Mary Horror

The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown. These facts few psychologists will dispute, and their admitted truth must establish for all time the genuineness and dignity of the weirdly horrible tale as a literary form... As may naturally be expected of a form so closely connected with primal emotion, the horror-tale is as old as human thought and speech themselves.

Ariel Kimber has settled into life with her family and coven. Everything seems to be as it should, and she finally feels like she's exactly where she needs to be in her life. Her dad is awesome, and she loves getting to know him. Her guys are the best, and she falls deeper in love with them by the day. Her job at Fortunes for the Unfortunate does not suck, and she's more than happy to spend her days there. Her guardians have become family to her, and she finally thinks she's living the good life. But, like everything else in Ariel's life, that goodness does not last.

Ariel Kimber has finally settled into her life. Life is golden, shiny, and the potential for happy days - endless. Until it’s not. When the Council comes to call, you pick up the phone and answer...or you suffer the consequences. Only a fool wouldn’t answer, and Ariel Kimber is no fool. With her coven of guys, her psychotic father, and the honorable Marcus Cole by her side, she can make it through anything.... Even the Council.

On the longest night of 1895, a terrible storm rages above Harewood Hall. Max, Markham and an injured Peterson are welcomed in by the Harewood family but quickly realise that the gathering is far from celebratory. For tonight marks the Ordeal of the Haunted Room. Every Harewood heir must endure one terrifying night alone in the Haunted Room before he can inherit the family seat. Legend says that ghosts will murder anyone who isn't the true heir. Francis Harewood's ordeal will begin at midnight and end at dawn, but it isn't long before everything goes horribly wrong.

With supplies running low and animals scarce, not even the freezing zombies can make the future look bright for Axl's group. And as the snow grows deeper, Vivian's concern for Hadley and Jon only becomes more intense. Each day seems to bring more challenges, and every week that passes with no sign of their friends makes it more difficult for the group to believe life can ever return to normal.

With their shelter destroyed and their sense of security shattered, Vivian, Axl and the group set off in search of a safe place. But the group's morale is at an all-time low, and they now know it's not just the dead they have to fear. Weeks of wandering brings sickness, death and loss to the survivors, and Vivian soon finds herself losing hope of ever discovering a safe place to live. To make matters worse, two members of the group go missing, leaving the others to wonder not only what happened to them, but if they will ever see their friends alive again.

These shivery tales were collected from the oral tradition, from people all over the Southwest, and represent the rich cultural diversity of the region, from the Ozarks to the Rio Grande, California to the Big Thicket.

Everybody loves scary stories, and nobody loves them more than children. Storytellers Richard and Judy Dockrey Young gathered these stories from the most discerning of critics: the children themselves.

Scary stories help children face fear and master it, by portraying the elements of conflict in clear, good-versus-evil terms with good triumphant in the end.

Writing to her only friend from her deathbed, Mathilda finally reveals the history that led to her isolated life of despairing melancholy. Of her mother dying in childbirth, her father's confession of his incestuous desire and subsequent suicide, and her relationship with a handsome young poet that fails to reverse Matilda's emotional withdrawal or prevent her lonely death. The haunting and relentlessly self-examining voice of Mary Shelley's protagonist is a bare narrative of trauma of a brave woman's failed search for love, atonement, and redemption.

Aunt Blythe's house gives Drew the creeps-it's full of dark rooms, creaky noises, and the sound of a woman sobbing somewhere in the shadows. Then, in the middle of the night, Drew awakens to find a boy standing in his room...a boy who is Drew's exact double, except he looks as if he's come from the grave.

Frankenstein, écrit par Mary Shelley et publié en 1818, et traduit par Jules Saladin dès 1821, est un roman gothique qui raconte l’histoire de Victor Frankenstein, un scientifique ambitieux qui crée un être vivant à partir de morceaux de cadavres. Son expérience tourne au drame lorsqu'il rejette la créature, la laissant seule et perdue. L’histoire explore des thèmes profonds tels que la quête du savoir, les conséquences de l'ambition démesurée, la solitude, et la responsabilité morale.

What listeners really don’t like are dull werewolf stories. So, we tasked the horror community with writing the weirdest, wildest, most creative, utterly bonkers tails (ha!) of lycanthropic lunacy possible.

New girl Rachel Chavez turns to horror movies for comfort, preferring stabby serial killers and homicidal dolls to the bored rich kids of Manhattan Prep...and to certain memories she’d preferred to keep buried. Then Rachel is recruited by the Mary Shelley Club, a mysterious society of students who orchestrate Fear Tests, elaborate pranks inspired by urban legends and movie tropes. At first, Rachel embraces the power that comes with reckless pranking. But as the Fear Tests escalate, the competition turns deadly, and it’s clear Rachel is playing a game she can’t afford to lose.

Frankenstein, or the Modern Prometheus, is Mary Shelley's passionate and Gothic tale of terror, in which a man's desire to know the unknowable sweeps him into a living nightmare. Victor Frankenstein's experiments with life itself give birth to an extraordinary force with the potential for either good or evil.

At the heart of Dark Romanticism is its brooding, pessimistic tone, its emphasis on the supernatural and the sins of humanity, and its use of iconic symbols and horrifying imagery. The classic Dark Romantic authors (Edgar Allan Poe, Nathaniel Hawthorne and Herman Melville) are represented in the stories and poems in this volume, as well as some authors who are not commonly included in this genre.

Stranded on a desert island, a young man yearns for objects from his past. A local from a small coastal town in England is found dead as the tide goes out. A Norwegian whaling ship is stranded in the Arctic, its crew threatened by mysterious forces. In the nineteenth century, a ship drifts in becalmed waters in the Indian Ocean, those on it haunted by their evil deeds. A surfer turned diver discovers there are things worse than drowning under the sea. Something from the sea is creating monsters on land.

Over 100 years ago, a group of witches made their way from New England to Whitewater, Wisconsin, known as Second Salem. Others also made their way to the city and, through their ignorance, unleashed an evil entity. Three sisters, the Willoughby Witches, created an incantation strong enough to ensnare the demon. Lord Henry McDermott, college professor, anthropologist, and archaeologist, has yearned to learn more about the legend of the Willoughby Witches. Taking the summer off to research the folklore, Henry discovers that there is more waiting for him in Whitewater than just a story.

Frankenstein di Mary Shelley fu pubblicato la prima volta nel 1818, e modificato dall'autrice per una seconda edizione nel 1831...

Drawn to this tough but tender woman, Vicente materializes out of the butler's pantry and asks her to find his lost love, Anna. Dori wonders if she's not only about to lose her badge, but also her sanity. Dori has always been drawn to the mysterious Queen Anne Edwardian house in her hometown. But after a devastating injury that puts her career on the line, Dori isn't sure if she made the right decision purchasing this rundown old mansion.