Mary Horror

This chilling tale of a gruesome monster unleashed into the world by an unthinking scientist was first conceived by 19-year-old Mary Shelley on a dark, rainy night on Lake Geneva. Lord Byron and Percy Shelley challenged their friends to see who could come up with the most horrifying story imaginable. Mary Shelley did, terrifying them all with her nightmare-inspired tale. It is followed by "The Rime of the Ancient Mariner" by Coleridge which was an early haunting influence on the young Mary Shelley.

In this fresh, darkly funny horror debut, a woman finally agrees to marry the man of her mother’s dreams . . . only to discover that wedding planning eats you alive. If Ophelia Cohen learned one thing from her parents, it’s that getting married is a bad idea. But if she’s learning...

During the rainy summer of 1816, the "Year Without a Summer", the world was locked in a long cold volcanic winter caused by the eruption of Mount Tambora in 1815. Mary Shelley, aged 18, and her lover (and later husband) Percy Bysshe Shelley, visited Lord Byron at the Villa Diodati by Lake Geneva in Switzerland. The weather was consistently too cold and dreary that summer to enjoy the outdoor holiday activities they had planned, so the group retired indoors until dawn.

Confront the horrifying consequences of ambition in Frankenstein, question identity in the gothic mystery "Transformation," and ponder the bittersweet curse of eternal life in "The Mortal Immortal." This collection of Mary Shelley's gloriously gothic stories is a must-have for fans of classic literature, haunting storytelling, and Guillermo del Toro's Frankenstein.

Aunt Blythe's house gives Drew the creeps-it's full of dark rooms, creaky noises, and the sound of a woman sobbing somewhere in the shadows. Then, in the middle of the night, Drew awakens to find a boy standing in his room...a boy who is Drew's exact double, except he looks as if he's come from the grave.

Ariel Kimber has settled into life with her family and coven. Everything seems to be as it should, and she finally feels like she's exactly where she needs to be in her life. Her dad is awesome, and she loves getting to know him. Her guys are the best, and she falls deeper in love with them by the day. Her job at Fortunes for the Unfortunate does not suck, and she's more than happy to spend her days there. Her guardians have become family to her, and she finally thinks she's living the good life. But, like everything else in Ariel's life, that goodness does not last.

Ariel Kimber has finally settled into her life. Life is golden, shiny, and the potential for happy days - endless. Until it’s not. When the Council comes to call, you pick up the phone and answer...or you suffer the consequences. Only a fool wouldn’t answer, and Ariel Kimber is no fool. With her coven of guys, her psychotic father, and the honorable Marcus Cole by her side, she can make it through anything.... Even the Council.

Don't sleep, Mary. Satan's night is near. He will take you and drown you in blood-drenched sin. Mary Taylor is happy now, married to the man she loves. The years of the Christian Home for Children are behind her, buried in the dark, unspoken folds of memory. But still she awakens to terror, to the hideous acts that gentle Mary would never, ever commit. And someone is killing the girls she knew at the Christian Home.

The ferry-boat was waiting when Rebecca Flint got off the train with her bag and lunch basket. When she and her small trunk were safely embarked she sat stiff and straight and calm in the ferry-boat as it shot swiftly and smoothly across stream. There was a horse attached to a light country wagon on board, and he pawed the deck uneasily. His owner stood near, with a wary eye upon him, although he was chewing, with as dully reflective an expression as a cow.

When the crew of the Oceanus rescued a man close to death, its captain could barely have guessed at the incredible story that man would come to share. This is the story of Victor Frankenstein: a man obsessed with discovering the secret of life and cheating death; a man who brings to life to a body built from corpses; and a man who rejects this would-be child.... Soon Victor and his creature are entangled in a dangerous game of cat and mouse across Europe. But who is truly the monster?

When her widower father inherits a castlelike estate in the mountains of West Virginia, twelve-year-old Jen is thrilled. It seems like a wish come true. But she quickly realizes that not all change is positive. Her dad has a mysterious new girlfriend, Moura, who slowly drives a wedge between Jen and her father. Furthermore, Moura has an unusually strong—almost obsessive—interest in the antiques that fill the mansion, especially a beautiful glass globe that Jen finds hanging in a window.

Settle in for an unsettling listen with this duo of two horror classics: Dracula by Bram Stoker and Frankenstein by Mary Shelley. These two books are staples of the Gothic horror genre and are sure to excite, mystify, and maybe even spook listeners.

Some of the greatest ghost stories of all time, here to send chills down your spine.

Black Friday - the official opening of the Holiday Shopping Season - and Patrice Marcum is stuck in the middle of her local superstore with a crying infant, a near hysterical desire to just abandon the diapers and milk she desperately needs, and the snowstorm of the century dumping a half-foot of snow on the parking lot outside. She needs a miracle.

The gothic tale of Frankenstein and his construction of a human being who runs amok has, with the help of numerous films, become one of the most vivid horror stories. But Mary Shelley's original novel, written in 1816, dealt more sympathetically with "the daemon," showing how an initially beneficent creature is hammered into a daemon by the way he is treated. Her ideas, and her dramatic but poignant story, is brought to life in this sound dramatization.

This volume proves that the assertion that women are the gentler sex is frequently an unfounded and unlikely description. From the minds and pens of some of the best female writers of the last century comes a series of macabre, twisted tales that are anything but gentle. But as they weave their magic - usually black - and entrance you with their narratives you just know that “sugar and spice and everything nice” are not likely to be what all girls really are made of - and certainly not these femme fatales....

Women, so often referred to as the gentler sex - in this volume at least, this is an unfounded and unlikely description. From their minds and pens comes a series of macabre, twisted tales that are anything but gentle. But as they weave their magic, usually black, and mesh you into their narrative you just know 'sugar and spice and all things nice' are not likely to be what little girls really are made of and certainly not these femme fatales....

Contents: Edgar Allan Poe - The Murders in the Rue Morgue - The Gold Bug - The Black Cat - The Pit and the Pendulum - The Tell-Tale Heart - The Fall of the House of Usher - The Masque of the Red Death - The Cask of Amontillado - The Facts in the Case of M. Valdemar - Hop-Frog - The RavenBram Stoker - DraculaMary Shelley - FrankensteinJoseph Sheridan Le Fanu - CarmillaRobert Louis Stevenson - The Strange Case of Dr. Jekyll and Mr. HydeH.P. Lovecraft - The Alchemist - At the Mountains of Madness - Azathoth - The Beast in the Cave.

Für Kapitän Benjamin Spooner Briggs gestaltet sich die Suche nach einer geeigneten Mannschaft für sein neuerworbenes Schiff, die Mary Celeste, unerwartet schwer. Das Gerücht, der Zweimaster sei ein Unglücksschiff, auf dem es spuke, hat sich im Hafen von New York unter den abergläubischen Seelauten verbreitet. Kapitän Briggs will dennoch von all dem nichts wissen. Die Mary Celeste soll eine Ladung Industriealkohol nach Genua transportieren und es darf keine Zeit verloren werden. Und so sticht die Mary Celeste am 7. November 1872 hoffnungsvoll in See.

Writing to her only friend from her deathbed, Mathilda finally reveals the history that led to her isolated life of despairing melancholy. Of her mother dying in childbirth, her father's confession of his incestuous desire and subsequent suicide, and her relationship with a handsome young poet that fails to reverse Matilda's emotional withdrawal or prevent her lonely death. The haunting and relentlessly self-examining voice of Mary Shelley's protagonist is a bare narrative of trauma of a brave woman's failed search for love, atonement, and redemption.