Memoirs Biographys Celebrity

Best-seller #1 du New York Times et Sunday Times ! Will Smith… Qui ne connaît pas ce bel homme souriant ? Will Smith est un véritable phénomène de notre époque : il est devenu l'un des plus grands rappeurs de sa génération, puis l'une des plus célèbres personnalités de l'histoire du cinéma.

After more than two decades of research and travels, Christophe Lebold, who befriended the poet and spent time with him in Los Angeles, delivers a stimulating analysis of Cohen’s life and art. Gracefully blending biography and essay, he interrogates the mission Cohen set out for himself: to show us that darkness is just the flip side of light.

An illuminating, insider's journey through the world of Little House on the Prairie and beyond, from Dean Butler, who starred as Almanzo Wilder on the iconic show still beloved by millions of fans as it reaches its fiftieth anniversary.

The Kids in the Hall: One Dumb Guy spans the entirety of the Kids' storied career, from their early club shows in Toronto to their recent live reunion tours across North America-and everything in between. Along for the ride are a plethora of fans, peers, and luminaries to celebrate the career and legacy of Canada's most subversively hilarious comedy troupe. You'll hear tributes from Seth Meyers, Judd Apatow, Garry Shandling, Paul Feig, Mike Myers, David Cross, Michael Ian Black, Brent Butt, Jonah Ray, Dana Gould, Bob Odenkirk, Andy Richter, and Baroness Von Sketch.

Based on 10 years of research and a vast cache of primary sources located in archives in Warsaw, Paris, London, New York, and Washington, D.C., Alan Walker's monumental Fryderyk Chopin: A Life and Times is the most comprehensive biography of the great Polish composer to appear in English in more than a century. Walker's work is a corrective biography, intended to dispel the many myths and legends that continue to surround Chopin.

From Steven Adler, the original drummer for Guns N' Roses, comes My Appetite for Destruction, the inside story of GNR. Offering a different perspective from the bestselling Slash, Adler chronicles his life with the band, and own intense struggle with addiction, as seen on Dr. Drew's Celebrity Rehab and Sober House.

Through even the joyous and innocent memories, the pain of Davies' lifelong grief and profound betrayal is unfiltered, searing and beautifully articulated. Just Ignore Him is not only an autobiography, it is a testament to a survivor's resilience and courage.

In the spring of 2018, Tom Piazza climbed into a 1977 Coupe de Ville with the great singer-songwriter John Prine to write an article for the Oxford American. Their Florida road trip ignited a deep friendship, full of tall tales over epic meals, long nights playing guitar and trading songs, and visits back and forth between their homes in Nashville and New Orleans.

The New York Times best-selling biography of an American comedy legend. After three years of sobriety, Chris Farley's life was at its creative peak until a string of professional disappointments chased him back to drugs and alcohol. He fought hard against them, but it was a fight he would lose in December 1997. Farley's fans immediately drew parallels between his death and that of his idol, John Belushi. Without looking deeper, however, many failed to see that Farley was much more than just another Hollywood drug overdose. In this officially authorized oral history, Farley's friends and family remember his work and life.

With a career spanning over fifty years, Tom Waits remains one of rock’s great enigmas; a chameleon-like survivor who, like Bob Dylan and Neil Young, has achieved long-term success while retaining cult credibility and outsider mystique. Lowside of the Road, by Barney Hoskyns, offers a unique, affectionate and penetrating portrait of Waits spanning from Closing Time to Orphans, and beyond. Based on extensive research and deep critical insight, Hoskyns' definitive account of Waits' life and work is an outstanding exploration of this notoriously private artist and performer.

Dave Van Ronk was one of the founding figures of the 1960s folk revival, but he was far more than that. A pioneer of modern acoustic blues, a fine songwriter and arranger, a powerful singer, and one of the most influential guitarists of the ’60s, he was also a marvelous storyteller, a peerless musical historian, and one of the most quotable figures on the Village scene. The Mayor of MacDougal Street is a firsthand account by a major player in the social and musical history of the ’50s and ’60s.

Just what was it about the Grateful Dead that made them rock and roll's most beloved band? In Deadheads, those with the real story, who were there and are still listening to the music, explain it all. Grateful Dead lyricist John Perry Barlow talks about his lifelong friendship with Dead guitarist Bob Weir. Cajun chef Rick Begneaud shares his memories of feeding the Dead. John Popper of Blues Traveler recalls playing with the Dead at Bill Graham's memorial tribute .

Fred Stoller has played the annoying schnook in just about every sitcom you’ve seen on TV - Friends, Everybody Loves Raymond, Scrubs, Hannah Montana, My Name Is Earl - and was even a staff writer for Seinfeld, but he’s never found a solid gig. When it comes to Hollywood, it’s a case of always the bridesmaid and never the bride, except in his case he’s always the snarky waiter, the mopey cousin, or Man Number Two.

"Salut, je m'appelle Matthew, mais vous me connaissez peut-être sous un autre nom. Mes amis m'appellent Matty. Et je devrais être mort." Ainsi commence le captivant récit du célèbre Matthew Perry, acteur qui incarna le légendaire Chandler de Friends. Au fil de ses souvenirs, il évoque ses ambitions de jeunesse et son rapport à la célébrité, ses addictions et sa guérison après un grave problème de santé qui lui fit frôler la mort.

Beer Drinkers and Hell Raisers is the first book to celebrate the classic-era Motörhead lineup of Lemmy Kilmister, "Fast" Eddie Clarke, and Phil "Philthy Animal" Taylor. Through interviews with all of the principal troublemakers, Martin Popoff celebrates the formation of the band and the records that made them legends.

Nel 2009 Bruce Springsteen e la E Street Band si esibirono al Super Bowl: l'esperienza fu talmente entusiasmante che Bruce decise di metterla su carta. Nasce così questa autobiografia, a cui Bruce ha dedicato gli ultimi sette anni della sua vita e dove ritroviamo tutta la sincerità, l'ironia e l'originalità a cui ci ha abituati con le sue canzoni.

Hounded by the tabloid media, driven from his self-made sanctuary at Neverland, Michael Jackson spent his final years moving from city to city, living with his three children in virtual seclusion - a futile attempt to escape a world that wouldn’t leave him alone. During that time, two men served as the singer’s personal security team: Bill Whitfield, a former cop and veteran of the security profession, and Javon Beard, a brash, untested rookie, both single fathers themselves. Stationed at his side nearly 24/7, their job was to see and hear everything that transpired.

From 1965 to 1995, the Grateful Dead flourished as one of the most beloved, unusual, and accomplished musical entities to ever grace American culture. The creative synchronicity among Jerry Garcia, Bob Weir, Phil Lesh, Bill Kreutzmann, Mickey Hart, and Ron "Pigpen" McKernan exploded out of the early 60s roots and folk scene, providing the soundtrack for the Dionysian revels of the counterculture. Dennis McNally, the band's historian and publicist for more than 20 years, takes listeners back through the Dead's history.

Roberto «Bob» Bissonnette, le marchand de bonheur. Décédé à l’âge de 35 ans dans un accident d’hélicoptère, le hockeyeur devenu vedette du rock a certes connu une vie trop courte, mais n’en a assurément gaspillé aucune seconde. La pédale au plancher, donnant son 110 % sur la glace, sur scène ou même autour d’un feu de camp, il aura été l’incarnation même de la maxime carpe diem, «saisir le jour».

Doug Stanhope has been drunkenly stumbling down the back roads and dark alleys of stand-up comedy for over a quarter of a century, roads laden with dank bars, prostitutes, cheap drugs, farm animals, evil dwarfs, public nudity, menacing third-world police, psychotic breaks, sex offenders, and some understandable suicides. You know, just for levity. While other comedians were seeking fame, Stanhope was seeking immediate gratification, dark spectacle, or sometimes just his pants.