Modern Fiction

«Ci stiamo lasciando»: tre brevi, semplici parole che innescano un terremoto. Quando Liv, Ellen e Håkon arrivano a Roma insieme ai genitori per festeggiare il settantesimo compleanno del padre, tutto si aspettano tranne quello che sta per accadere: i genitori annunciano che hanno deciso di divorziare.

Researcher Maggie Donovan has no luck with men, and it doesn't help that she can't keep her eyes off of her sexy boss - the one everyone else in the office calls The Beast. Relationships in the office are forbidden. So no one is more surprised than Maggie when she pretends to be his fiancée to save him during a difficult situation. Not only has she put her job on the line, but the future of the company.

As a widowed, single mom, Lyndsey Allen has a load of financial troubles. Despite her best efforts to stay afloat, she faces foreclosure. With a young son to consider, she needs a miracle - and quick - but pride won't let her accept money from a longtime friend. When handyman Shep Patterson promised his best friend that he'd look after Lyndsey should anything happen to him, he never imagined that would include marriage...yet a proposal slips from his mouth. Lyndsey accepts his proposal, shocking them both.

This anthology of 140 poems, published in 1921, features the work of 97 British and American poets who were active in the early 20th century. Among the more famous names are John Masefield, Rupert Brooke, Walter de la Mare, William Butler Yeats, Robert Graves, Amy Lowell, Carl Sandburg, Edna St Vincent Millay, Joyce Kilmer and Witter Bynner.

Frankenstein or The Modern Prometheus is a novel written by English author Mary Shelley (1797-1851) that tells the story of Victor Frankenstein, a young scientist who creates a grotesque but sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition of the novel was published anonymously in London on 1 January 1818, when she was 20. Her name first appeared on the second edition, published in France in 1823.

Frankenstein; or, The Modern Prometheus is a novel written by English author Mary Shelley (1797-1851) that tells the story of Victor Frankenstein, a young scientist who creates a hideous sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously in London on 1 January 1818, when she was 20. Her name first appeared on the second edition, published in 1823.

Our hero, Arky Levin, has reached a creative dead end. An unexpected separation from his wife was meant to leave him with the space he needs to work composing film scores, but it has provided none of the peace of mind he needs to create. Guilty and restless, it is almost by chance that he stumbles upon an art exhibit that will change his life.

Scotland, 1567. A pregnant Mary, Queen of Scots is dragged out of her palace by rebel lords and imprisoned in the isolated Lochleven Castle, an ancient fortress surrounded by a vast lake. Her infant son and heir, James, has been captured by her enemies. Accompanying Mary are two inconspicuous serving women: observant, ambitious Jane and romantic, quick-tempered Cuckoo, who endeavor to keep their mercurial mistress company while sharing the space of a claustrophobic room over the course of their eleven-month forced stay. Their hosts want them dead. They'll settle for Mary's abdication.

A ravishing young mind reader stalks the streets at night in kitten heels, prowling for men to murder. A soft-spoken genius toils away in the city morgue, desperate to unearth the science behind his gift for shape-shifting. It’s a match made in 1928 Chicago, where gangsters run City Hall, jazz fills the air, and every good girl’s purse conceals a flask.

Strindberg, Tschechow, Schnitzler - Revolutionäre des modernen Dramas: Sie schlugen ein wie eine Bombe in die angestaubte Theaterwelt ihrer Zeit. Sie waren frech, sie waren klug, sie wollten das wahre Leben auf die Bühne bringen und lösten Theater-Revolutionen aus. Noch heute bereichern ihre Stücke die Spielpläne unserer Schauspielhäuser. Mit dabei: "Fräulein Julie" (Strindberg), "Die Möwe" (Tschechow), "Reigen" (Schnitzler).

Together with the Iliad, the Odyssey, The Divine Comedy and Paradise Lost, the Aeneid is one of the true monuments of world literature. Like all these great classics, over the centuries it has become stultified by academic formalism, and its true glory as a narrative of thrilling power and richness has become very much obscured. This new translation seeks to highlight the vigor and immediacy of Virgil's epic while still respecting the grandeur of the original language.

Liam Bennet has always been a good judge of character, but when William Darcy is thrown into his social circle, everything spins out of control. Darcy is proud, cold, arrogant - and strangely captivating. When Liam's brother and Darcy's business partner start seeing each other, Liam cannot avoid this enigmatic businessman. But does he want to?

Un clásico gótico de ciencia ficción de Mary Shelley.

Men come and go, but magic is forever…right? Wrong. After a few months of letting witchcraft slide, Jane Madison discovers that not using her powers has her rapidly losing them. Meanwhile, her warder is avoiding her, her familiar has moved out, her mother is abandoning her again, and her grandmother is…getting married? With her world turned topsy-turvy, Jane is at her wits' end trying to set things right. Staking everything on a last-ditch spell that backfires spectacularly, Jane is left full of questions.

Man sieht sich gedrungen wünschen zu wollen und sagen zu können, dass nach der akustischen Auseinandersetzung mit Nietzsches Unzeitgemäßen Betrachtungen jeder ein Stück klüger wird als er war – doch leider belehren uns Vergangenheit und Gegenwart eines besseren und lassen diesen unausgesprochenen frommen Wunsch wie eine Seifenblase im Orkan im Entstehungs-Ansatz zerplatzen. Je konkreter und klarer Gedanken formuliert werden, desto schwieriger sind sie zu verstehen.

Ty Dawson, now the sheriff of Oregon's Meriwether County, is ready to put a trying year behind him, but he's afforded no such luck. In a country still coming to grips with the Vietnam War, Watergate, and Charles Manson, Ty's neck of the woods isn't safe from the turmoil-especially when a commune of young so-called hippies springs up out of nowhere . . .

Moving to Hawthorne was something Tess and her mom never anticipated, but after Tess's mom loses her job, it's their only option. Tess's grandparents welcome them into their home, on the condition that Tess and her mom attend church, something Mom isn't too pleased about. But Tess enjoys the church community, finding a place in youth group and the church choir. Faith fills a void Tess didn't know she had. After a very personal decision goes public, Tess faces daily harassment and rejection by her former friends, and singing in the church choir is no longer an option.

Keely feels alone in the world – grief consumes her, she wants to escape it, to take both her father's and her own pain away. She knows that solace lies in the act of loving and being loved but, struggling in ever-deepening waters, she doesn't know how to find it. Finn has been devastated too. As a young boy, growing up with his grandparents, he feels neglected by those meant to care for him most. With no real friends to turn to, he cannot find the vocabulary to deal with the loneliness and heartache that haunt him.

The electric, unsettling, and often surreal stories in Let's Go Let's Go Let's Go explore the alienated, technology-mediated lives of restless Asian and Asian American women today. A woman escapes into dating simulations to forget her best friend’s abandonment; a teenager begins to see menacing omens on others’ bodies after her double eyelid surgery; reunited schoolmates are drawn into the Japanese mountains to participate in an uncanny social experiment; a supernatural karaoke machine becomes a K-pop star’s channel for redemption. In every story, characters refuse dutiful, docile stereotypes.

Manchester industrialist William Rose was a poor lad who pulled himself up by his bootstraps, but in order to achieve his greatest ambitions he must become the epitome of Victorian respectability: a family man. But the only woman who's caught his eye is Octavia Marshall, one of the notorious ladies of Carson Street. Though once born to great wealth and privilege, she's hardly respectable, but she's determined to forge a new life as an entirely proper businesswoman.