Medieval Women

Anche nel Medioevo troviamo donne disposte a vendere il proprio corpo "pro pretio, lucro et questu": condannata e ritenuta una vergogna, la prostituzione era però considerata ineliminabile e persino necessaria. Giustificabile, perché salvava da mali peggiori come la corruzione delle vergini e delle spose e "l'abominevole vizio della sodomia". Ma qual era la posizione della Chiesa e dei pubblici poteri nel regolare questo fenomeno divenuto assai rilevante? Nel Trecento, infatti, si assiste ovunque in Europa al proliferare dei postriboli, a volte quasi piccole fortezze del piacere.

Nel Medioevo le donne vivevano in una rigida sottomissione. Non assecondare la volontà della famiglia, non ubbidire agli uomini, padri, mariti o padroni, manifestare indipendenza di giudizio o di comportamento facevano di loro delle ribelli. Ma non sono mancate sante, regine, badesse, semplici monache, umili contadine, serve, schiave, eretiche, streghe, prostitute che hanno scelto di sottrarsi a destini segnati, resistendo, opponendosi, fuggendo. Donne decise a viaggiare, conoscere, insegnare, lavorare, combattere, predicare.

Kidnapped in seventh-century England and sold as a slave to a powerful mayor in France, Bathilde needs to adapt to survive. When the mayor’s beloved wife passes away, he looks to Bathilde for comfort. Fleeing his attentions, she is forced to live on the streets until she catches the king’s eye and everything changes. Now a queen, Bathilde must provide the king with heirs and continue the charitable and social work that has become her life, all while fighting her detractors. By the end of her days, Bathilde had changed the face of medieval France forever.

È il 1137 quando Eleonora, figlia del duca d'Aquitania, ritrova la propria voce. Il suo silenzio era iniziato cinque anni prima, il giorno in cui, ancora bambina, aveva subito un indicibile oltraggio. Ma ora non può più tacere: suo padre Guglielmo è stato assassinato a Compostela. Di lui non è rimasto che un corpo scempiato, la pelle di uno strano colore blu.

Köln 1351: Elisabeth und Stephen Hardenstein sind Zwillinge, könnten jedoch unterschiedlicher nicht sein. Während Elisabeth mit Begeisterung schon als Kind alles aufsaugt, was den Tuchhandel ihres Vaters betrifft, liegt es Stephen mehr, ein leichtes Leben zu führen. Die Händlerstochter geht ihrem Vater bei der Prüfung der Waren und bei der Buchhaltung zur Hand. Sie fühlt ihre Berufung zur Händlerin. Als der Vater einen Schlaganfall erleidet, ändert sich die Situation dramatisch. Stephen übernimmt das Ruder im elterlichen Betrieb.

Worms 1414: Sie sind die bekanntesten Medici ihrer Zeit: Madlen und Franz von Beyenburg kümmern sich hingebungsvoll um ihre Patienten und können deren Leid oft lindern, auch wenn gegen viele Krankheiten ihrer Zeit noch kein Kraut gewachsen ist. Nur mit dem Neubau ihres Hospitals geht es zu langsam voran und die beengten Verhältnisse für die Patienten und die Familie kosten Madlen viel Kraft. Da schickt der Erzbischof von Köln nach ihr. Über ein Vierteljahrhundert ist er Madlen ein kluger und warmherziger Freund gewesen, doch der alte Mann spürt, dass seine Zeit gekommen ist.

It is 1665 and the women of Eyam village keep many secrets. Especially Isabel and Mae. Isabel Frith, the village midwife, walks a dangerous line with her herbs and remedies. There are men in the village who speak of witchcraft, and Isabel has a past to hide. So she tells nobody her fears about the pious, reclusive apothecary, on whom she is keeping a watchful eye. Mae, the apothecary’s youngest daughter, dreads her father’s rage if he discovers what she keeps from him: her feelings for Rafe, Isabel’s ward, or the fact that she studies from her father’s books at night.

Cassi managed a drug store location in the center of town. There were thousands of them across cities in twenty first century North America. Millions of items scanned each day as cloud servers updated inventory day in and day out. It was boring and monotonous work. Cassi’s life was not always this way. Six hundred years ago, Cassi’s life was very different. As Cassimpina Dumonte, she was a powerful vampire. During the Hundred Years War between England and France, Cassimpina Dumonte would have her life transformed. She became a powerful vampire who influenced history.

Inghilterra, 1176. Imprigionata nel castello di Sarum dal marito, re Enrico II, per aver appoggiato la rivolta scatenata contro di lui dai tre figli, Enrico, Goffredo e Riccardo, Eleonora d'Aquitania, donna dallo spirito fiero e indomito, è costretta a vivere isolata tra le fredde mura della fortezza, lontana dai suoi affetti e dal suo mondo regale.

La guerra non è faccenda da donne, eppure nel sanguinoso scacchiere dell’Italia del Quattrocento può accadere di tutto, anche che una fanciulla venga addestrata a combattere come un uomo. Il suo nome è Bona Lombardi, ma fra i mercenari della Banda Rossa agli ordini del generale Francesco Sforza tutti la conoscono con il nome di Gabrio. Cuore puro e occhi verdi come pietre di fiume, nel suo sangue scorre la ribellione: contro il destino che spetta alle donne, contro i soprusi degli uomini, contro chi ti attende nell’ombra per strapparti la vita o la dignità.

In one tragic moment, Celeste Gabriele loses all it has taken a lifetime to create. Surrounded by political upheaval and personal turmoil in 1497 Florence, she feels betrayed and utterly alone. Can she summon the courage and strength to conquer her demons and find the love she so desperately craves? Political tensions are high in Florence under the fanatical rule of Prior Girolamo Savonarola, but Celeste is content. She and her husband, Luciano, share a loving marriage, thriving art careers, and five wonderful children.

Ein mystischer Kriminalroman aus dem Mittelalter. Schiltach im Schwarzwald, 1344. Im Städtle geht der Teufel um. Das glauben zumindest die Bewohner, nachdem an der Kinzig eine junge Magd ermordet aufgefunden wurde. Als im Gasthaus "Hirschen" jede Nacht unheimliche Geräusche zu hören sind und eine weiße Gestalt gesichtet wird, die scheinbar durch Wände gehen kann, bricht Panik aus. Wird sich der Dämon weitere Opfer holen? Kräutersammlerin Johanna und Flößer Lukas versuchen die Wahrheit zu ergründen.

In The Lantern: A Renaissance Mystery, a 21st century American woman searches to learn the truth about the 15th century mysterious Italian girl who dared to compete with the most famous artists of the Renaissance. Across time and space, their lives collide as they battle abuse, disease, fear and prejudice in pursuit of their dreams. Along the way, they intersect with some of the most famous figures of the Renaissance.

Sei storie esemplari di donne del Medioevo e del loro rapporto con la maternità. C’è l’esperienza di Dhuoda (vissuta nel IX secolo), il cui figlio Guglielmo fu consegnato come ostaggio a Carlo il Calvo; c’è – due secoli dopo – la vicenda di Matilde di Canossa, donna potentissima ma delusa nelle sue aspettative di maternità. C’è l’esempio di Caterina da Siena, che pur non avendo figli agisce e scrive da "grande madre" italiana. C’è Christine de Pizan, impegnata nell’ultimo scorcio di Medioevo a destreggiarsi tra i figli e la carriera.

Siglo XIII. Época de la persecución de los cátaros, de las Cruzadas y del comienzo de la Inquisición. Ante la masacre que está sufriendo su pueblo, Braira de Fanjau, una joven cátara occitana, viaja a Zaragoza para escapar del exterminio, ocultando el secreto de su fe. Allí conocerá a la reina Constanza de Aragón, casada en segundas nupcias con Federico II de Hohenstaufen, rey de Sicilia y emperador del Sacro Imperio Romano-Germánico, que la tomará bajo su protección tras descubrir el gran talento que atesora: la interpretación de las cartas de Tarot.

Join Celeste Gabriele in this second book of the Master’s Protégé Trilogy as she finds herself torn between desire for fame and fortune in the turbulent Renaissance art world and the call of home and family. Will she have the strength and courage to resist the lure of the siren song and brave churning waters to make her way home?

Paris, 1393. A masquerade ball at the palace ends in tragedy, with four revelers burned to death. Was it an accident...or did someone deliberately hurl a flaming torch at the dancers? Convinced it was an act of murder and that the king himself was the real target, Queen Isabeau has asked Christine de Pizan to spend time at court in an attempt to uncover the identity of the would-be assassin.

Catherine, wife of one-handed Edgar, daughter of a Jewish merchant, and mother of two small children, is a Christian convert. Agnes, her estranged sister, has returned to Paris with the news that she is to marry a German lord. She wants no part of her Jewish family, except the sizable dowry her father can provide.

An original recording of one of Oscar Wilde's comedic classics and a precise satire of Britain's upper classes. At a gathering at Hunstanton Chase, the young Gerald Arbuthnot has been given a rare opportunity to make something of himself by the cavalier Lord Illingworth, but a chance meeting between his mother Mrs. Arbuthnot and Lord Illingworth reveals that there's more behind the offer than Gerald knows.

A Woman of No Importance takes place in a 24-hour period during a house party hosted by Lady Hunstanton at her country estate. The upper echelons of English society mix, mingle and flirt, including Lady Caroline Pontefract (who is on her fourth husband), the witty and ironic Mrs. Allonby and the dandyish Lord Illingworth. Wilde balances these worldly characters with a visiting young American woman, Hester Worsley.