Medieval Women

En una edad de tinieblas, donde la vida cotidiana discurre a menudo entre hechizos y ensalmos, cualquiera puede pasar por brujo. La sabia ironía de Ángeles de Irisarri conduce estas seis historias de brujas medievales, uniendo a su proverbial sentido del humor la construcción de un universo propio en el que las mal llamadas brujas aparecen sin artificios ni prejuicios ajenos, como lo que son: mujeres de carne y hueso.

The summer of 1276 at Tyndal Priory is peaceful - until Kenelm’s corpse is found floating in the millpond. When Brother Thomas concludes that the murder occurred on priory grounds, Prioress Eleanor and Crowner Ralf swiftly agree to help each other solve the crime. The murder victim, a newcomer, was disliked in Tyndal village, and no one there wants one of their own hanged for the deed. Fingers quickly point to a Jewish family, refugees under the relocation provisions of King Edward’s Statute of Jewry. As riots loom and threats mount against the family, Eleanor and Ralf have little time before popular opinion rules the murder solved.

It is May 1272, and Prioress Eleanor of Tyndal, recovering from a near-fatal winter fever, journeys to Amesbury Priory to visit her aunt in time for the Feast of Saint Melor. Although Eleanor hopes to regain her strength in the midst of pleasant childhood memories, death reveals a most troublesome fondness for her company. A ghost now haunts Amesbury. Is it perhaps the spirit of a pregnant woman who drowned herself in the River Avon? But soon the specter turns murderous.

Losing her mother to the witch’s noose and her father to those who placed her there, Lady Edyth DeVries flees for her life into the wilds of Scotland. With all her hopes pinned upon reuniting with the only family left to her, Edyth is tormented as a keeper of a dangerous secret, one that she is only just beginning to unravel.

Sot, rescued as a child from the brutality of Danish slave markets, grows up under the fierce protection of Roar Bjornsson, a famed warrior and trader. Known for her dark skin and amber eyes—marks of a distant land she cannot remember—Sot is both admired and feared, called witch and warrior in equal measure. But beneath her poised exterior, she wrestles with a restless heart and an aching desire for identity. When she leaves the comfort of Roar’s protection to follow the enigmatic Saxon warrior Eadric, Sot plunges into a world fraught with treachery and bloodshed.

1173, France. Eleanor of Aquitaine has been arrested for rebelling against her husband, King Henry II of England. Her loyal ladies-in-waiting, Alice and Joanna of Agen, have fled to the nunnery at Fontrevault, where they are anxiously awaiting news of their queen. Alice and Joanna struggle to adapt to their cramped new home at the Abbey. Each is secretly nursing a broken heart—and harboring unholy desires. Joanna left behind a lover, Jean, at Eleanor's court in Poitiers, and Alice has long been in love with the queen's daughter, Marie.

In March 1279, Edward I takes a break from hammering the Welsh and bearing down on England's Jews to vacation in Gloucestershire. The royal party breaks the journey at Woodstock Manor. There, one life begins as the queen gives birth to a daughter, and one draws to an end as apoplexy fells Baron Adam Wynethorpe. Hastening to the baron's deathbed is his eldest son, Hugh, a veteran of Edward's Crusades who can't shake off the battle horrors he has witnessed.

Tradimenti, amori, cospirazioni nell'affascinante epoca Tudor. Due donne, due diversi destini, uniti per sempre sotto l'ombra della torre di Londra. Finché i corvi abiteranno la Torre di Londra, il Regno d’Inghilterra sopravvivrà. Joan Vaux non è come tutte le altre dame di corte. Ha la carnagione olivastra, si veste sempre con abiti scuri e i suoi capelli sono neri come le ali dei corvi che tanto ama. Li considera suoi amici e guardiani della Corona da quando è piccola. E oggi più che mai il Regno sembra in pericolo.

Medieval history is often written as a series of battles and territorial shifts. But the essential contributions of women during this period have been too often relegated to the dustbin of history. In Women in the Middle Ages, Frances and Joseph Gies reclaim this lost history, in a lively historical survey that charts the evolution of women’s roles throughout the period and profiles eight individual women in depth.

Parliamo di donne velate e subito pensiamo allo hijab o agli altri tipi di copertura del capo, o del volto, o dell'intero corpo della donna che sono in uso nel mondo islamico e che, non senza originare polemiche, molte islamiche indossano anche nei paesi occidentali. Ma la prescrizione alle donne di coprirsi il capo appartiene in pieno anche alla storia dell'Occidente.

Anche nel Medioevo troviamo donne disposte a vendere il proprio corpo "pro pretio, lucro et questu": condannata e ritenuta una vergogna, la prostituzione era però considerata ineliminabile e persino necessaria. Giustificabile, perché salvava da mali peggiori come la corruzione delle vergini e delle spose e "l'abominevole vizio della sodomia". Ma qual era la posizione della Chiesa e dei pubblici poteri nel regolare questo fenomeno divenuto assai rilevante? Nel Trecento, infatti, si assiste ovunque in Europa al proliferare dei postriboli, a volte quasi piccole fortezze del piacere.

Nel Medioevo le donne vivevano in una rigida sottomissione. Non assecondare la volontà della famiglia, non ubbidire agli uomini, padri, mariti o padroni, manifestare indipendenza di giudizio o di comportamento facevano di loro delle ribelli. Ma non sono mancate sante, regine, badesse, semplici monache, umili contadine, serve, schiave, eretiche, streghe, prostitute che hanno scelto di sottrarsi a destini segnati, resistendo, opponendosi, fuggendo. Donne decise a viaggiare, conoscere, insegnare, lavorare, combattere, predicare.

Fourteenth-century Europe. The Black Death has killed half the known world, and in an isolated convent, a small group of nuns spends their days in work, austerity, and devotion, chanting the Liturgy of the Hours. But their community is threatened. Rumors of heresy and a scandalous Book of Ursula, based on the teachings of the charismatic former abbess and founder of the order, have prompted the male church hierarchy to launch an investigation. Disrespect and rebellion infect some novices, and the youngest among them pines for the bishop's chief inquisitor.

Kidnapped in seventh-century England and sold as a slave to a powerful mayor in France, Bathilde needs to adapt to survive. When the mayor’s beloved wife passes away, he looks to Bathilde for comfort. Fleeing his attentions, she is forced to live on the streets until she catches the king’s eye and everything changes. Now a queen, Bathilde must provide the king with heirs and continue the charitable and social work that has become her life, all while fighting her detractors. By the end of her days, Bathilde had changed the face of medieval France forever.

È il 1137 quando Eleonora, figlia del duca d'Aquitania, ritrova la propria voce. Il suo silenzio era iniziato cinque anni prima, il giorno in cui, ancora bambina, aveva subito un indicibile oltraggio. Ma ora non può più tacere: suo padre Guglielmo è stato assassinato a Compostela. Di lui non è rimasto che un corpo scempiato, la pelle di uno strano colore blu.

Köln 1351: Elisabeth und Stephen Hardenstein sind Zwillinge, könnten jedoch unterschiedlicher nicht sein. Während Elisabeth mit Begeisterung schon als Kind alles aufsaugt, was den Tuchhandel ihres Vaters betrifft, liegt es Stephen mehr, ein leichtes Leben zu führen. Die Händlerstochter geht ihrem Vater bei der Prüfung der Waren und bei der Buchhaltung zur Hand. Sie fühlt ihre Berufung zur Händlerin. Als der Vater einen Schlaganfall erleidet, ändert sich die Situation dramatisch. Stephen übernimmt das Ruder im elterlichen Betrieb.

Worms 1414: Sie sind die bekanntesten Medici ihrer Zeit: Madlen und Franz von Beyenburg kümmern sich hingebungsvoll um ihre Patienten und können deren Leid oft lindern, auch wenn gegen viele Krankheiten ihrer Zeit noch kein Kraut gewachsen ist. Nur mit dem Neubau ihres Hospitals geht es zu langsam voran und die beengten Verhältnisse für die Patienten und die Familie kosten Madlen viel Kraft. Da schickt der Erzbischof von Köln nach ihr. Über ein Vierteljahrhundert ist er Madlen ein kluger und warmherziger Freund gewesen, doch der alte Mann spürt, dass seine Zeit gekommen ist.

Venezia, 1327. Giulia Bondimier è l'unica erede di un'illustre famiglia patrizia della Venezia del Quattordicesimo secolo. La sua relazione con il giovane Samuel Macalia, setaiolo ebreo, è intensa e passionale, ma anche impossibile. Quando Giulia rimane incinta, deve cambiare vita e rinunciare al frutto della sua colpa. Un destino simile a quello di Nicoleta, figlia di un umile carpentiere e vittima di uno stupro, costretta a privarsi della creatura che porta in grembo. Giulia viene costretta alla vita monastica, in una Venezia trasformatasi per lei in una prigione.

It is 1665 and the women of Eyam village keep many secrets. Especially Isabel and Mae. Isabel Frith, the village midwife, walks a dangerous line with her herbs and remedies. There are men in the village who speak of witchcraft, and Isabel has a past to hide. So she tells nobody her fears about the pious, reclusive apothecary, on whom she is keeping a watchful eye. Mae, the apothecary’s youngest daughter, dreads her father’s rage if he discovers what she keeps from him: her feelings for Rafe, Isabel’s ward, or the fact that she studies from her father’s books at night.

Cassi managed a drug store location in the center of town. There were thousands of them across cities in twenty first century North America. Millions of items scanned each day as cloud servers updated inventory day in and day out. It was boring and monotonous work. Cassi’s life was not always this way. Six hundred years ago, Cassi’s life was very different. As Cassimpina Dumonte, she was a powerful vampire. During the Hundred Years War between England and France, Cassimpina Dumonte would have her life transformed. She became a powerful vampire who influenced history.