Modern Fiction

This chilling tale of greed, lust, and deception opens on a midwinter night when Felix Canaris, a despairing writer about to take his own life, is saved by a knock at the door. The mysterious visitor, a Jasper Helwyze, promises Felix fame and fortune in return for his complete devotion.

13 Acorns is the debut work of up-and-coming American author G. Edward Martin. It is composed of twelve original short stories written in multiple genres beneath the umbrella of philosophical fiction. Each unique story addresses one central idea or moral question, with each story being akin to a single acorn—something small or simple with the potential to grow enormous. The False Treeing Hound- Daniel, a lost young man, abandons everything and sets out on a road-trip headed west.

Was kann denn schon groß schief gehen, wenn man ein zweites Kind bekommen will – vor allem durch künstliche Befruchtung? Zweieinhalb Jahre liegt der erste Versuch zurück, als unser Papa sich erneut traut und zwar gleich doppelt: Denn mit einem weiteren Kind muss ein größeres Heim her und warum dann nicht auch gleich ein Eigenheim? Ob es nun ein, zwei oder vielleicht sogar drei Kinderzimmer sein werden, wie die Stelzen unter das Haus kommen und wie Mann das alles neben Job, Partnerschaft und einem strammen Kleinkind bewältigt … das lernt der Papa auf die harte Tour.

«Ci stiamo lasciando»: tre brevi, semplici parole che innescano un terremoto. Quando Liv, Ellen e Håkon arrivano a Roma insieme ai genitori per festeggiare il settantesimo compleanno del padre, tutto si aspettano tranne quello che sta per accadere: i genitori annunciano che hanno deciso di divorziare.

This anthology of 140 poems, published in 1921, features the work of 97 British and American poets who were active in the early 20th century. Among the more famous names are John Masefield, Rupert Brooke, Walter de la Mare, William Butler Yeats, Robert Graves, Amy Lowell, Carl Sandburg, Edna St Vincent Millay, Joyce Kilmer and Witter Bynner.

Frankenstein; or, The Modern Prometheus is a novel written by English author Mary Shelley (1797-1851) that tells the story of Victor Frankenstein, a young scientist who creates a hideous sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously in London on 1 January 1818, when she was 20. Her name first appeared on the second edition, published in 1823.

Manchester industrialist William Rose was a poor lad who pulled himself up by his bootstraps, but in order to achieve his greatest ambitions he must become the epitome of Victorian respectability: a family man. But the only woman who's caught his eye is Octavia Marshall, one of the notorious ladies of Carson Street. Though once born to great wealth and privilege, she's hardly respectable, but she's determined to forge a new life as an entirely proper businesswoman.

It was a particularly calm spring evening. The river and harbor were already gray; a gray haze hung over the lower part of the city. Above it the tops of the monstrous buildings reflected enough of the sunset in the western sky to blend dimly with the eastern.

Als Friedrich Nietzsche im Jahre 1878 sein aphoristisches Werk "Menschliches, Allzumenschliches" herausbrachte, war schlagartig klar, dass hier einer der ganz Großen der Philosophie die Weltbühne betreten hatte. Die hier vorliegende Sammlung vereint die Teile "Von den ersten und letzten Dingen", "Zur Geschichte der moralischen Empfindungen", "Aus der Seele der Künstler und Schriftsteller", "Der Mensch im Verkehr", "Der Mensch mit sich allein", sowie eine Auswahl aus seinem 1887 veröffentlichten Werk "Die fröhliche Wissenschaft".

Strindberg, Tschechow, Schnitzler - Revolutionäre des modernen Dramas: Sie schlugen ein wie eine Bombe in die angestaubte Theaterwelt ihrer Zeit. Sie waren frech, sie waren klug, sie wollten das wahre Leben auf die Bühne bringen und lösten Theater-Revolutionen aus. Noch heute bereichern ihre Stücke die Spielpläne unserer Schauspielhäuser. Mit dabei: "Fräulein Julie" (Strindberg), "Die Möwe" (Tschechow), "Reigen" (Schnitzler).

Together with the Iliad, the Odyssey, The Divine Comedy and Paradise Lost, the Aeneid is one of the true monuments of world literature. Like all these great classics, over the centuries it has become stultified by academic formalism, and its true glory as a narrative of thrilling power and richness has become very much obscured. This new translation seeks to highlight the vigor and immediacy of Virgil's epic while still respecting the grandeur of the original language.

Men come and go, but magic is forever…right? Wrong. After a few months of letting witchcraft slide, Jane Madison discovers that not using her powers has her rapidly losing them. Meanwhile, her warder is avoiding her, her familiar has moved out, her mother is abandoning her again, and her grandmother is…getting married? With her world turned topsy-turvy, Jane is at her wits' end trying to set things right. Staking everything on a last-ditch spell that backfires spectacularly, Jane is left full of questions.

Keely feels alone in the world – grief consumes her, she wants to escape it, to take both her father's and her own pain away. She knows that solace lies in the act of loving and being loved but, struggling in ever-deepening waters, she doesn't know how to find it. Finn has been devastated too. As a young boy, growing up with his grandparents, he feels neglected by those meant to care for him most. With no real friends to turn to, he cannot find the vocabulary to deal with the loneliness and heartache that haunt him.

Vier moderne Klassiker in einer Box - über 37 Stunden Hörvergnügen! Klaus Mann: Mephisto. Franz Kafka: Der Process. Joseph Roth: Hiob. Heinrich Mann: Professor Unrat. In MEPHISTO wird die Geschichte des Schauspielers Hendrik Höfgen von 1926 bis 1936 erzählt. Höfgen, der sich erst spät während der Zeit des Nationalsozialismus mit den Machthabern arrangiert und so zum Intendanten am Berliner Staatstheater ernannt wurde, flüchtet zunächst vor seinen zukünftigen Freunden nach Paris. Aufgrund seiner "kulturbolschewistischen" Vergangenheit hat er Angst vor einer Verfolgung.

The electric, unsettling, and often surreal stories in Let's Go Let's Go Let's Go explore the alienated, technology-mediated lives of restless Asian and Asian American women today. A woman escapes into dating simulations to forget her best friend’s abandonment; a teenager begins to see menacing omens on others’ bodies after her double eyelid surgery; reunited schoolmates are drawn into the Japanese mountains to participate in an uncanny social experiment; a supernatural karaoke machine becomes a K-pop star’s channel for redemption. In every story, characters refuse dutiful, docile stereotypes.

American consultant Kat is staffed on a six-month project in London and has two very small, very reasonable ambitions before returning home: get promoted to partner and fall in love with a handsome English aristocrat. No problem, right? But work is a grind, and the British men she meets are a far cry from her royal ideal. Then one morning, she sees a man on a double-decker bus and just knows that he’s her person. But when Kat finally musters the courage to board the bus and introduce herself, he turns out to be very different from the Prince Charming she expected.

American McKenna Manning is thrilled to start her new job as a nanny to an aristocratic family in London. Not only will she get to explore a new country, but she hopes to find a missing piece of herself while on English soil. What she never expected was to get a crush on her employer's brother, the dashing Viscount Brookstone. Of course, when one is rescued by a gorgeous man with a deep voice and British accent, McKenna knows she doesn't stand a chance. As she unpeels the layers behind the serious and scowling viscount, she begins to find her herself - and feelings for Phillip, too.

Today we have ghosts that haunted our ancestors, as well as our own modern revenants, and there appears to be no earthly use trying to banish or exorcise them by such a simple strategy as refusing to believe in them. Since man knows that whether or not he has seen a ghost, presently he will become one, and thus he has become fascinated with the subject. Therefore he creates ghosts, not merely in his own image, but according to his dreams of power.

Un clásico gótico de ciencia ficción de Mary Shelley.

Matthew and Amelia were once in love and planning to raise a family together, but a decade later, they have become professional enemies. To Amelia, who has dedicated her life to medical ethics, Matthew's job as a high-powered pharmaceutical executive has turned him into a heartless person who doesn't care about anything but money. Now they're kept in balance only by Matthew's best and oldest friend, Ben, a rising science superstar - and Amelia's new boyfriend.