Magical Realism Fiction

As he searches for a mysteriously vanished girlfriend, Haruki Murakami's protagonist plunges into a wind tunnel of sexual violence and metaphysical dread in which he collides with call girls, plays chaperone to a lovely teenaged psychic, and receives cryptic instructions from a shabby but oracular Sheep Man. Dance Dance Dance is a tense, poignant, and often hilarious ride through the cultural Cuisinart that is contemporary Japan, a place where everything that is not up for sale is up for grabs.

The Jazz Age is in full swing, but Casiopea Tun is too busy cleaning the floors of her wealthy grandfather’s house to listen to any fast tunes. Nevertheless, she dreams of a life far from her dusty small town in southern Mexico. A life she can call her own. Yet this new life seems as distant as the stars, until the day she finds a curious wooden box in her grandfather’s room. She opens it - and accidentally frees the spirit of the Mayan god of death, who requests her help in recovering his throne from his treacherous brother.

When you listen to Lily and the Octopus, you will be taken on an unforgettable ride. The magic of this novel is in the listening, and we don't want to spoil it by giving away too many details. We can tell you that this is a story about that special someone: the one you trust, the one you can't live without. For Ted Flask, that someone special is his aging companion, Lily, who happens to be a dog.

After a tragic accident claims the life of one of her children, Marie Egide is desperate to carve out a fresh start for her family. With her husband and their three surviving children, Marie travels to New Hampshire, where she plans to sell a family estate and then, just maybe, they’ll be able to heal from their grief. Marie’s plans are thwarted when she realizes a war veteran known by locals as “the river witch” is living in a cabin on the property, which she claims was a gift from Marie’s grandfather. If Davina refuses to move on, Marie won’t be able to either.

June O'Donnell - aka Junior, aka Jack, aka Jonathan O'Donnell IV, aka the first female O'Donnell firstborn - has always been haunted by her family's mythic but complicated legacy. As she prepares to begin her final year of high school, June is itching to leave behind her ghosts in Five Fingers, Michigan, and travel the world. And then, just like it always happens to the O'Donnells, a painful glimmer from her past returns to mess everything up. Enter Saul Angert, the eldest son of Eli Angert, aka June's late father's mortal enemy.

Lois Clary is a software engineer at General Dexterity, a San Francisco robotics company with world-changing ambitions. She codes all day and collapses at night, her human contact limited to the two brothers who run the neighborhood hole-in-the-wall from which she orders dinner every evening. Then, disaster! Visa issues. The brothers quickly close up shop. But they have one last delivery for Lois: their culture, the sourdough starter used to bake their bread. She must keep it alive, they tell her—feed it daily, play it music, and learn to bake with it.

After the untimely deaths of her aunt and mother, young Riley Mays moved from Chicago to her cousins’ Wisconsin farm. Here she found solace in caring for her extraordinary adoptive brother, exploring the surrounding wild nature, and gazing at the mystical moon - a private refuge in which she hides from her most painful memories. But ten years later, now twenty-one, Riley feels too confined by the protective walls she’s erected around herself. When a stranger enters her family’s remote world, Riley senses something he’s hiding, a desire to escape that she understands well.

A woman arrives alone at a Best Western seeking respite from an emptiness that plagues her. She has fled to the California high desert to escape a cloud of sorrow—for both her father in the ICU and a husband whose illness is worsening. What the motel provides, however, is not peace but a path discovered on a nearby hike. Out along the sun-scorched trail, the narrator encounters a towering cactus whose size and shape mean it should not exist in California. Yet the cactus is there, with a gash through its side that beckons like a familiar door.

La novela narra la historia de Tita de la Garza a manera de recetario, donde cada capítulo es una receta que relata las aventuras de la protagonista en una casa donde la tradición la obliga a quedarse a cuidar a su madre, y por lo tanto, sin poderse casar nunca.

With nowhere to turn, a young woman must open herself to ancient truths, eternal powers, and the tragic mystery surrounding her mother and grandmother. She must bargain with gods, and give birth to new legends.

All Jared Martin had ever wanted was to be normal, which was already hard enough when he had to cope with Maggie, his hard-partying, gun-toting, literal witch of a mother, Indigenous teen life and his own addictions. When he wakes up naked, dangerously dehydrated and confused in the basement of his mom's old house in Kitimat, some of the people he loves - the ones who don't see the magic he attracts - just think he fell off the wagon after a tough year of sobriety. The truth for Jared is so much worse.

One phone call, five words, and I’m back in the town I swore I’d never return to. Going home was never part of the plan, but when my dad calls because he needs help to solve a murder, I can’t say no. Running into the three men I thought I would spend my entire life with has me questioning why I ever picked up the phone.

When Yui loses both her mother and her daughter in the tsunami, she begins to mark the passage of time from that date onward: Everything is relative to March 11, 2011, the day the tsunami tore Japan apart and when grief took hold of her life. Yui struggles to continue on, alone with her pain. Then, one day she hears about a man who has an old disused telephone booth in his garden. There, those who have lost loved ones find the strength to speak to them and begin to come to terms with their grief. As news of the phone booth spreads, people travel to it from miles around.

Con estas palabras empieza la novela ya legendaria en los anales de la literatura universal, una de las aventuras literarias más fascinantes de nuestro siglo. Millones de ejemplares de Cien años de soledad leídos en todas las lenguas y el Premio Nobel de Literatura coronando una obra que se había abierto paso «boca a boca» -como gusta decir al escritor- son la más palpable demostración de que la aventura fabulosa de la familia Buendía-Iguarán, con sus milagros, fantasías, obsesiones.

Here is a short, sleek novel of encounters, set in Tokyo during the witching hours between midnight and dawn, and every bit as gripping as Haruki Murakami's masterworks The Wind-Up Bird Chronicle and Kafka on the Shore. At its center are two sisters: Eri, a fashion model slumbering her way into oblivion, and Mari, a young student soon led from solitary reading at an anonymous Denny's toward people whose lives are radically different from her own.

In the wake of a scandal, the Montrose family and their three daughters - Catherine, Lydia and Emeline - flee Boston for their new country home, Willow Hall. The estate seems sleepy and idyllic. But a subtle menace creeps into the atmosphere, remnants of a dark history that call to Lydia, and to the youngest, Emeline. All three daughters will be irrevocably changed by what follows, but none more than Lydia, who must draw on a power she never knew she possessed if she wants to protect those she loves. For Willow Hall’s secrets will rise, in the end....

When Brenda’s internet goes out right before an important scholarship deadline, she stumbles right into Kat’s family’s coffeeshop. Brenda is swept away by cool, confident Kat, who actually cares about Brenda’s 19-step plan to save the world through science. Meanwhile, Kat can’t stop thinking about Brenda, who is smart, passionate, and doesn’t seem to care that Kat is the prophesized Chosen One.

De jóvenes, Florentino Ariza y Fermina Daza se enamoran apasionadamente, pero Fermina eventualmente decide casarse con un médico rico y de muy buena familia. Florentino estáanonadado, pero es un romántico. Su carrera en los negocios florece, y aunquesostiene 622 pequeños romances, su corazón todavía pertenece a Fermina. Cuandoal fin el esposo de ella muere, Florentino acude al funeral con toda intención.

Birdie’s keeping it together; of course she is. So she’s a little hungover, sometimes, and she has to bring her daughter, Emaleen, to her job waiting tables at an Alaskan roadside lodge, but she’s getting by as a single mother in a tough town. Still, Birdie can remember happier times from her youth, when she was free in the wilds of nature. Arthur Neilsen, a soft-spoken and scarred recluse who appears in town only at the change of seasons, brings Emaleen back to safety when she gets lost in the woods. Most people avoid him, but to Birdie, he represents everything she’s ever longed for.

As a little girl, Jane has no one. Her mother, Vivienne Margaux, the powerful head of a major New York theater company has no time for her. She does have one friend - Michael - but no one can see him except her. When Jane is in her 30s, working for her mother's company, she is just as alone as she was as a child. Then she finds Michael again - handsome and just the same as she remembers him, only now he's not imaginary.