Mary Horror

At the heart of Dark Romanticism is its brooding, pessimistic tone, its emphasis on the supernatural and the sins of humanity, and its use of iconic symbols and horrifying imagery. The classic Dark Romantic authors (Edgar Allan Poe, Nathaniel Hawthorne and Herman Melville) are represented in the stories and poems in this volume, as well as some authors who are not commonly included in this genre.

Mary Shelley began writing Frankenstein when she was only eighteen. At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein and his creation. Obsessed with discovering the cause of generation and life and bestowing animation upon lifeless matter, Frankenstein assembles a human being from stolen body parts but; upon bringing it to life, he recoils in horror at the creature's hideousness.

In the pantheon of great fictional horrors, Frankenstein's monster perhaps stands the tallest. Mary Shelley's acclaimed masterpiece, about the creation of a monster pieced together from graves, the gallows, and medical school scraps, has lost none of its chilling power to arouse both horror and compassion.

The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown. These facts few psychologists will dispute, and their admitted truth must establish for all time the genuineness and dignity of the weirdly horrible tale as a literary form... As may naturally be expected of a form so closely connected with primal emotion, the horror-tale is as old as human thought and speech themselves.

Don't sleep, Mary. Satan's night is near. He will take you and drown you in blood-drenched sin. Mary Taylor is happy now, married to the man she loves. The years of the Christian Home for Children are behind her, buried in the dark, unspoken folds of memory. But still she awakens to terror, to the hideous acts that gentle Mary would never, ever commit. And someone is killing the girls she knew at the Christian Home.

Writing to her only friend from her deathbed, Mathilda finally reveals the history that led to her isolated life of despairing melancholy. Of her mother dying in childbirth, her father's confession of his incestuous desire and subsequent suicide, and her relationship with a handsome young poet that fails to reverse Matilda's emotional withdrawal or prevent her lonely death. The haunting and relentlessly self-examining voice of Mary Shelley's protagonist is a bare narrative of trauma of a brave woman's failed search for love, atonement, and redemption.

Black Friday - the official opening of the Holiday Shopping Season - and Patrice Marcum is stuck in the middle of her local superstore with a crying infant, a near hysterical desire to just abandon the diapers and milk she desperately needs, and the snowstorm of the century dumping a half-foot of snow on the parking lot outside. She needs a miracle.

Mary Elizabeth Braddon (1835-1915) was a British Victorian-era novelist famous for her sensationalist writing. "The Cold Embrace" is a ghost story about a pair of lovers who promise to be true to each other. The young man declares he will even return from beyond the grave to be with his lover, but she declares that only a suicide can do this, as they are denied entrance to heaven. Shortly after this, the young man travels away and after some time neglects to write anymore.

This volume proves that the assertion that women are the gentler sex is frequently an unfounded and unlikely description. From the minds and pens of some of the best female writers of the last century comes a series of macabre, twisted tales that are anything but gentle. But as they weave their magic - usually black - and entrance you with their narratives you just know that “sugar and spice and everything nice” are not likely to be what all girls really are made of - and certainly not these femme fatales....

Women, so often referred to as the gentler sex - in this volume at least, this is an unfounded and unlikely description. From their minds and pens comes a series of macabre, twisted tales that are anything but gentle. But as they weave their magic, usually black, and mesh you into their narrative you just know 'sugar and spice and all things nice' are not likely to be what little girls really are made of and certainly not these femme fatales....

Mary Shelley´s FRANKENSTEIN oder: Der moderne Prometheus, gelesen von Ingolf Kloss. Mary Shelleys Frankenstein ist eine erschreckende Vision des wissenschaftlichen Fortschritts ohne moralische Grenzen und führt den Zuhörer auf eine gefährliche Reise von der erhabenen Schönheit der Schweizer Alpen in die trostlose Einöde des Polarkreises. Besessen von der Idee, das Leben selbst zu erschaffen, plündert Victor Frankenstein Friedhöfe und Schlachtereien.

He crept forward between the tall narrow aisles created by the shelves. Just before he reached the corner he heard a thump, the sound of a body hitting the floor. He rushed forward into the corner of the room. The desk was empty. The chair was pushed up against it, neatly awaiting its usual occupant. No one was in the corner. No one was there to make the sound. No one...alive.

Three of the top horror novels of all time have been newly adapted into novellas, and are now side by side in this one audiobook. These world-famous monsters are familiar household names. These are the monsters that authors and filmmakers continue to draw from again and again. And these are stories that introduced them to the world over a century ago. So turn down the lights, and experience triple the action, suspense, chills, and thrills, as you listen to all three classic tales.

Despite carrying the scars of childhood trauma, Mary McAllister has enjoyed a successful career and become the mother of two wonderful children. Then their deadbeat father leaves, her young daughter dies, and she is hospitalized in a psychiatric center as she seeks to recover from this devastating loss. But she is not the same when she is released—and during escalating periods of crisis, she claims to be possessed by Z-DA, an evil creature from a distant galaxy that has come to earth in a war almost as old as the universe itself with Ordo, leader of a good species.

Michael is a waif in eyeliner who's determined to wipe vampires off the face of the earth. Wild Bill's got the hots for Michael and will stop at nothing to go home with him. Forget about moonlit castles and windswept moors. These bad boys haunt all-night diners and cheap motels, cut-rate department stores and long, lonely stretches of the interstate.

Als Rachel in der neuen High School in einen Streich verwickelt wird, der furchtbar daneben geht, hat sie plötzlich mehr Feinde als Freunde. Zu ihrer Überraschung erregt sie jedoch die Aufmerksamkeit eines geheimen Schülerclubs. Der Mary-Shelley-Club, benannt nach der Autorin von Frankenstein, hat nur ein Ziel: mit gruseligen Aktionen echte Angst zu verbreiten. Schon bald eskaliert das Spiel und wird immer gnadenloser – und Rachel muss das echte Monster aufspüren. Es ist an der Zeit, den ultimativen Streich zu spielen ...

Step beyond the lamplight and into the gilded darkness of a vanished world. Ghost Stories from the Gilded Age is a classic ghost story anthology featuring eerie tales by female authors who defied convention—Charlotte Perkins Gilman, Edith Wharton, Kate Chopin, and more. Narrated by an all-star ensemble of Audie, SOVAS, and One Voice award winners and nominees, this haunting audiobook collection blends Gothic elegance with supernatural unease.

Contents: Edgar Allan Poe - The Murders in the Rue Morgue - The Gold Bug - The Black Cat - The Pit and the Pendulum - The Tell-Tale Heart - The Fall of the House of Usher - The Masque of the Red Death - The Cask of Amontillado - The Facts in the Case of M. Valdemar - Hop-Frog - The RavenBram Stoker - DraculaMary Shelley - FrankensteinJoseph Sheridan Le Fanu - CarmillaRobert Louis Stevenson - The Strange Case of Dr. Jekyll and Mr. HydeH.P. Lovecraft - The Alchemist - At the Mountains of Madness - Azathoth - The Beast in the Cave.

In this fresh, darkly funny horror, a woman finally agrees to marry the man of her mother’s dreams ... only to discover that wedding planning eats you alive. If Ophelia Cohen learned one thing from her parents, it’s that getting married is a bad idea. But if she’s learning anything from...

"Totem and Taboo: Resemblances Between the Mental Lives of Savages and Neurotics" is a work by Sigmund Freud, published in German in 1913. It is a collection of four essays first published in the journal "Imago" (1912-13), employing the application of psychoanalysis to the fields of archaeology, anthropology, and the study of religion.