Museum Library

Librarians spend their lives weeding - not weeds, but books - books that have reached the end of their shelf life both literally and figuratively. They remove books that patrons no longer check out, and they put back books they treasure. Annie Spence, who has a decade of experience as a Midwestern librarian, does this not only at her Michigan library but also at home, for her neighbors, at cocktail parties - everywhere. In Dear Fahrenheit 451, she addresses those books directly.

An “adventure tale for puzzle lovers and Indiana Jones fans alike” (The Washington Post) following three free-spirited Victorians on their twenty-year quest to decipher cuneiform, the oldest writing in the world—from the New York Times bestselling author of The Bad-Ass Librarians of...

From a rising stand-up comedian and exciting new talent in children’s fiction comes a brilliantly funny murder mystery series that BBC Radio called “Knives Out meets Poirot—but for children!” Bonnie Montgomery is the world’s greatest detective. Not that anyone—other than Grampa...

If you buy a book at the bookstore, you own it. You can take it home, scribble in the margins, put it on the shelf, lend it to a friend, or sell it at a garage sale. But is the same thing true for the eBooks or other digital goods you buy? Retailers and copyright holders argue that you don't own those purchases, you merely license them. That means your eBook vendor can delete the book from your device without warning or explanation - as Amazon deleted Orwell's 1984 from the Kindles of surprised readers.

A charming collection of the first three installments in the brilliantly funny murder mystery series by comedian and writer Alasdair Beckett-King that BBC Radio called “Knives Out meets Poirot—but for children!” Bonnie Montgomery is the world’s greatest detective. Not that anyone—other...

In June 2015 Alberto Manguel prepared to leave his centuries-old village home in France's Loire Valley and reestablish himself in a one-bedroom apartment on Manhattan's Upper West Side. Packing up his enormous, 35,000 volume personal library, choosing which books to keep, store, or cast out, Manguel found himself in deep reverie on the nature of relationships between books and readers, books and collectors, order and disorder, memory and reading.

Scandal, shock, and rivalry all have negative connotations, don't they? They can be catastrophic to businesses and individual careers. A whiff of scandal can turn a politician into a smoking ruin. But these potentially disastrous "negatives" can and have spurred the world of fine art to new heights. A look at the history of art tells us that rivalries have, in fact, not only benefited the course of art, from ancient times to the present, but have also helped shape our narrative of art, lending it a sense of drama that it might otherwise lack.

A provocative, progressive rejoinder to the status quo, from the perspective of a disrupter and global leader in the museum world. The challenge to transform museums is unapologetically real and complicated. But everything we learn about reconciliation, science and biodiversity, climate change, and sustainability gives us the confidence and freedom to break through the conventions of the past. Each essay in this collection emphasises key features that are driving change in museums, such as globalization, society, authenticity, and technology.

The Western museum is a battleground—a terrain of ideological, political, and economic contestation. Almost everyone today wants to rethink the museum, but how many have the audacity to question the idea of the universal museum itself? In A Programme of Absolute Disorder, Françoise Vergès puts the museum in its place. Exploring the Louvre's history, she uncovers the context in which the universal museum emerged: as a product of colonialism, and of Europe's self-appointed claim to be the guardian of global heritage.

The dream of capturing and organizing knowledge is as old as history. From the archives of ancient Sumeria and the Library of Alexandria to the Library of Congress and Wikipedia, humanity has wrestled with the problem of harnessing its intellectual output. The timeless quest for wisdom has been as much about information storage and retrieval as creative genius. In Cataloging the World, Alex Wright introduces us to a figure who stands out in the long line of thinkers and idealists who devoted themselves to the task.

Today, hundreds of tribes use the Native American Graves Protection and Repatriation Act to help them recover their looted heritage from museums across the country. As senior curator of anthropology, Chip Colwell navigated firsthand the questions of how to weigh the religious freedom of Native Americans against the academic freedom of scientists and whether the emptying of museum shelves elevates human rights or destroys a common heritage. His book reveals a dramatic process that involves negotiating the blurry lines between identity and morality, spirituality and politics.

In the French mountain village of Eze, Cassiopeia visits an old friend who owns and operates the fabled Museum of Mysteries, a secretive place of the odd and arcane. When a robbery occurs at the museum, Cassiopeia gives chase to the thief and is plunged into a firestorm. Through a mix of modern-day intrigue and ancient alchemy, Cassiopeia is propelled back and forth through time, the inexplicable journeys leading her into a hotly contested French presidential election. Both candidates harbor secrets they would prefer to keep quiet, but an ancient potion could make that impossible.

On an afternoon in January 1865, a roaring fire swept through the Smithsonian Institution. Dazed soldiers and worried citizens could only watch as the flames engulfed the museum's castle. Rare objects and valuable paintings were destroyed. The flames at the Smithsonian were not the first—and certainly would not be the last—disaster to upend a museum in the United States. The Museum explores the concepts of "crisis" as it relates to museums, and how these historic institutions have dealt with challenges ranging from depression and war to pandemic and philosophical uncertainty.

At first glance, Josh Hanagarne seems an improbable librarian. He stands 6'7", competes in strongman contests, and was diagnosed in high school with Tourette's syndrome. But books are his first love - Josh's earliest memories involve fantastic adventures between the pages of Gulliver’s Travels and a passionate infatuation with Fern from Charlotte’s Web. Everything in Josh’s life - from his Mormon upbringing, to finally finding love, to learning to control his tics through lifting - circles back to a close connection with books.

"Big Data" is on the covers of Science, Nature, The Economist, and Wired magazines, on the front pages of the Wall Street Journal and The New York Times. But despite the media hyperbole, as Christine Borgman points out in this examination of data and scholarly research, having the right data is usually better than having more data; little data can be just as valuable as big data. Borgman, an often-cited authority on scholarly communication, argues that data have no value or meaning in isolation; they exist within a knowledge infrastructure.

Using information in its everyday, nonspecialized sense, Michael Buckland explores the influence of information on what we know, the role of communication and recorded information in our daily lives, and the difficulty (or ease) of finding information. He shows that all this involves human perception, social behavior, changing technologies, and issues of trust.

Each of us has an ever-growing collection of personal digital data: documents, photographs, PowerPoint presentations, videos, music, emails, and texts sent and received. To access any of this, we have to find it. The ease (or difficulty) of finding something depends on how we organize our digital stuff.

Un destin exceptionnel. New York, dans les années 1900. Une jeune fille, que passionnent les livres rares, se joue du destin et gravit tous les échelons. Elle devient la directrice de la fabuleuse bibliothèque du magnat J.P. Morgan et la coqueluche de l'aristocratie internationale, sous le faux nom de Belle da Costa Greene. Belle Greene pour les intimes. En vérité, elle triche sur tout.

Nella sala di lettura del British Museum il professor Julius Arnell esala l’ultimo respiro. Sembrerebbe la classica morte per cause naturali. Ma quando dei confetti avvelenati vengono ritrovati nelle sue tasche, all’ispettore Shelley e al suo improbabile compagno di indagini non resterà che usare tutto il loro fiuto per scoprire l’identità del pericoloso omicida.

Sitting on the banks of the river Seine, in the very heart of Paris, the Musée d'Orsay is known worldwide for its exceptional collection of impressionist paintings. These works were absolutely scandalous at the time and for some, they still obviously are. Also, it provides a genuine feeling of time travel by recreating the context in which every single work of art has been produced. Its history is also full of twists and surprises. All of this contributes to making the Musée d'Orsay one of the most alive and striking museums ever.