Literary Realism

Érase una vez un pueblo donde las noches eran largas y la muerte contaba su propia historia. En el pueblo vivía una niña que quería leer, un hombre que tocaba el acordeón y un joven judío que escribía bellos cuentos para escapar del horror de la guerra. Al cabo de un tiempo, la niña se convirtió en una ladrona que robaba libros y regalaba palabras. Con estas palabras comienza una historia hermosa y cruel que ahora ya es una novela inolvidable.

The enchanted place is an ancient stone prison, viewed through the eyes of a death row inmate who finds escape in his books and in re-imagining life around him, weaving a fantastical story of the people he observes and the world he inhabits. Fearful and reclusive, he senses what others cannot. Though bars confine him every minute of every day, he marries visions of golden horses running beneath the prison, heat flowing like molten metal from their backs with the devastating violence of prison life.

From the town’s founder, a brave young woman from England who has no fear of blizzards or bears, to the young man who runs away to New York City, the characters in The Red Garden are extraordinary and vivid: a young wounded Civil War soldier who is saved by a neighbor, a woman who meets a fiercely human historical character, a poet who falls in love with a blind man, a mysterious traveler who comes to town in the year when summer never arrives.

Si bien somos capaces de contemplar sin espanto viajes interplanetarios y clonaciones de seres vivos, tal vez nos falte, en cambio, el valor suficiente para sumergirnos en la más íntimo de nuestro ser. Los textos que se reúnen en este libro nos recuerdan que en cada uno de nosotros vive un guerrero de la luz, alguien capaz de escuchar el silencio de su corazón, de aceptar las derrotas sin dejarse abatir por ellas y de alimentar la esperanza en medio del cansancio y el desaliento.

El coronel no tiene quien le escriba fue escrita por Gabriel García Márquez durante su estancia en París, adonde había llegado, a mediados de los cincuenta, como corresponsal de prensa y con la secreta intención de estudiar cine. El cierre del periódico para el que trabajaba le sumió en la pobreza mientras redactaba en tres versiones distintas esta excepcional novela, que luego fue rechazada por varios editores antes de su publicación.

García Márquez retrata con pulso magistral la figura de Simón Bolívar, que transmutó el destino de América. Aclamado por el pueblo como Libertador, blanco de numerosas conjuras políticas y militares, héroe romántico y hasta libertino para sus detractores y sus partidarios, idealista íntegro y abandonado que contempla las ruinas de su sueño de unidad de los pueblos americanos, tras la independencia del dominio español Simón Bolívar emprende - enfermo, con un menguado séquito - el que será su viaje final. Parte desde Bogotá para seguir el curso del río Magdalena.

Japan, after suffering from a massive irreparable disaster, cuts itself off from the world. Children are so weak they can barely stand or walk: the only people with any get-go are the elderly. Mumei lives with his grandfather Yoshiro, who worries about him constantly. They carry on a day-to-day routine in what could be viewed as a post-Fukushima time, with all the children born ancient - frail and gray-haired, yet incredibly compassionate and wise. Mumei may be enfeebled and feverish, but he is a beacon of hope, full of wit and free of self-pity and pessimism.

Somewhere far away - or maybe right nearby - lies an archipelago called Popisho. A place of stunning beauty and incorrigible mischief, destiny, and mystery, it is also a place in need of change. A storm is brewing. Before it comes, before the end of the day, this wildly imaginative narrative will take us across the islands, their history, and into the lives of unforgettable characters.

Dans la Maison, vous allez perdre vos repères, votre nom et votre vie d'avant. Dans la Maison, vous vous ferez des amis, vous vous ferez des ennemis. Dans la Maison, vous mènerez des combats, vous perdrez des guerres. Dans la Maison, vous connaîtrez l'amour, vous connaîtrez la peur, vous découvrirez des endroits dont vous ne soupçonniez pas l'existence, et même quand vous serez seul, ça ne sera jamais vraiment le cas. Dans la Maison, aucun mur ne peut vous arrêter, le temps ne s'écoule pas toujours comme il le devrait, et la Loi y est impitoyable.

From the author of the Scotiabank Giller Prize-nominated novel The Incident Report comes a hypnotic novel following Heinrich Schlögel from Germany to Canada, where he sets out on a solo hike into the interior of Baffin Island. His journey quickly becomes surreal, full of strange encounters, inexplicable visions, and the shifting of time. After returning back to civilization, Heinrich discovers inexplicably that many years have passed.

Luci LaBang is a star: For decades this flamboyant drag artist has cast a spell over screen and stage. Now she’s the leading lady in a smash hit musical. But as time takes its toll, Luci fears her star is beginning to dim. When Luci’s co-star meets with a mysterious accident, a new ingenue shimmers onto the scene: Luda, whose fantastical beauty and sinister charm infatuate Luci immediately . . . and who bears a striking resemblance to Luci herself at a much younger age.

Mark Sandoval - resolutely arrogant, covered head to foot in precise geometric scarring, and still marginally famous after Hollywood made an Oscar-winner based off his memoir years before - has been strongly advised by his lawyer to leave the country following a drunken and potentially fatal hit and run. When a woman sends Sandoval grainy footage of what appears to be a unicorn, he quickly hires an assistant and the two head off to the woman's farm in Hvildarland, a tiny, remote island off the coast of Iceland.

Everyone else knows the truth about you. Now you can know it, too. That's the slogan. The product: a junky contraption that tattoos personalized revelations on its users' forearms. It's an old con, playing on the fear that we are obvious to everybody except ourselves. This particular one's been circulating New York since the 1960s. The ad works. And, oddly enough, so might the device....

Jo, the firstborn, The General to her 11 sisters, is the only thing the Hamilton girls have in place of a mother. She is the one who taught them how to dance, the one who gives the signal each night, as they slip out of their father's townhouse and into cabs that will take them to the speakeasy. Together they elude their controlling father. Meanwhile, they continue to dance, until one night when they are caught in a raid, separated, and Jo is thrust face-to-face with someone from her past: a bootlegger named Tom whom she hasn't seen in almost 10 years.

Wayétu Moore’s powerful debut novel, She Would Be King, reimagines the dramatic story of Liberia’s early years through three unforgettable characters who share an uncommon bond. Gbessa, exiled from the West African village of Lai, is starved, bitten by a viper, and left for dead, but still she survives. June Dey, raised on a plantation in Virginia, hides his unusual strength until a confrontation with the overseer forces him to flee. Norman Aragon, the child of a white British colonizer and a Maroon slave from Jamaica, can fade from sight when the earth calls him.

Als Santiago, ein andalusischer Hirte, zum zweitenmal von einem Schatz im fernen Ägypten träumt, bricht er auf. Was er findet, kann von keinem Wüstendieb geraubt werden, doch jede Lebensödnis in eine Oase verwandeln. Ein magisches Buch. Ein magischer Erfolg. Weltweit über 8 Millionen verkaufte Exemplare, in über 30 Sprachen übersetzt.

One morning, Hazel Brown awakes in a badly decorated hotel room to find that she’s written the complete works of Charles Baudelaire. In her bemusement the hotel becomes every cheap room she ever stayed in during her youthful perambulations in 1980s Paris. This is the legend of a she-dandy’s life. Part magical realism, part feminist ars poetica, part history of tailoring, part bibliophilic anthem, part love affair with nineteenth-century painting, The Baudelaire Fractal is poet and art writer Lisa Robertson’s first novel.

A woman walks into a tattoo parlour. But this is no ordinary woman, and this is Hackney in 2233. Jones' body is covered in tattoos but she wants to add one final inking to her gallery - a thin line of ink mixed with blood that connects her body art together, creating a unique map. As the two artists set to work, Jones tells them the story behind each tattoo. As Jones is no ordinary woman, these are no ordinary stories: each one represents a doorway to a life Jones fell into, a 'remembering'.

Our protagonist, an unnamed junior at a prestigious university in Kyoto, is on the verge of dropping out. After rebelling against the dictatorial jock president of the film club, he and his worst and only friend, the diabolical creep Ozu, are personas non grata on campus. For two years, our protagonist has made all the wrong decisions, and now he's about to make another mistake. He and Ozu are preparing for revenge—a fireworks attack at the film club's welcoming party for new members.

Leah is a child from Away, isolated from her peers because of her stutter. After her family moves to Mattingly, she begins painting scenes that are epic in scope, brilliant in detail, and suffused with rich, prophetic imagery. When the event foreshadowed in the first painting dramatically comes true, the town takes notice. Leah attributes her ability to foretell the future to an invisible friend she calls the Rainbow Man. Some of the townsfolk are enchanted with her. Others fear her. But there is one thing they all agree on—there is no such thing as the Rainbow Man.