Literary Humor

The year is 2084, and that famous Margaret Thatcher quote has become a reality: There really is no such thing as society. No one speaks to anyone else. No one looks at anyone else. People don’t collaborate, they only compete...It all sounds rather morbid, does it not? But please don’t despair, there is hope, and it comes in the form of our hero: Renee Ann Blanca. Wishing to fill the society-shaped hole in her life, our Renee does the unthinkable: She goes in search of human company!

NATIONAL BOOK AWARD WINNER Is love between equals possible? This modern classic is a delightful intellectual love story that explores the deepest canyons of romantic love even as it asks large questions about society, geopolitics, and the mystery of what men and women really want...

Candide, the illegitimate nephew of a German baron and student of eternal optimist Pangloss, is living a simple and sheltered life in "the best of all possible worlds." But when Candide falls in love with the wrong woman, his uncle's young daughter, he is exiled from the baron's castle and suffers great tragedy and catastrophe, which leaves him disillusioned and questioning the goodness of the universe.

Mr. Palomar, whose name purposely evokes that of the famous telescope, is a seeker after knowledge, a visionary in a world sublime and ridiculous. Whether contemplating a cheese, a woman's breasts, or a gorilla's behavior, he brings us a vision of a world familiar by consensus, fragmented by the burden of individual perception.

Deputy coroner Mattie Winston knows a thing or two about dead bodies. That's why she's on the case of Derrick Ames, a high school math teacher stabbed to death with a barbecue fork straight to the heart. Sure, she's turned up some motives and a few suspects, but nothing adds up. Especially when the evidence points to Ames's teenage son. Newly pregnant Mattie can't believe it, even as her own long-estranged father may be following her.

New York Times best-selling author Bruce Wagner is also a PEN/Faulkner Award finalist and a notable contributor to the New Yorker and Vanity Fair. With Dead Stars, Wagner delivers uproarious and sharply critical views on the sex- and money-obsessed world of Hollywood through the story of Telma, a 13-year-old girl who’s also the world’s youngest breast cancer survivor. A regular at pink-tie charity events and private lunches, Telma has come to enjoy her fame—so she’s not pleased to learn another young girl is about to break her record.

Amid the cactus wilds some two hundred miles from Hollywood lies a privileged oasis called Desert D'Or. It is a place for starlets and would-be starlets, directors, studio execs, and the well-groomed lowlifes who cater to them. And, as imagined by Norman Mailer in this blistering classic of 1950s Hollywood, Desert D'Or is a moral proving ground, where men and women discover what they really want - and how far they are willing to go to get it.

The farmers of Paradise County have been leading a hardscrabble life unchanged for generations. The Communist government has encouraged them to plant garlic, but selling the crop is not as simple as they believed. Warehouses fill up, taxes skyrocket, and government officials maltreat even those who have traveled for days to sell their harvest. A surplus on the garlic market ensues, and the farmers must watch in horror as their crops wither and rot in the fields. Families are destroyed by the random imprisonment of young and old for supposed crimes against the state. Meanwhile, a blind minstrel incites the masses to take the law into their own hands....

In Gulliver's Travels, the narrator represents himself as a reliable reporter of the fantastic adventures he has just experienced. But how far can we rely on a narrator who has been impersonated by someone else? The work purports to be a travel book, and describes the shipwrecked Gulliver's encounters with the inhabitants of four extraordinary places: Lilliput, Brobdingnag, Laputa, and the country of the Houyhnhnms.

April Epner teaches high school Latin, wears flannel jumpers, and is used to having her evenings free. Bernice Graverman brandishes designer labels, favors toad-sized earrings, and hosts her own tacky TV talk show: Bernice G! But behind the glitz and glam, Bernice has followed the life of the daughter she gave up for adoption 36 years ago. Now that she's got her act together, she's aiming to be a mom like she always knew she could. And she's hurtling straight for April's quiet little life....

Young Noah Adler, passionate, ruthlessly idealistic, is the prodigal son of Montreal’s Jewish ghetto. Finding tradition in league with self-delusion, he attempts to shatter the ghetto’s illusory walls by entering the foreign territory of the goyim. But here, freedom and self-determination continue to elude him. Eventually, Noah comes to recognize "justice and safety and a kind of felicity" in a world he cannot - entirely - leave behind. Richler’s superb account of Noah’s struggle to scale the walls of the ghetto overflows with rich comic satire.

Es una sucesión perturbadora en la que la conciencia adquiere una dimensión real y los impulsos más secretos se presentan con toda su altanera desnudez: el amor conyugal, el amor por las letras, el amore de las madres, el platónico, el primer amor, el amor en la posmodernidad, el amor por el trabajo, y otros amores y desamores, inconfesables, condenados, acomodaticios que, unos más que otros, nos matan.

Lloyd has a particular set of skills. He writes the small print for prescription drugs, marital aids, and incontinence products. The clients present him with a list of possible side effects. His job is ""to recite and minimize""—sometimes by just saying them really fast and other times by...

From “one of the most gifted novelists of his generation” (Time), Other People is a tale about a woman’s path toward self-actualization. A woman wakes in an emergency room and remembers nothing—not even her own name. She hears a song about a “Mary” and a “lamb,” and decides to...

Valencia, a timid debt collector with crippling OCD, is afraid of many things, but the two that scare her most are flying and turning thirty-five. To confront those fears, Valencia’s therapist suggests that she fly somewhere - anywhere - before her upcoming birthday. And as Valencia begins a telephone romance with a man from New York, she suddenly has a destination in mind. There’s only one problem - he might not actually exist.

Kathy is a writer. Kathy is getting married. It’s the summer of 2017 and the whole world is falling apart. Fast-paced and frantic, Crudo unfolds in real time from the full-throttle perspective of a commitment-phobic artist who may or may not be Kathy Acker. From a Tuscan hotel for the super-rich to a Brexit-paralyzed UK, Kathy spends the first summer of her 40s adjusting to the idea of a lifelong commitment. But it’s not only Kathy who’s changing. Fascism is on the rise, truth is dead, the planet is heating up, and Trump is tweeting the world ever-closer to nuclear war.

Set in the world of the Victorian professional and landed classes, the story centres on Mr Harding, a clergyman of great personal integrity who is nevertheless in possession of an income from a charity far in excess of the sum devoted to it.

“Kirby has mastered the art of short fiction…A stunning collection from a writer whose talent and creativity seem boundless.” —NPR “Kirby takes joy in subverting the reader’s expectations at every turn. Her characters might be naïve, even reckless, but they aren’t about to be...

A swirling, psychedelic, bleakly funny fugue by the Booker-shortlisted author of The Butcher Boy and Breakfast on Pluto. Una Fogarty, suffering from dementia in a seaside nursing home, would be all alone without her brother Dan, whose epic free-verse monologue tells their family story. Exile from Ireland and immigrant life in England. Their mother’s trials as a call girl. Young Una’s search for love in a seemingly haunted hippie squat, and the two-timing Scottish stoner poet she’ll never get over.

Harriet is leaving her boyfriend Claude, "the French rat". That at least is how Harriet sees things, even if it’s Claude who has just asked Harriet to leave his Greenwich Village apartment. Well, one way or another she has no intention of leaving. To the contrary, she will stay and exact revenge - or would have if Claude had not had her unceremoniously evicted. Still, though moved out, Harriet is not about to move on. Not in any way. Girlfriends circle around to patronize and advise, but Harriet only takes offense, and it’s easy to understand why.