life, stars Harold Silver, a historian who's always been jealous of his successful brother, George. But when the hot-tempered George is institutionalized for committing a violent act, Harold finds himself comforting his brother's wife and children. What follows is a scathing examination of a family so fractured it may never be whole again.

Emer is just a woman living in New York City who takes the subway, buys ice cream from the bodega on the corner, has writerly aspirations, and lives with her boyfriend, Con. But is this life she lives the only path she’s on?

When a home aide arrives to assist a rambunctious family at a crossroads, simmering tensions boil over in this “witty, exuberant debut” (People) that is an “absolute delight from start to finish” (Sarah Haywood, New York Times best-selling author) perfect for fans of Where’d You Go, Bernadette and Evvie Drake Starts Over.

Edward St. Aubyn's Patrick Melrose novels were some of the most celebrated works of fiction of the past decade. Ecstatic praise came from a wide range of admirers, from literary superstars such as Zadie Smith, Francine Prose, Jeffrey Eugenides, and Michael Chabon to pop-culture icons such as Anthony Bourdain and January Jones. Now St. Aubyn returns with a hilariously smart send-up of a certain major British literary award in this witty audiobook.

After his wife, Sarah, dies, K. loses his metaphorical capacity, becoming so wedded to the notion of clarity that he infuriates everyone, friends and strangers alike. When he intervenes in an armed robbery, K. finds himself both an inadvertent hero and the star of a new reality television program. Together with Claire, a grocery store clerk with a sharp tongue and a yen for celebrity, he travels the country, ruffling feathers and gaining fame at the intersection of American politics and entertainment.

Once upon a time four aspiring authors met at their very first writers' conference. Ten years later they're still friends, survivors of the ultra-competitive New York publishing world. Mallory St. James is a workaholic whose best sellers support a lavish lifestyle. Tanya Mason is a single mother juggling two jobs, two kids, and too many deadlines. Faye Truett is the wife of a famous televangelist and the author of inspirational romances: No one would ever guess her explosive secret.

Marnie MacGraw and Patrick Delaney have been in love for a few years now, enough to realize that they are imperfectly perfect together. Still, there are some things that maybe need a little attention. Marnie’s ebullient; he’s brooding. She thrives on change; he prefers stability. She sees marriage and parenthood in their future, but he can’t see beyond the shadow of an earlier tragedy. Then an eight-year-old surprise from Patrick’s past shows up on their doorstep, cartwheeling into their lives and spinning things in all directions.

Toward the end of the Vietnam era, in a snug little Rhode Island seacoast town, wonderful powers have descended upon Alexandra, Jane, and Sukie, bewitching divorcées with sudden access to all that is female, fecund, and mysterious. Alexandra, a sculptor, summons thunderstorms; Jane, a cellist, floats on the air; and Sukie, the local gossip columnist, turns milk into cream. Their happy little coven takes on new, malignant life when a dark and moneyed stranger, Darryl Van Horne, refurbishes the long-derelict Lenox mansion and invites them in to play.

Brimming with charm and whimsy, this exquisite novel set in the Tower of London has the transportive qualities and delightful magic of the contemporary classics Chocolat and Amélie. Balthazar Jones has lived in the Tower of London with his loving wife, Hebe, and his 120-year-old pet tortoise for the past eight years. That’s right, he is a Beefeater (they really do live there). It’s no easy job living and working in the tourist attraction in present-day London.

Aisling is 28 and she’s a complete...Aisling. She lives at home in Ballygobbard (or Ballygobackwards, as some gas tickets call it) with her parents and commutes to her good job at PensionsPlus in Dublin. Aisling goes out every Saturday night with her best friend, Majella, who is a bit of a hames (she’s lost two phones already this year - Aisling has never lost a phone). They love hoofing into the Coors Light if they’re 'Out' or the vodka and Diet Cokes if they’re 'Out Out'.

Times are tough for young Jack McGreary in the American dust bowl. Living with his father, Jack is only getting by thanks to a solid repertoire of cons and scams. Everything gets shaken up, though, when shysters Virgil Ray and Miss Rose roll into town. Recognizing them as first-class scam artists, Jack gleefully joins their criminal band. Soon a budding romance between Jack and Miss Rose begins to bloom, but is it on the up-and-up?

Set in 1960's London, Funny Girl is a lively account of the adventures of the intrepid young Sophie Straw as she navigates her transformation from provincial ingnue to television starlet amid a constellation of delightful characters. Insightful and humorous, Nick Hornby's latest does what he does best: endears us to a cast of characters who are funny if flawed, and forces us to examine ourselves in the process.

When Noel Bostock - aged 10, no family - is evacuated from London to escape the Nazi bombardment, he lands in a suburb northwest of the city with Vera Sedge - a 36-year-old widow drowning in debts and dependents. Always desperate for money, she's unscrupulous about how she gets it. Noel's mourning his godmother, Mattie, a former suffragette. Wise beyond his years, raised with a disdain for authority and an eclectic attitude toward education, he has little in common with other children and even less with the impulsive Vee.

Now is the fall of his discontent, as Jason Fitger, newly appointed chair of the English Department of Payne University, takes arms against a sea of troubles, personal and institutional. His ex-wife is sleeping with the dean who must approve whatever modest initiatives he undertakes. The fearsome department secretary Fran clearly runs the show (when not taking in rescue parrots and dogs) and holds plenty of secrets she's not sharing. The lavishly funded Econ Department keeps siphoning off English's meager resources and has taken aim at its remaining office space.

What drives someone to murder? Logan McRae's personal history is hardly squeaky clean, but now that he works for Professional Standards he's policing his fellow officers. When Detective Inspector Bell turns up dead in the drivers seat of a crashed car, it's a shock to everyone. Because Bell died two years ago. They buried him. Or they thought they did. As an investigation is launched into Bell's stabbing, Logan digs into his past. Where has he been all this time? Why did he disappear? And what's so important that he felt the need to come back from the dead?

Opening with the exotic Lady Death entering the gumshoe-writer's seedy office in pursuit of a writer named Celine, this novel demonstrates Bukowski's own brand of humour and realism, opening up a landscape of seamy Los Angeles.

The Corrections is a grandly entertaining novel for the new century - a comic, tragic masterpiece about a family breaking down in an age of easy fixes. Richly realistic, darkly hilarious, deeply humane, it confirms Jonathan Franzen as one of our most brilliant interpreters of American society and the American soul.