Medieval Women

Between the 12th and 15th centuries in Europe, not all women fit the stereotype of passive housewife and mother. Many led bold and dynamic lives. In this collection of historical portraits, Maria Teresa Brolis tells the fascinating tales of fashion icons, art clients, businesswomen, saints, healers, lovers, and pilgrims - both famous and little known - who challenge conventional understandings of the medieval female experience. Drawing on evidence from literary works and archival documents, Brolis pieces together an intricate overview of 16 women's lives.

È il 1137 quando Eleonora, figlia del duca d'Aquitania, ritrova la propria voce. Il suo silenzio era iniziato cinque anni prima, il giorno in cui, ancora bambina, aveva subito un indicibile oltraggio. Ma ora non può più tacere: suo padre Guglielmo è stato assassinato a Compostela. Di lui non è rimasto che un corpo scempiato, la pelle di uno strano colore blu.

Köln 1351: Elisabeth und Stephen Hardenstein sind Zwillinge, könnten jedoch unterschiedlicher nicht sein. Während Elisabeth mit Begeisterung schon als Kind alles aufsaugt, was den Tuchhandel ihres Vaters betrifft, liegt es Stephen mehr, ein leichtes Leben zu führen. Die Händlerstochter geht ihrem Vater bei der Prüfung der Waren und bei der Buchhaltung zur Hand. Sie fühlt ihre Berufung zur Händlerin. Als der Vater einen Schlaganfall erleidet, ändert sich die Situation dramatisch. Stephen übernimmt das Ruder im elterlichen Betrieb.

Worms 1414: Sie sind die bekanntesten Medici ihrer Zeit: Madlen und Franz von Beyenburg kümmern sich hingebungsvoll um ihre Patienten und können deren Leid oft lindern, auch wenn gegen viele Krankheiten ihrer Zeit noch kein Kraut gewachsen ist. Nur mit dem Neubau ihres Hospitals geht es zu langsam voran und die beengten Verhältnisse für die Patienten und die Familie kosten Madlen viel Kraft. Da schickt der Erzbischof von Köln nach ihr. Über ein Vierteljahrhundert ist er Madlen ein kluger und warmherziger Freund gewesen, doch der alte Mann spürt, dass seine Zeit gekommen ist.

Venezia, 1327. Giulia Bondimier è l'unica erede di un'illustre famiglia patrizia della Venezia del Quattordicesimo secolo. La sua relazione con il giovane Samuel Macalia, setaiolo ebreo, è intensa e passionale, ma anche impossibile. Quando Giulia rimane incinta, deve cambiare vita e rinunciare al frutto della sua colpa. Un destino simile a quello di Nicoleta, figlia di un umile carpentiere e vittima di uno stupro, costretta a privarsi della creatura che porta in grembo. Giulia viene costretta alla vita monastica, in una Venezia trasformatasi per lei in una prigione.

A fifteenth-century Eat, Pray, Love, Revelations illuminates the intersecting lives of two female mystics who changed history—Margery Kempe and Julian of Norwich. Bishop’s Lynn, England, 1413. At the age of forty, Margery Kempe has nearly died giving birth to her fourteenth child. Fearing...

Inghilterra, 1176. Imprigionata nel castello di Sarum dal marito, re Enrico II, per aver appoggiato la rivolta scatenata contro di lui dai tre figli, Enrico, Goffredo e Riccardo, Eleonora d'Aquitania, donna dallo spirito fiero e indomito, è costretta a vivere isolata tra le fredde mura della fortezza, lontana dai suoi affetti e dal suo mondo regale.

In The Lantern: A Renaissance Mystery, a 21st century American woman searches to learn the truth about the 15th century mysterious Italian girl who dared to compete with the most famous artists of the Renaissance. Across time and space, their lives collide as they battle abuse, disease, fear and prejudice in pursuit of their dreams. Along the way, they intersect with some of the most famous figures of the Renaissance.

Ein mystischer Kriminalroman aus dem Mittelalter. Schiltach im Schwarzwald, 1344. Im Städtle geht der Teufel um. Das glauben zumindest die Bewohner, nachdem an der Kinzig eine junge Magd ermordet aufgefunden wurde. Als im Gasthaus "Hirschen" jede Nacht unheimliche Geräusche zu hören sind und eine weiße Gestalt gesichtet wird, die scheinbar durch Wände gehen kann, bricht Panik aus. Wird sich der Dämon weitere Opfer holen? Kräutersammlerin Johanna und Flößer Lukas versuchen die Wahrheit zu ergründen.

La guerra non è faccenda da donne, eppure nel sanguinoso scacchiere dell’Italia del Quattrocento può accadere di tutto, anche che una fanciulla venga addestrata a combattere come un uomo. Il suo nome è Bona Lombardi, ma fra i mercenari della Banda Rossa agli ordini del generale Francesco Sforza tutti la conoscono con il nome di Gabrio. Cuore puro e occhi verdi come pietre di fiume, nel suo sangue scorre la ribellione: contro il destino che spetta alle donne, contro i soprusi degli uomini, contro chi ti attende nell’ombra per strapparti la vita o la dignità.

It is 1665 and the women of Eyam village keep many secrets. Especially Isabel and Mae. Isabel Frith, the village midwife, walks a dangerous line with her herbs and remedies. There are men in the village who speak of witchcraft, and Isabel has a past to hide. So she tells nobody her fears about the pious, reclusive apothecary, on whom she is keeping a watchful eye. Mae, the apothecary’s youngest daughter, dreads her father’s rage if he discovers what she keeps from him: her feelings for Rafe, Isabel’s ward, or the fact that she studies from her father’s books at night.

Join Celeste Gabriele in this second book of the Master’s Protégé Trilogy as she finds herself torn between desire for fame and fortune in the turbulent Renaissance art world and the call of home and family. Will she have the strength and courage to resist the lure of the siren song and brave churning waters to make her way home?

In one tragic moment, Celeste Gabriele loses all it has taken a lifetime to create. Surrounded by political upheaval and personal turmoil in 1497 Florence, she feels betrayed and utterly alone. Can she summon the courage and strength to conquer her demons and find the love she so desperately craves? Political tensions are high in Florence under the fanatical rule of Prior Girolamo Savonarola, but Celeste is content. She and her husband, Luciano, share a loving marriage, thriving art careers, and five wonderful children.

Catherine, wife of one-handed Edgar, daughter of a Jewish merchant, and mother of two small children, is a Christian convert. Agnes, her estranged sister, has returned to Paris with the news that she is to marry a German lord. She wants no part of her Jewish family, except the sizable dowry her father can provide.

Auf Kibitzstein hat Marie Adler sich mit dem Würzburger Fürstbischof Gottfried Schenk zu Limburg arrangiert. Ihre Kinder sind mittlerweile erwachsen und Trudi und Lisa bereits verheiratet. Außerdem hat der Fürstbischof angedeutet, für FalkoAdler eine passende Ehe stiften zu wollen. Das Leben könnte im Grunde für Marie nicht schöner sein, doch da geschehen zwei Dinge, die das Schicksal aller auf Kibitzstein verändern werden.

Paris, 1396. Scribe Christine de Pizan is shocked when the duke of Orleans' fools find a baby, wrapped in rags and covered in sores, abandoned in the palace gardens. Was there really a wicked plan to substitute the child for the queen's own baby daughter and blame the duchess of Orleans, Valentina Visconti? Who would commit such an evil act, and why?

Paris, 1399. Scribe Christine de Pizan is sent to the Priory of Poissy by the palace to copy a manuscript for the prioress. But the prioress already has many copyists at the priory, and Christine senses that something is amiss. Her suspicions are confirmed when the prioress reveals that one of the sisters has been found murdered in the cloister.

Siglo XIII. Época de la persecución de los cátaros, de las Cruzadas y del comienzo de la Inquisición. Ante la masacre que está sufriendo su pueblo, Braira de Fanjau, una joven cátara occitana, viaja a Zaragoza para escapar del exterminio, ocultando el secreto de su fe. Allí conocerá a la reina Constanza de Aragón, casada en segundas nupcias con Federico II de Hohenstaufen, rey de Sicilia y emperador del Sacro Imperio Romano-Germánico, que la tomará bajo su protección tras descubrir el gran talento que atesora: la interpretación de las cartas de Tarot.

Le forme di violenza esercitate nel Medioevo contro le donne compongono un catalogo impressionante: percosse in nome del diritto del marito a "correggere" la moglie, del padre a costringere e punire la figlia, del padrone a battere la serva; ingiurie connesse al comportamento femminile; stupri, segregazioni, omicidi in nome dell'onore tradito; spoliazione di beni, a partire dalle eredità e dalle doti; matrimoni e monacazioni forzate; manipolazione delle coscienze e violenze inquisitoriali; maltrattamenti, prevaricazione e discriminazione nel mondo del lavoro.

An original recording of one of Oscar Wilde's comedic classics and a precise satire of Britain's upper classes. At a gathering at Hunstanton Chase, the young Gerald Arbuthnot has been given a rare opportunity to make something of himself by the cavalier Lord Illingworth, but a chance meeting between his mother Mrs. Arbuthnot and Lord Illingworth reveals that there's more behind the offer than Gerald knows.