Memoir Essays

For Damon Young, existing while Black is an extreme sport. The act of possessing Black skin while searching for space to breathe in America is enough to induce a ceaseless state of angst where questions such as “How should I react here, as a professional black person?” and “Will this white person’s potato salad kill me?” are forever relevant. What Doesn’t Kill You Makes You Blacker chronicles Young’s efforts to survive while battling and making sense of the various neuroses his country has given him.

This stunningly personal document and extraordinary history of the turbulent '60s and early '70s displays James Baldwin's fury and despair more deeply than any of his other works. In vivid detail he remembers the Harlem childhood that shaped his early consciousness, the later events that scored his heart with pain - the murders of Martin Luther King and Malcolm X, his sojourns in Europe and in Hollywood, and his return to the American South to confront a violent America face-to-face.

When Richard “Frosty” Hesson was first approached by a young Jay Moriarty in 1990, the skinny kid with a sparkle in his eye only wanted one thing from the icon: His help in becoming a better surfer. Hesson, one of the first to conquer the huge waves off northern California known as Mavericks, recognized that the kid “had a vision.” Jay quickly demonstrated a resolve that reminded Frosty of his younger self, pursuing his goal with a seriousness far beyond his years. His attitude and work ethic earned Frosty’s respect and, eventually, his friendship.

As always, Crosley's voice is fueled by the perfect witticism, buoyant optimism, flair for drama, and easy charm in the face of minor suffering or potential drudgery. But in How Did You Get This Number it has also become increasingly sophisticated, quicker and sharper to the point, more complex and lasting in the emotions it explores. And yet, Crosley remains the unfailingly hilarious young Everywoman, healthily equipped with intelligence and poise to fend off any potential mundanity in maturity.

When Paul Auster was asked to join NPR's Weekend All Things Considered program to tell stories, he turned the proposition on its head: he would let the stories come to him. He invited listeners to submit brief, true-life anecdotes about events that touched their lives.

In this lyrical collection of personal essays, Lynne Golodner shares vivid visits to far-flung locations and insights on human nature, relationships and the journey to the self. Inviting the listener into her ten-year foray into the world of Orthodox Judaism—and her subsequent decision to leave the strictures of religion—Golodner writes about marriage and motherhood, divorce and single parenthood, and finding love again. She writes about the compelling ways nature calms her racing mind and invites listeners to experience and explore the living world as a grounding connection.

Filled with empathy and wisdom, instruction and inspiration, this book encourages us to reevaluate the codes and conventions that have shaped our assumptions about how fiction should be written, and also challenges us to apply its lessons to both what we read and how we read. The start of a more inclusive conversation about storytelling, Letters to a Writer of Color will be a touchstone for aspiring and working writers and for curious readers everywhere.

In the car she’d had since high school—with the boyfriend she’d had just as long riding shotgun—Minda Honey made the cross-country drive to sunny Southern California. By the end of 2008, Obama would be president, she’d be single, and change would be upon us all.

A group of notable writers - including UK poet laureate Simon Armitage, Julian Barnes, Margaret MacMillan, and Jenny Uglow - celebrate our fascination with the houses of famous literary figures, artists, composers, and politicians of the past.

Dubbed a voice of her generation, poet and writer Morgan Parker has spent much of her adulthood in therapy, trying to square the resonance of her writing with the alienation she feels in nearly every aspect of life, from her lifelong singleness to a battle with depression. She traces this loneliness to an inability to feel truly safe with others and a historic hyperawareness stemming from the effects of slavery.

東大病院救急医療の現場で、人間の生と死を見つめてきた医師が伝えたいこと。
「人生100年時代」と言われても、自分の寿命がいつ尽きるかはわからない。

Tracing 25 centuries of human history, from the fourth century BC to the present day, Manguel dedicates each of his chapters to a single character - ranging from our best-known thinkers, scientists, and artists to seemingly minor figures of whom we know little more than one inspired utterance - in whom he identifies a particular way of asking the question "why?"

Timbaland is indisputably one of the most innovative music producers working today. The Grammy Award–wining producer, rapper, songwriter, and composer has collaborated with the mega-superstars of pop, rap, hip-hop, and R&B, from Jay Z to 50, Madonna to Justin, Nelly to Björk. His solo album Shock Value has sales tipped in the millions, and the video for his international chart-topping single "Apologize" has been viewed more than 100 million times on YouTube.

Of all the essentials for survival: oxygen, water, sleep, and food, only food is a vast treasure trove of memory and of sensory experience. Food is a portal to culture, to times past, to disgust, to comfort, to love: no matter one's feelings about a particular dish, they are hardly ever neutral.

In 2020, Claire Luchette in O, The Oprah Magazine described the beloved Italian novelist Elena Ferrante as “an oracle among authors”. Here, in these four crisp essays, Ferrante offers a rare look at the origins of her literary powers.

“I speak from my difference,” wrote Pedro Lemebel, an openly queer writer and artist living through Chile’s AIDS epidemic and the collapse of the Pinochet dictatorship. In brilliantly innovative essays—known as crónicas—that combine memoir, reportage, fiction, history, and poetry, he brought visibility and dignity to sexual minorities, the poor, and the powerless.

Growing up, Jena Friedman didn’t care about being likable. And she never wanted to be a comedian, either. She wouldn’t discover her knack for the funny business until research for her college thesis led her to take an improv class in Chicago. That anthropology paper, written on race, class, and gender in the city’s comedy scene, was, in Jena’s own words, “just as funny as it sounds.” But it did lay the groundwork for a career that has seen her write and produce for The Daily Show with Jon Stewart, the Late Show with David Letterman, and the Oscar-nominated Borat Subsequent Moviefilm.

There are moments throughout our lives when we discover an artist, an album, a film, or a cultural artifact that leaves a lasting impression, helping inform how we understand the world, and ourselves, moving forward. In No Sense in Wishing, Lawrence Burney explores these profound interactions with incisive and energizing prose, offering us a personal and critical perspective on the people, places, music, and art that transformed him.

In Robyn’s 2010 track Dancing on My Own, the Swedish pop-singer chronicles a night on the dance floor in the shadow of a former lover. She is bitter, angry, and at times desperate, and yet by the time the chorus arrives her frustration has melted away. She decides to dance on her own, and in this way, she transforms her solitude into a more complex joy. Taking inspiration from Robyn’s seminal track, emerging art critic and curator Simon Wu dances through the institutions of art, capitalism, and identity in these expertly researched, beautifully rendered essays.

What made FDR a more successful leader during the Depression crisis than Hoover? Why was Eisenhower more effective as supreme commander during World War II than he was as president? Why was Grant one of the best presidents of his day, if not in all of American history? What drove Bobby Kennedy into the scrum of electoral politics? Find the surprising and revelatory answers to these questions and more in this collection of new essays by great historians.