Mary Horror

This chilling collection includes: "The Romance of Certain Old Clothes" by Henry James, "The Shadow" by E. Nesbit, "Monsieur Anastasius" by Dinah Maria Mulock, "John Granger" by Mary Elizabeth Braddon and more.

Un clásico gótico de ciencia ficción de Mary Shelley.

During the rainy summer of 1816, the "Year Without a Summer", the world was locked in a long cold volcanic winter caused by the eruption of Mount Tambora in 1815. Mary Shelley, aged 18, and her lover (and later husband) Percy Bysshe Shelley, visited Lord Byron at the Villa Diodati by Lake Geneva in Switzerland. The weather was consistently too cold and dreary that summer to enjoy the outdoor holiday activities they had planned, so the group retired indoors until dawn.

James Hogg was an 19th century Scottish writer. Mary Burnet is a traditional Scottish ghost story which he retold.

Some of the greatest ghost stories of all time, here to send chills down your spine.

Una colección imprescindibles para los amantes de lo espectral, del misterio gótico, de la cortina que se desplaza sin que haya viento y el susurro de pasos en mitad del pasillo en plena noche. Cuentos escalofriantes de una de las damas del terror victoriano más destacadas, Mary Elizabeth Braddon. Incluye los cuentos: "El rostro en el espejo", "Ella", "La sombra en la esquina", "La buena lady Ducayne", "Su última aparición" y "El visitante de Eveline".

Fifteen-year-old Libby has spent her whole life in the shadow of her superstar sister. Then her sister dies, and the light goes out. When Libby's parents drop her off in Sayers Beach, Maine, to stay at her aunt and uncle's inn for the summer, she sees a chance to escape her secrets and reinvent herself. Libby's finally caught the attention of the cute, popular guy, no one sees her as the lonely bookworm, and nobody knows why she blames herself for her sister's death. Nobody except the ghost in the lighthouse. And the ghost has a few secrets of her own.

Up until recently, Freeman has been known primarily as a "feminist" writer, for her classic stories like "A New England Nun", and "The Revolt of Mother". However, she also wrote many well crafted supernatural stories which have only recently begun to attract appreciative critical attention. These stories combine pragmatism and supernaturalism and are very much in the tradition of an "Americanized" Gothic.

Hours after throwing a third birthday party for their twins Kathy and Kelly in their Connecticut home, Margaret and Steve Frawley return home from a dinner in New York to discover the police in the house, their daughters missing, and an eight million dollar ransom note. The Frawleys meet the kidnapper's demands, but the abandoned car they're led to contains only Kelly, the body of the driver, and a suicide note, saying he had inadvertently killed Kathy and dumped her body in the ocean.

Mary Shelley hat als 18jährige etwas vollbracht, was noch kein Mensch vor oder nach ihr geschafft hat: In diesem zarten Alter einen Roman zu verfassen, der die Zeiten überdauert und eine bis heute aktuelle Thematik behandelt. Können, dürfen und sollen wir Leben auf Basis aller uns zu Verfügung stehenden technischen Mitteln ermöglichen oder sind Gottes bescheidene und beschränkte Grenzen Sperrgebiet für unseren Intellekt?

Sixteen-year-old Bette loves watching horror movies, seeing local bands play, and hanging out with her best friend Rose. Jay, a student at Bette and Rose's school, has done his best to build a new life for himself after the devastating events of his childhood. When Bette and Jay's lives crash headlong into the alluring, lethal underworld of the city's vampires, they're not afraid, but rather fascinated: could this subculture of hunters and predators, villains and heroes, finally be somewhere that they fit in? And if it's not, can they get out alive?

Shortly after Renée is commissioned as an Army second lieutenant, a deadly virus sweeps across the world, turning most of the living into mindless, undead beings with insatiable cravings for raw human flesh. Stuck with a younger half-brother she has mixed feelings for, Renée becomes his reluctant protector as they embark on a harrowing journey of survival in search of their father.

When her widower father inherits a castlelike estate in the mountains of West Virginia, twelve-year-old Jen is thrilled. It seems like a wish come true. But she quickly realizes that not all change is positive. Her dad has a mysterious new girlfriend, Moura, who slowly drives a wedge between Jen and her father. Furthermore, Moura has an unusually strong—almost obsessive—interest in the antiques that fill the mansion, especially a beautiful glass globe that Jen finds hanging in a window.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

No one is kind to sixth-grader Brendan Doyle: his foster mother, his teachers, his classmates, and especially the thugs who bully him. He takes refuge in books, drawing, carving, and daydreaming. When Brendan stumbles upon an old man near his tree house in the Virginia woods, he is quick to believe that this is the magical Green Man, guardian spirit of the forest. Brendan's need to immerse himself in his fantasy world becomes more acute, until he meets a girl with secrets of her own who may just keep his feet on the ground.

When sixteen-year-old Cynda goes to stay with her father and his second wife, Susan, at their remote bed-and-breakfast inn in Maine, everything starts off well despite legends about ghosts and a murder at the inn. But Cynda feels like a visitor in Dad's new life, an outsider. Then intense, handsome stranger Vincent Morthanos arrives at the inn and seems to return Cynda's interest. At first, she is blind to the subtle, insistent signs that Vincent is not what he seems—that he is, in fact, a vampire. Can Cynda free herself—and her family—from Vincent's power before it's too late?

The ferry-boat was waiting when Rebecca Flint got off the train with her bag and lunch basket. When she and her small trunk were safely embarked she sat stiff and straight and calm in the ferry-boat as it shot swiftly and smoothly across stream. There was a horse attached to a light country wagon on board, and he pawed the deck uneasily. His owner stood near, with a wary eye upon him, although he was chewing, with as dully reflective an expression as a cow.

Hannah Whitmire's body may lie on the forest floor a hundred miles from home, but her spirit is upright and determined. She must get to her children before the murderer does. The question is - how? She can’t drive and the living - most of them at least - can’t hear her. Hannah is on her own.

Of supposed unsound mind without a penny to her name, Blanche Magruder lies alone in a home for the aged and infirm. Meanwhile, her house, a crumbled ruin in the heart of Georgetown, Washington, DC, is pillaged nightly by thieves looking for treasure rumored to be hidden there. A distant niece, Margaret O’Keefe, is tapped as executor and soon becomes embroiled in the hunt for recovering monies, taking it on as a welcome escape from her financial and marital woes. As Margaret discovers caches in unlikely spots throughout the house, family mysteries begin to unravel.

Frankenstein is the classic story of of a young doctor, Victor Frankenstein, who creates what comes to be known as "the monster." Interestingly, many people refer to "the monster" as "Frankenstein" when in fact Dr. Frankenstein is the creator of the monster.