Literary Life

On a cold February afternoon, Stella catches sight of a man she hasn't seen for many years, but instantly recognizes. Or thinks she does. At the same moment on the other side of the globe, in the middle of a crowd of Chinese New Year revelers, Jake realizes that things are becoming dangerous. They know nothing of one another's existence, but both Stella and Jake flee their lives: Jake in search of a place so remote it doesn't appear on any map, and Stella for a destination in Scotland, the significance of which only her sister, Nina, will understand.

The disregard of a dying woman's bequest, a girl's attempt to help an impoverished clerk, and the marriage of an idealist and a materialist intersect at an estate called Howards End. There, the lives of three families become entangled. As chance brings them together, societal conventions come into question as does the ownership of Howards End. Through the fate of the estate - as well as the lives of the families who are affiliated with it - Forster creates a brilliant parallel to the fate of English society itself.

Juliet is failing to juggle motherhood and her stalled-out dissertation on confessional poetry when her husband, Michael, informs her that he wants to leave his job and buy a sailboat. With their two kids - Sybil, age seven, and George, age two - Juliet and Michael set off for Panama, where their 44 foot sailboat awaits them. The initial result is transformative; the marriage is given a gust of energy, Juliet emerges from her depression, and the children quickly embrace the joys of being feral children at sea.

In scathing, furious, unforgettable prose, Eimear McBride tells the story of a young girl's devastating adolescence as she and her brother, who suffers from a brain tumor, struggle for a semblance of normalcy in the shadow of sexual abuse, denial, and chaos at home. Plunging listeners inside the psyche of a girl isolated by her own dangerously confusing sexuality, pervading guilt, and unrelenting trauma, McBride's writing carries echoes of Joyce, O'Brien, and Woolf.

Lucille Howard is getting on in years, but she stays busy. Thanks to the inspiration of her dearly departed friend Arthur Truluv, she has begun to teach baking classes, sharing the secrets to her delicious classic Southern yellow cake, the perfect pinwheel cookies, and other sweet essentials. When a new family moves in next door and tragedy strikes, Lucille begins to look out for Lincoln, their son. Lincoln's parents aren't the only ones in town facing hard choices and uncertain futures.

When Kate, single mother and law firm partner, gets an urgent phone call summoning her to her daughter's exclusive private school, she's shocked. Amelia has been suspended for cheating, something that would be completely out of character for her over-achieving, well-behaved daughter. Kate rushes to Grace Hall, but what she finds when she finally arrives is beyond comprehension. Her daughter is dead.

Oscar Wilde's life – like his wit – was alive with paradox. He was both an early exponent and a victim of 'celebrity culture': famous for being famous, he was lauded and ridiculed in equal measure. His achievements were frequently downplayed, his successes resented. He had a genius for comedy but strove to write tragedies. Matthew Sturgis draws on a wealth of new material and fresh research, bringing alive the distinctive mood and characters of the fin de siècle in the richest and most compelling portrait of Oscar Wilde to date.

England, 2014: Audrey Collins knows only two things about her beloved grandmother's past: She was born into nobility and she immigrated to America at seventeen years old. So when Audrey inherits her gran's home in North Yorkshire, she arrives expecting a sprawling country estate fit for lords and ladies. Instead, she finds an abandoned stone cottage perfectly preserved as Gran left it when she fled in 1941—ration book and all—and begins to uncover what secrets her family has been keeping.

From “the great German-language writer of his generation” (Joshua Cohen) comes the second novel of Christian Kracht’s career narrated by an eponymous “Christian”. Eurotrash begins in Zurich, where Christian has returned to care for his 80-year-old mother after her discharge from a psychiatric institution. Confronting the dark shadows of his family’s past—particularly his grandfather’s strong ties with the Nazi regime—and struggling to navigate the emotionally wrenching terrain of his relationship with his mother, he sets off on a road trip with her.

Kim Edwards' stunning novel begins on a winter night in 1964 in Lexington, Kentucky, when a blizzard forces Dr. David Henry to deliver his own twins. His son, born first, is perfectly healthy, but the doctor immediately recognizes that his daughter has Down syndrome. Rationalizing it as a need to protect Norah, his wife, he makes a split-second decision that will alter all of their lives forever. He asks his nurse, Caroline, to take the baby away to an institution and never to reveal the secret. Instead she disappears into another city to raise the child herself.

First published in English under the title The Accident, Elie Wiesel's third novel in his trilogy of Holocaust literature has now adopted Wiesel's original title: Day. In the opening scene, a Holocaust survivor and successful journalist steps off a curb in New York City directly into the pathway of an oncoming cab. As he struggles between life and death, the journalist recalls the effects of the historical tragedy of the Holocaust on himself and his family.

Lifetime friends become bitter enemies when the father of one family is killed by militants - one of whom is a son from the other family. Told in short sections highlighting a rich multiplicity of characters from all walks of life, Homeland brilliantly unfolds in nonlinear fashion as it traces the moral dilemmas faced by the families of murder victim and perpetrator alike. Aramburu alludes only obliquely to the historical context while he focuses on the psychological complexity of his characters and builds nearly unbearable suspense.

They are icons of the literary world whose soaring works have been discussed and analyzed in countless classrooms, homes, and pubs. Yet for most listeners, the living, breathing human beings behind the classics have remained unknown - until now. In this utterly captivating audiobook, Dr. Elliot Engel, a leading authority on the lives of great authors, illuminates the fascinating and flawed members of literature's elite. In lieu of stuffy biographical sketches, Engel provides fascinating anecdotes.

The author initially intended to call this novel The Lyrical Age. The lyrical age, according to Kundera, is youth, and this novel, above all, is an epic of adolescence; an ironic epic that tenderly erodes sacrosanct values: childhood, motherhood, revolution, and even poetry. Jaromil is in fact a poet. His mother made him a poet and accompanies him (figuratively) to his love bed and (literally) to his deathbed. A ridiculous and touching character, horrifying and totally innocent ("innocence with its bloody smile!"), Jaromil is at the same time a true poet. He's no creep, he's Rimbaud.

Kellie Scott has just returned to work after a decade of being a stay-at-home mom. She's adjusting to high heels, scrambling to cook dinner for her family after a day at the office - and soaking in the dangerous attention of a very handsome, very married male colleague. Kellie's neighbor, Susan Barrett, begins every day with fresh resolutions: She won't eat any carbs, she'll go to bed at a reasonable hour, and she'll stop stalking her ex-husband and his new girlfriend.

Fred Scully waits at the arrival gate of an international airport, anxious to see his wife and daughter. After two years in Europe, they are finally settling down. He sees a new life before them, a stable outlook again, a fresh start, a cottage in the Irish countryside that he's renovated by hand. He's waited, sweated on this reunion. He does not like to be alone—he's that kind of man.The flight lands, the doors at the airport hiss open...Scully's life falls apart.

1876. Among the filth and depravity of Covent Garden's flower markets, orphaned Irish sisters Flora and Rosie Flynn sell posies of violets and watercress to survive. It is a pitiful existence, made bearable only by each other's presence. When they become separated, the decision of a desperate woman sets their lives on very different paths.

No longer tolerating her husband’s borderline abuse, Faith escapes to her parents’ California beach house to plan her next move. She never dreamed her new chapter would involve befriending Sarah, a fourteen-year-old on the run from her father and reeling from her mother’s sudden and suspicious death. While Sarah’s grandmother scrambles to get custody, Faith is charged with spiriting the girl away on a journey that will restore her hope: Sarah implores Faith to take her to Falkner’s Midnight Sun, the prized black mare that her father sold out from under her.

Un'aggressione violenta a Granada, e Luz in una notte perde tutto. Unico, misterioso lascito della madre: una scatola bianca con un logo a forma di labirinto, una lettera di presentazione fasulla e un biglietto per Venezia. È così che la ragazza, sedici anni e muta per scelta, si ritrova a lavorare per Mariano Fortuny, l'alchimista delle stoffe. Nel suo palazzo di campo San Beneto, già si stampano con tecniche segrete gli scialli knossos, ambiti dalla buona società di tutta Europa, ma il suo genio instancabile è ossessionato dalla creazione di un abito senza tempo.

Apparently directionless since his divorce, Frank Bascombe migrates from one non-committal relationship to another. He freely indulges his tendencies to self absorption, over-intellectualization, and neurotic ambivalence. But all of that changes one fateful Fourth of July weekend, when, armed with the Declaration of Independence, he embarks on a mission to save his troubled teenaged son.