Modern Fiction

Friedrich Nietzsche (1844-1900) has influenced philosophers such as Martin Heidegger, Jean-Paul Sartre, Oswald Spengler, George Grant, Emil Cioran, Albert Camus, Ayn Rand, Jacques Derrida, Leo Strauss, Max Scheler, Michel Foucault and Bernard Williams. His writings on aesthetics, language, truth, morality, cultural theory, history, nihilism, power, and the meaning of existence have exerted a vast influence on Western philosophy and intellectual history.

My favorite hobby is infuriating Elliot Miles. Just the sight of my boss’s handsome face triggers my sarcasm. God knows how he earns his Casanova reputation—if a million women want him with his personality, what the heck am I doing wrong? Disgusted with my love life, I join a dating app under a fake name. I start chatting to a man named Edgar. He’s not my type and lives on the other side of the world, but we hit off a friendship, laugh and confide in each other. But lately things are getting weird at work. Elliot’s being...attentive.

When Earth’s greatest hero becomes its deadliest threat, only The Druid stands between the innocent and a Supervillain Ragnarok… They wanted a hero. What they got… was a druid. Now he’s stuck in a world full of flying egos and explosive tempers, trying to stay one step ahead of betrayal, blackmail, and an enemy who could punch a hole through the planet. To save two worlds, The Druid will have to take down the strongest "hero" alive.

23 stories, all unabridged, from a diverse group of star writers and readers. A truly memorable collection with a wide appeal. Includes "The Years Midnight" by Helen Simpson, read by Harriet Walter; "On Seeing the 100% Perfect Girl One Beautiful Morning" by Haruki Marukami, read by Walter Lewis; "Bablady" by A. S. Byatt, read by Roslaind Eyres; "Hotel des Vaoyaguerus" by William Boyd, read by Martin Jarvis; and "Who?" by Fay Weldon, read by Julie Christie.

Eliot Rosewater, a drunk volunteer fireman and president of the fabulously rich Rosewater Foundation, is about to attempt a noble experiment with human nature, with a little help from writer Kilgore Trout. The result is Kurt Vonnegut's funniest satire, an etched-in-acid portrayal of the greed, hypocrisy, and follies of the flesh we are all heir to.

Victor Frankenstein, un jeune étudiant brillant, crée de toutes pièces un être à l'apparence humaine. Bien vite, il regrette son geste. En effet, la créature prend l'apparence d'un monstre sanguinaire qui ne pense qu'à semer la mort et le malheur sur son passage et qui persécute son créateur. Au travers de l'histoire de Victor Frankenstein et de son monstre, Mary W. Shelley nous pose la question de l'origine de la cruauté humaine. Le monstre de Frankenstein est rejeté par tous. Il aimerait avoir des relations avec les humains mais ceux-ci le fuient. Il devient alors violent et s'en prend aux personnes qu'il rencontre.

On a miserable summer trip to Geneva with her future husband, Percy Bysshe Shelley, poet Lord Byron and a small group of friends, writer Mary Wollstonecraft was asked to participate in a game where the guests would create a ghost story and share it with the group. Everyone told their stories, but Mary's creation surprised them all. She had conceived of the idea that would later become her best known work, a tale of horror and creation, the legendary early science fiction classic: Frankenstein, or the Modern Prometheus.

October 1891. A hard winter approaches across the Rocky Mountains. The city of Butte, Montana is rich on copper mines and rampant with vice and debauchery among a hard-living crowd of immigrant Irish workers. Here we find Tom Rourke, a young poet and ballad-maker of the town, but also a doper, a drinker, and a fearsome degenerate. Just as he feels his life is heading nowhere fast, Polly Gillespie arrives in town as the new bride of the extremely devout mine captain Long Anthony Harrington.

American Howard W. Campbell, Jr., a spy during World War II, is now on trial in Israel as a Nazi war criminal. But is he really guilty? In this brilliant book rife with true gallows humor, Kurt Vonnegut turns black and white into a chilling shade of grey with a verdict that will haunt us all. Mother Night is a daring challenge to our moral sense.

From his first novel – Less Than Zero – published when he was still a college student – to his most recent – the fierce American Psycho, Bret Easton Ellis has been a powerful and original presence in contemporary literature, whether giving voice to a previously inchoate generation or provoking a controversy that raged throughout the culture. Now he takes a quantum leap forward: an awesome reckoning of the American Century at endgame. In Glamorama, a young man in what is recognizably fashion and celebrity-obsessed Manhattan is gradually, imperceptibly drawn into a shadowy looking-glass of that society, there and in London and Paris, and then finds himself trapped on the other side, in a much darker place where fame and terrorism and family and politics are inextricably linked and sometimes indistinguishable. At once implicated and horror-stricken, his ways of escape blocked at every turn, he ultimately discovers – back on the other, familiar side – that there was no mirror, no escape, no world but this one in which hotels implode and planes fall from the sky.

Charlie Hall has never found a lock she couldn’t pick, a book she couldn’t steal, or a bad decision she wouldn’t make. She's spent half her life working for gloamists, magicians who manipulate shadows to peer into locked rooms, strangle people in their beds, or worse. Gloamists guard their secrets greedily, creating an underground economy of grimoires. And to rob their fellow magicians, they need Charlie Hall.

Eric Jerome Dickey strides boldly over the minefield that is modern marriage. The central couple's biggest challenge is timing: He works days; she works nights. Instead of growing together, they're rapidly drifting apart, coexisting on stolen phone calls from work, punctuated by occasional bedroom encounters that leave them both feeling even emptier and more alone. When she finds out about his affair - and starts her own - the delicate fabric of their marriage is torn irrevocably asunder. Or is it?

Long ago and far away (and somewhere south of France) lies the kingdom of Esquaveta. There, Princess Tullia is in nearly as much peril as her struggling kingdom. Esquaveta desperately needs to forge an alliance, and to that end, Tullia's father has arranged a marriage between her and an odious prince. However, one month before the "wedding of the century," Tullia falls in love with a lowly apprentice scribe. The king turns to Anatole, his much-maligned magician. Seventeen years earlier, when Anatole first came to the castle, he was regarded as something of a prodigy.

When Callie rents a beach cottage in Whitstable, she doesn't expect for its owner to be glamorous influencer Vanessa Lowe. Vanessa has it all. A beautiful home, a loyal husband, three perfect children, and a growing number of adoring online fans. Callie has long admired her world from afar. But when Vanessa invites her in, the closer Callie looks, the more she suspects that there's more to Vanessa than meets the eye. So when Vanessa's son disappears, Callie must question everything she knows.

Nine months ago, Zeus' murder catapulted the Greek gods back into public life. Now, the whole pantheon revels in new temples, casinos, and media empires - except Apollo. An overachiever with a bursting portfolio of godly duties, the amount of email alone he receives from rapacious mortals turns each day into a living hell. Yet there may be hope, if only he can return Zeus to life! With the aid of Thalia, the muse of comedy and science fiction, Apollo will risk his very godhood to help TV producer Tracy Wallace and a gamer geek named Leif, who hold the key to Zeus' resurrection.

Kurt Vonnegut's first novel spins the chilling tale of engineer Paul Proteus, who must find a way to live in a world dominated by a supercomputer and run completely by machines. Paul's rebellion is vintage Vonnegut – wildly funny, deadly serious, and terrifyingly close to reality.

Paul Auster's signature work, The New York Trilogy, consists of three interlocking novels: City of Glass, Ghosts, and The Locked Room - haunting and mysterious tales that move at the breathless pace of a thriller.

Clay comes home for Christmas vacation from his Eastern college and reenters a landscape of limitless privilege and absolute moral entropy, where everyone drives Porsches, dines at Spago, and snorts mountains of cocaine. He tries to renew feelings for his girlfriend, Blair, and for his best friend from high school, Julian, who is careering into hustling and heroin.

Lucas Covington has everything: Charleston's old money, a successful family business, and Amara—the strong, brilliant professor who turned his world upside down. One careless conversation destroys it all. When Amara overhears Lucas admitting he's still torn about his recently single ex and not sure if he loves her, she walks out, leaving behind the life they were building and the man too blind to see what he had. As Lucas tumbles back into a toxic relationship with his high school sweetheart, he realizes just how badly he screwed up.

In this captivating dual narrative novel, a modern-day woman finds inspiration in hidden notes left by her home’s previous owner, a quintessential 1950s housewife. As she discovers remarkable parallels between this woman’s life and her own, it causes her to question the foundation of her own relationship with her husband - and what it means to be a wife fighting for her place in a patriarchal society.