Mary Horror

Aunt Blythe's house gives Drew the creeps-it's full of dark rooms, creaky noises, and the sound of a woman sobbing somewhere in the shadows. Then, in the middle of the night, Drew awakens to find a boy standing in his room...a boy who is Drew's exact double, except he looks as if he's come from the grave.

Ariel Kimber has settled into life with her family and coven. Everything seems to be as it should, and she finally feels like she's exactly where she needs to be in her life. Her dad is awesome, and she loves getting to know him. Her guys are the best, and she falls deeper in love with them by the day. Her job at Fortunes for the Unfortunate does not suck, and she's more than happy to spend her days there. Her guardians have become family to her, and she finally thinks she's living the good life. But, like everything else in Ariel's life, that goodness does not last.

Ariel Kimber has finally settled into her life. Life is golden, shiny, and the potential for happy days - endless. Until it’s not. When the Council comes to call, you pick up the phone and answer...or you suffer the consequences. Only a fool wouldn’t answer, and Ariel Kimber is no fool. With her coven of guys, her psychotic father, and the honorable Marcus Cole by her side, she can make it through anything.... Even the Council.

Don't sleep, Mary. Satan's night is near. He will take you and drown you in blood-drenched sin. Mary Taylor is happy now, married to the man she loves. The years of the Christian Home for Children are behind her, buried in the dark, unspoken folds of memory. But still she awakens to terror, to the hideous acts that gentle Mary would never, ever commit. And someone is killing the girls she knew at the Christian Home.

The ferry-boat was waiting when Rebecca Flint got off the train with her bag and lunch basket. When she and her small trunk were safely embarked she sat stiff and straight and calm in the ferry-boat as it shot swiftly and smoothly across stream. There was a horse attached to a light country wagon on board, and he pawed the deck uneasily. His owner stood near, with a wary eye upon him, although he was chewing, with as dully reflective an expression as a cow.

When the crew of the Oceanus rescued a man close to death, its captain could barely have guessed at the incredible story that man would come to share. This is the story of Victor Frankenstein: a man obsessed with discovering the secret of life and cheating death; a man who brings to life to a body built from corpses; and a man who rejects this would-be child.... Soon Victor and his creature are entangled in a dangerous game of cat and mouse across Europe. But who is truly the monster?

Settle in for an unsettling listen with this duo of two horror classics: Dracula by Bram Stoker and Frankenstein by Mary Shelley. These two books are staples of the Gothic horror genre and are sure to excite, mystify, and maybe even spook listeners.

Some of the greatest ghost stories of all time, here to send chills down your spine.

Black Friday - the official opening of the Holiday Shopping Season - and Patrice Marcum is stuck in the middle of her local superstore with a crying infant, a near hysterical desire to just abandon the diapers and milk she desperately needs, and the snowstorm of the century dumping a half-foot of snow on the parking lot outside. She needs a miracle.

The gothic tale of Frankenstein and his construction of a human being who runs amok has, with the help of numerous films, become one of the most vivid horror stories. But Mary Shelley's original novel, written in 1816, dealt more sympathetically with "the daemon," showing how an initially beneficent creature is hammered into a daemon by the way he is treated. Her ideas, and her dramatic but poignant story, is brought to life in this sound dramatization.

This volume proves that the assertion that women are the gentler sex is frequently an unfounded and unlikely description. From the minds and pens of some of the best female writers of the last century comes a series of macabre, twisted tales that are anything but gentle. But as they weave their magic - usually black - and entrance you with their narratives you just know that “sugar and spice and everything nice” are not likely to be what all girls really are made of - and certainly not these femme fatales....

Women, so often referred to as the gentler sex - in this volume at least, this is an unfounded and unlikely description. From their minds and pens comes a series of macabre, twisted tales that are anything but gentle. But as they weave their magic, usually black, and mesh you into their narrative you just know 'sugar and spice and all things nice' are not likely to be what little girls really are made of and certainly not these femme fatales....

Contents: Edgar Allan Poe - The Murders in the Rue Morgue - The Gold Bug - The Black Cat - The Pit and the Pendulum - The Tell-Tale Heart - The Fall of the House of Usher - The Masque of the Red Death - The Cask of Amontillado - The Facts in the Case of M. Valdemar - Hop-Frog - The RavenBram Stoker - DraculaMary Shelley - FrankensteinJoseph Sheridan Le Fanu - CarmillaRobert Louis Stevenson - The Strange Case of Dr. Jekyll and Mr. HydeH.P. Lovecraft - The Alchemist - At the Mountains of Madness - Azathoth - The Beast in the Cave.

Für Kapitän Benjamin Spooner Briggs gestaltet sich die Suche nach einer geeigneten Mannschaft für sein neuerworbenes Schiff, die Mary Celeste, unerwartet schwer. Das Gerücht, der Zweimaster sei ein Unglücksschiff, auf dem es spuke, hat sich im Hafen von New York unter den abergläubischen Seelauten verbreitet. Kapitän Briggs will dennoch von all dem nichts wissen. Die Mary Celeste soll eine Ladung Industriealkohol nach Genua transportieren und es darf keine Zeit verloren werden. Und so sticht die Mary Celeste am 7. November 1872 hoffnungsvoll in See.

Writing to her only friend from her deathbed, Mathilda finally reveals the history that led to her isolated life of despairing melancholy. Of her mother dying in childbirth, her father's confession of his incestuous desire and subsequent suicide, and her relationship with a handsome young poet that fails to reverse Matilda's emotional withdrawal or prevent her lonely death. The haunting and relentlessly self-examining voice of Mary Shelley's protagonist is a bare narrative of trauma of a brave woman's failed search for love, atonement, and redemption.

Mary Shelley´s FRANKENSTEIN oder: Der moderne Prometheus, gelesen von Ingolf Kloss. Mary Shelleys Frankenstein ist eine erschreckende Vision des wissenschaftlichen Fortschritts ohne moralische Grenzen und führt den Zuhörer auf eine gefährliche Reise von der erhabenen Schönheit der Schweizer Alpen in die trostlose Einöde des Polarkreises. Besessen von der Idee, das Leben selbst zu erschaffen, plündert Victor Frankenstein Friedhöfe und Schlachtereien.

He crept forward between the tall narrow aisles created by the shelves. Just before he reached the corner he heard a thump, the sound of a body hitting the floor. He rushed forward into the corner of the room. The desk was empty. The chair was pushed up against it, neatly awaiting its usual occupant. No one was in the corner. No one was there to make the sound. No one...alive.

The isolated cottage on the remote Hebridean island of Moila seemed like an ideal away-from-it-all retreat for writer Rose Fenemore, a place where she could work in peace, and where her brother Crispin could walk, fish, and photograph the birds and wildlife. But it is not easy to escape the world and its troubles. Crispin's arrival is delayed, and Rose, on her own in the lonely cottage, has to cope with two very different men who come in from the sea on a night of summer storm.

Switzerland, 1816. A volcanic eruption in Indonesia envelopes the whole of Europe in ash and cloud. Amid this “year without a summer,” eighteen-year-old Mary Shelley and her lover Percy Bysshe Shelley arrive at Lake Geneva to visit Lord Byron and his companion John Polidori. Anguished by the recent loss of her child, Mary spends her days in strife. But come nightfall, the friends while away rainy wine-soaked evenings gathered around the fireplace, exchanging stories. One famous evening, Byron issues a challenge to write the best ghost story.

Three of the top horror novels of all time have been newly adapted into novellas, and are now side by side in this one audiobook. These world-famous monsters are familiar household names. These are the monsters that authors and filmmakers continue to draw from again and again. And these are stories that introduced them to the world over a century ago. So turn down the lights, and experience triple the action, suspense, chills, and thrills, as you listen to all three classic tales.