Mary Horror

Obsessed with the secret of creation, Swiss scientist Dr. Victor Frankenstein cobbles together a body he's determined to bring to life. And one fateful night, he does. When the creature opens his eyes, the doctor is repulsed: his vision of perfection is, in fact, a hideous monster. Dr. Frankenstein abandons his creation, but the monster won't be ignored, setting in motion a chain of violence and terror that shadows Victor to his death.

When the crew of the Oceanus rescued a man close to death, its captain could barely have guessed at the incredible story that man would come to share. This is the story of Victor Frankenstein: a man obsessed with discovering the secret of life and cheating death; a man who brings to life to a body built from corpses; and a man who rejects this would-be child.... Soon Victor and his creature are entangled in a dangerous game of cat and mouse across Europe. But who is truly the monster?

Some years into the twenty-first century, a newly devised weapon of mass destruction will do far worse than kill; it will disrupt time and space. Suddenly, land, buildings, animals, and people are falling through "timeslips" and being transported briefly back to earlier eras. One of these inadvertent time travelers, Joe Bodenland, is shocked when he finds himself parked outside a villa on the shore of Lake Geneva—and soon after, unbelievably, in the presence of nineteenth-century literary luminaries Lord Byron and Percy Shelley, along with Shelley's very enticing fiancee, budding author Mary.

Twelve-year-old Mary falls in love with a foal that is lame, just like her. The expensive surgery the foal needs has little chance to correct the problem. Still Mary plots and conspires to raise money to save the horse, even as time runs out. She sacrifices what she holds dear - the trust of her papa, to gain her heart's desire. But she could lose everything in her struggle to save the foal.

Twenty years ago a deadly virus swept the globe, ravaging the population. People died and came back as monsters, and through the tragedy that rocked the world, survivors were born.

Frankenstein, or the Modern Prometheus, is Mary Shelley's passionate and Gothic tale of terror, in which a man's desire to know the unknowable sweeps him into a living nightmare. Victor Frankenstein's experiments with life itself give birth to an extraordinary force with the potential for either good or evil.

The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown. These facts few psychologists will dispute, and their admitted truth must establish for all time the genuineness and dignity of the weirdly horrible tale as a literary form... As may naturally be expected of a form so closely connected with primal emotion, the horror-tale is as old as human thought and speech themselves.

Frankenstein; or, The Modern Prometheus (or simply, Frankenstein for short), is a novel written by English author Mary Shelley (1797-1851) that tells the story of Victor Frankenstein, a young scientist who creates a grotesque but sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition of the novel was published anonymously in London in 1818, when she was 20. Her name first appeared on the second edition, published in France in 1823.

In 1991, Heather Cole and her friends were members of the Dead Girls Club. Obsessed with the macabre, the girls exchanged stories about serial killers and imaginary monsters, like the Red Lady, the spirit of a vengeful witch killed centuries before. Heather knew the stories were just that, until her best friend Becca began insisting the Red Lady was real - and she could prove it. That belief got Becca killed.

From the mind of Edward Lee comes a brand new neighborhood anthology. Horror for Housewives is a cul-de-sac of some of the best female horror writers within the sadistic suburbs.

Aspiring model Allison Parker finally moves into her dream apartment: a brownstone on Manhattan's Upper West Side. But her perfect home quickly turns hellish. The building is filled with a cast of sinister tenants, including a reclusive blind priest, who seems to watch her day and night through an upstairs window. Eventually, Allison starts hearing strange noises from the empty apartment above hers. Before long, she uncovers the building's demonic secret and is plunged into a nightmare of sinful misdeeds.

Aunt Blythe's house gives Drew the creeps-it's full of dark rooms, creaky noises, and the sound of a woman sobbing somewhere in the shadows. Then, in the middle of the night, Drew awakens to find a boy standing in his room...a boy who is Drew's exact double, except he looks as if he's come from the grave.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

Four horror stories, over 30 hours of audio entertainment. Horror stories are intended to frighten, startle, and even disgust the listener. The tales of blood-sucking vampires, headless horsemen, hideous creatures, and transformed humans will leave you terrified yet compelled to listen to the next.

From the moment Andra hears about the mysterious illness spreading the globe, she knows it’s the end. Sheltering in place with her daughter, ex, and his new family, they watch in dread as the world begins to crumble around them, while rumors of survivors turning into monsters spread. When the dust finally settles, all Andra wants to do is keep her daughter safe as they build a new life for themselves. But a fresh horror awaits, and it’s going to take all of them working together to survive the new world they’re facing. And maybe not even then....

When Edward Glynn dies suddenly in the family home, the surviving siblings gather in mourning—yet grief quickly gives way to dread. A strange shadow begins appearing on the study wall each night, a tall and unmistakably human silhouette that refuses to fade, no matter how the room is rearranged or the light is moved. Caroline, Rebecca, and Emma Glynn struggle to hold themselves together as the tension among them thickens, suspicions grow sharper, and their brother Henry’s behavior turns increasingly frantic. What is the shadow? Why does it look like Edward?

An excellent collection of creepy ghost stories from some of the most notable names of early horror fiction, including: “The Willows” by Algernon Blackwood, “The Shadows On The Wall” by Mary E. Wilkins Freeman, “The Messenger” by Robert W.Chambers, “Lazarus” by Leonid Andreyev, “The Beast With Five Fingers” by W.F. Harvey, “The Mass Of Shadows” by Anatole France, “What Was It” by Fitz-James O’brien, “The Middle Toe Of The Right Foot” by Ambrose Bierce, “The Shell Of Sense” by Olivia Howard Dunbar, and more!

At the heart of Dark Romanticism is its brooding, pessimistic tone, its emphasis on the supernatural and the sins of humanity, and its use of iconic symbols and horrifying imagery. The classic Dark Romantic authors (Edgar Allan Poe, Nathaniel Hawthorne and Herman Melville) are represented in the stories and poems in this volume, as well as some authors who are not commonly included in this genre.

A no-nonsense governess returns to the family home at Christmas to celebrate the season and an upcoming wedding but learns of a curse affecting the men of the family. 'At Chrighton Abbey' is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known.

"Totem and Taboo: Resemblances Between the Mental Lives of Savages and Neurotics" is a work by Sigmund Freud, published in German in 1913. It is a collection of four essays first published in the journal "Imago" (1912-13), employing the application of psychoanalysis to the fields of archaeology, anthropology, and the study of religion.