Magical Realism Fiction

Al pueblo ha llegado «la mala hora» de los campesinos, la hora de la desgracia. La comarca ha sido «pacificada» después de tanta guerra civil. Han ganado los conservadores, que se dedican a perseguir cruel y pertinazmente a sus adversarios liberales. Al alba de una mañana, mientras el padre Ángel se dispone a celebrar la misa, suena un disparo en el pueblo. Un comerciante de ganado, advertido de la infidelidad de su mujer por un pasquín pegado a la puerta de su casa, acaba de matar al presunto amante de ésta.

“A laugh-out-loud funny romance with depth and heart, readers will love this spellbinding novel!” —Debbie Macomber, #1 New York Times bestselling author Is he the real deal…or did she truly summon a golem? Faye Kaplan used to be engaged. She also used to have a successful legal...

Érase una vez un pueblo donde las noches eran largas y la muerte contaba su propia historia. En el pueblo vivía una niña que quería leer, un hombre que tocaba el acordeón y un joven judío que escribía bellos cuentos para escapar del horror de la guerra. Al cabo de un tiempo, la niña se convirtió en una ladrona que robaba libros y regalaba palabras. Con estas palabras comienza una historia hermosa y cruel que ahora ya es una novela inolvidable.

Thirty-two-year-old Jess Abbot has lost everything: her job, her apartment, and - most heart-wrenching - her eight-year-old son, Chance, to a tragic accident. Haunted by memories and grief, Jess packs what’s left and heads for the small mountain town of Pine Lake, where she takes a position as caregiver to an eccentric old woman. A rumored clairvoyant, Lucy is strange but welcoming and immediately intuits Jess as a “loose end” in need of closure. But Jess isn’t the only guest in Lucy’s large Victorian home.

Five teens are caught in a continuous time loop where they are forced to choose who lives and who dies in this absorbing psychological thriller from the acclaimed New York Times bestselling author of Special Topics in Calamity Physics and Night Film. "Beautifully creepy." --The New York Times...

Am glücklichsten war Wilbur mit Maggie, der großen Liebe seines Lebens. Damals, in ihren Flitterwochen in Venedig. Bevor er alles aufs Spiel setzte. Nichts wünscht er sich sehnlicher, als die Zeit zurückzudrehen und einen anderen Weg einzuschlagen. Aber damit könnte er alles zerstören, was ihm je etwas bedeutet hat.

Instead, in the course of a moment, she is transformed into the stuff of myth, the stuff of her grandmother’s old Filipino stories—an aswang. She spent her life on the margins, knowing very little about her own life, let alone the lives of others; she was shot like a pinball through a childhood of loss, a veteran of Child Protective Services and a survivor, but always reacting, watching from a distance. Death brings her into the hearts and minds of those she has known—even her killer—as she is able to access their memories and to see anew the meaning of her own.

Launching into new territory that the author hadn’t mapped out when he embarked on the series, NEKOMONOGATARI (White) tells the tale of heroine Tsubasa Hanekawa from her own perspective, in her own voice—if that can hold true for a damaged soul who, depending on who you’re asking, suffers...

NAMED A BEST BOOK OF THE YEAR BY THE NEW YORKER LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE AND THE VCU CABELL FIRST NOVELIST AWARD “If you read one debut novel in 2022, this should be it.” —Los Angeles Times In the bustling streets and cloistered homes of Lagos, a cast of...

"A collection of wistful, witty stories." --Esquire "Hilarious, deep and a little bit dirty." --Harper's Bazaar A grief-stricken librarian decides to have sex with every man who enters her library. A half-mad, unbearably beautiful heiress follows a strange man home, seeking total sexual...

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

One of Carlos Fuentes’s greatest works, The Old Gringo tells the story of Ambrose Bierce, the American writer, soldier, and journalist, and of his last mysterious days in Mexico living among Pancho Villa’s soldiers, particularly his encounter with General Tomas Arroyo. In the end, the incompatibility of the two countries (or, paradoxically, their intimacy) claims both men, in a novel that is, most of all, about the tragic history of two cultures in conflict.

In the world of speculative fiction… Your favorite authors… Have selected best new voices of the year.

A PBS NewsHour/New York Times Book Club Pick A NATIONAL BOOK FOUNDATION "5 UNDER 35" HONOREE WINNER OF THE 2017 KIRKUS PRIZE WINNER OF THE NYPL'S YOUNG LIONS FICTION AWARD FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE LEONARD PRIZE SHORTLISTED FOR THE ASPEN WORDS LITERARY PRIZE A dazzlingly...

Nicole has wanted to own a haunted car her entire teenaged life, and when she finally finds one - a junker of a Chrysler Neon with its own tragic backstory - her best friend, Johnny, has some serious doubts. Would a demon even want to possess a Chrysler Neon? But when the two of them take it for a test drive, Johnny’s doubts begin to fade: The steering wheel burns hot, the car traps Johnny in the back seat, and is Nicole even driving? Or is the car driving itself? They soon find themselves forced to face the potential evil controlling the car, and possibly even themselves.

Jack Swift can tell you every element on the periodic table, recite Treasure Island verbatim, and would remember in perfect detail every word you'd ever say to him. He has been alone for a long time, so he has buried himself in books, using them to plan his escape. But no textbook could ever prepare him for the land of Keymark. At 3:33 a.m. on his 14th birthday, Jack is kidnapped by a hideous monster to another sphere of existence. Now there are two moons in the sky, and he is surrounded by grotesque creatures and magical warriors training for battle.

In this fantastically macabre tale, the separate halves of a nobleman split in two by a cannonball go on to pursue their own independent adventures. In a battle against the Turks, Viscount Medardo of Terralba is bissected lengthwise by a cannonball. One half of him returns to his feudal estate and takes up a lavishly evil life. Soon the other, virtuous half appears. The two halves become rivals for the love of the same woman, fight a bloody duel, and achieve a miraculous resolution.

It is 1980, and the Democratic People's Republic of Laos is proud to be competing in its first-ever Olympics. Ex-national coroner of Laos Dr. Siri Paiboun may be retired, but he and his wife, Madame Daeng, would do just about anything to have a chance to visit Moscow, so Siri finagles them the job of medical oversight for the Olympians. As the competition heats up, however, Siri begins to suspect that one of the athletes is not who he says he is. Then another Lao Olympian is accused of murder.

Sophie Stewart knows a lot about plants. The rooftop garden she tends and beautifies is ample evidence of that. What she doesn't know is anything about love, not with her long track record of always picking the wrong guy. But then a mystery flower pops up in her garden—a flower that only blooms in the presence of true love. Never one to shy away from a little magic, Sophie convinces her best friend, Peter, to help her use the flower to find her soulmate.

David wird aus seinem alten Leben gerissen und landet in einem rätselhaften Camp, das vorgibt, seine verborgenen Talente zu fördern. Dort trifft er Caleb – impulsiv, verschlossen und doch auf seltsame Weise vertraut. Zwischen den beiden wächst eine Freundschaft, die mehr als einmal auf die Probe gestellt wird. Während sie versuchen, sich in einer Welt zurechtzufinden, in der Regeln und Kontrolle über allem stehen, erkennen sie: Sie sind Teil eines Systems, das nicht nur formt, sondern auch täuscht. Wahrheit wird hier gemacht – von jenen, die das Bild der Realität diktieren.