Music Industry

Someone is about to make a killing in the music industry. Why would songwriting legend Gideon Pike disappear just as his 30-year career turns a multimillion-dollar profit Music columnist Mick Sever goes looking for his missing friend Gideon in the gritty backrooms of Miami's nightclubs, dodging suicide speedboats and running from sniper fire. What surfaces is how the major players in the music industry are not making the headlines, but just pulling the strings that create them.

Here Comes the Night: Bert Berns and the Dirty Business of Rhythm and Blues is both a definitive account of the New York rhythm and blues world of the early '60s, and the harrowing, ultimately tragic story of songwriter and record producer Bert Berns, whose meteoric career was fueled by his pending doom. His heart damaged by rheumatic fever as a youth, doctors told Berns he would not live to see 21. Although his name is little remembered today, Berns worked alongside all the greats of the era.

Em Como a música ficou grátis, o jornalista Stephen Witt investiga a fundo a história secreta da pirataria de músicas na internet, partindo dos engenheiros alemães criadores do mp3,, passando por uma fábrica de CDs na Carolina do Norte da qual um funcionário chamado Dell Glover vazou cerca de dois mil álbuns ao longo de uma década e também pelo centro de Manhattan, onde o executivo Doug Morris dominou o mercado mundial do rap, e finalmente mergulhando nos redutos mais obscuros da web até um site ilegal quatro vezes maior do que a loja do iTunes.

Why has music so often served as an accomplice to transcendent expressions of gender? Why did the query "is he musical?" become code, in the 20th century, for "is he gay?" Why is music so inherently queer? For Sasha Geffen, the answers lie, in part, in music’s intrinsic quality of subliminal expression, which, through paradox and contradiction, allows rigid gender roles to fall away in a sensual and ambiguous exchange between performer and listener. Glitter Up the Dark traces the history of this gender fluidity in pop music from the early 20th century to the present day.

The Victorians invented mass entertainment. As the 19th century's growing industrialized class acquired the funds and the free time to pursue leisure activities, their every whim was satisfied by entrepreneurs building new venues for popular amusement. Contrary to their reputation as dour, buttoned-up prudes, the Victorians reveled in these newly created "palaces of pleasure".

BeBe Winans, six-time Grammy Award-winning singer and member of Gospel music's royal family, shares the candid and close-up journey of pursuing his dreams while holding on to his faith. Benjamin "BeBe" Winans always knew he was born to be a Gospel singer. Growing up watching his four older...

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Go behind the scenes of popular music festivals with the medical professionals who risk it all to keep everyone safe. From intoxicated teens to patients in porta-potties, discover the hidden, often hilarious, side of music festivals from the points of view of dedicated EMTs and paramedics. Written by lawyer-turned-paramedic Jim Bollenbacher, this lighthearted collection of stories provides an inside view of the world of music festival medicine.