Myth Fiction

Deep beneath the ocean, there is a shimmering palace. Built of coral walls and windows of clearest amber, it is the kingdom of the merpeople. And one of these mermaids you might know well: she is the youngest, and is gifted with the most beautiful voice. Unhappy with her life as a mermaid, she dreams of living on dry land. One day, on her birthday, she ascends to the surface to find a magnificent three-masted ship drifting in calm waters. There, amongst the passengers, she meets the brown-eyed prince.

Or so its citizens believe. Sixteen-year-old Nelly is skeptical of the stories until one night she spots a strange light sneaking through the abandoned house on her family’s farm. When she investigates, she finds … fairies. Within hours of this discovery, Nelly's grandmother is catatonic, and the otherworldly trespassers are offering up a cure. But only at a terrible price. It turns out that Nelly is a rare find for the fae. And the shocking reason why is buried in a past only the dead can remember.

Alyss and Redd, the two enemy queens, are forced to work together to reclaim Wonderland in this suspenseful conclusion to the best-selling trilogy.

All her life Barrie Watson has been a virtual prisoner in the house where she lived with her shut-in mother. When her mother dies, Barrie promises to put some mileage on her stiletto heels. But she finds a new kind of prison at her aunt's South Carolina plantation instead - a prison guarded by an ancient spirit who long ago cursed one of the three founding families of Watson Island and gave the others magical gifts that became compulsions.

Arthur Ransome (1884-1967) wrote Old Peter's Russian Tales while he was in Russia during the First World War, prior to becoming a war correspondent for The Manchester Guardian. There are 22 stories in all and are told by Old Peter at the behest of his grandchildren, Ivan and Maroosia, in a cozy log cabin in the middle of the forest. These are delightful re-tellings in Ransome's own words of Russian folk tales, and include stories such as "The Little Snow Girl", "Baba Yaga", "Frost", and "Salt".

Petits ou grands, nous avons tous en tête des fables de La Fontaine : "Le corbeau et le renard", "La cigale et la fourmi", "La grenouille qui veut se faire aussi grosse que le bœuf", "Le chêne et le roseau", "Le lièvre et la tortue", "La poule aux œufs d'or" et tant d'autres. Chacune de ces fables est une petite histoire, avec des mots simples, et contient des vérités qui servent de leçons. Il y a un peu de nous, un peu des autres, un peu de tous, dans chacune des fables. Comme le dit si bien l'auteur, Jean de La Fontaine, "tout parle en mon ouvrage, et même les poissons, ce qu'ils disent s'adresse à tous tant que nous sommes ; je me sers d'animaux pour instruire les hommes".

There is death and then there is the afterlife, a cycle unbroken and unchanged. Yet all rules must have their exception, a median that divides the realms in which all souls flow. There is a place where one might have a second chance at existence, a realm bound and molded only by the strength of the soul’s will. It is here one has all the time they need to complete their life goals, to chase their greatest ambitions, to have the life all are stripped of.

Studies have shown that developing an “atomic habit”—just doing a few minutes a day of whatever skill or habit you want to take on—can be more than enough to ingrain it into our lives. Therefore, we have transformed timeless, legendary stories into 10-minute bite-size chunks long enough to entertain, enthrall, and even educate the listener but short enough to be enjoyed quickly at bedtime or any other point in our busy modern days.

My little brother Jonah and I have a magic mirror in our basement. This time, the mirror sucks us up and drops us into the story of Pinocchio. Our task? To help Gepetto get his wooden puppet son, Pinocchio, to go to school. But even though his nose grows when he lies, Pinocchio is tricky—and he ends up sneaking back into OUR world with us!

In a future where comfort has been perfected and purpose sold by subscription, a quiet anomaly begins to spread. They call it Viratya—not a movement, not a religion, but a living frequency that dissolves the coded lattice of control known as the Mireframe. Through the intersecting journeys of Elian, a man whose life unravels into Stillcode silence; Aumae, the Weaver of Hollow Light; and Kael Vorrin, a former technocrat undone by coherence, The Viratya Myth Begins tells the birth of the Hivium—a culture that grows not by conquest, but by resonance.

Life is progressing normally for sixteen-year-old Dan Renfrew when he accidentally transports himself to England in the year 1066. He soon realizes that he’s trapped there, and that’s not his only astonishing discovery. Dan learns that he’s descended from a long line of time jumpers—secret heroes who travel to the past and resolve glitches in the time stream that threaten to alter subsequent history. The only way Dan can return home is to set history back on its proper course in the Anglo-Saxon age. This is no easy task.

Here are the great stories of the Heroic Age, from the myths of the making of the universe to the death of Heracles. Set against the colorful background of Greece and the Aegean, the adventures of heroes such as Perseus the Gorgon-slayer, Dionysus, Theseus, and Jason and the Argonauts once again come to life.

Vampires: murderous creatures in the shape of humans, they stalk the night feeding on the blood of innocents. Seemingly immortal, they can be destroyed only by the use of a stake through the heart, severing of their heads, or exposure to sunlight. By the year AD 12,090, vampires have ruled the Earth for almost 300 years, and it is only these weaknesses that have kept these foul monsters from totally overrunning the world. But what happens when those rules no longer apply?

Les frères Grimm ont recueilli des centaines de contes populaires, dont l'origine se perd parfois dans la nuit des temps ; ils sont aujourd'hui un des fondements de notre culture, et la source des plus belles histoires pour enfants. Cette sélection rassemble des contes rares des frères Grimm, pour introduire les enfants au plaisir de la narration tout en partageant avec eux celui de la découverte.

Prithvi, a twenty-one-year-old, is searching for a mysterious middle-aged aghori (Shiva devotee), Om Shastri, who was traced more than 200 years ago before he was captured and transported to a high-tech facility on an isolated Indian island. When the aghori was drugged and hypnotized for...

The New York Times bestseller from Margaret George, author of Mary, Called Magdalene and Elizabeth I With her amazing ability to summon the voices of historical characters, Margaret George tells the story of the woman whose face "launched a thousand ships" in Helen of Troy. Laden with doom...

Posing as one of Robin Hood's thieves to avoid the evil Lord Gisbourne, Scarlet has kept her identity secret from all of Nottinghamshire. Only Big John and Robin Hood know the truth - that the agile thief posing as a whip of a boy is actually a fearless young woman with a secret past. It's getting harder to hide as Gisbourne's camp seeks to find Scarlet and drive Robin Hood out of Nottinghamshire. But Scarlet's instinct for self-preservation is at war with a strong sense of responsibility to the people who took her in when she was on the run, and she finds it's not so easy to turn her back on her band and townspeople.

Aesop's Fables are stories based on allegories and caricatures featuring mostly animals. These stories got the collective name Aesop’s Fables from the person who collected the stories. Aesop, popularly believed to have been a Phrygian slave, collected his fables sometime around the sixth century BC. Whatever his real story may be, the fables he collected feature valuable lessons.

A kingdom of shadows. A soldier sworn to protect. A princess silenced by love. Plagued by her mother's matchmaking attempts, Princess Lily, the eldest of 12 sisters and heir to a mighty kingdom, struggles to prove herself worthy of her inheritance while avoiding the attention of unwanted admirers. Tradition forbids marriage with the man she loves, so she would rather rule alone than marry someone who only wants the crown.

After her mother's suicide, Scarlett's grief consumes her. When a beautiful, otherworldly stranger offers her a release from her pain, it's too tempting an opportunity to resist. She's lured into Faerie and sucked into a royal battle as two fae brothers prepare for the Battle of Heirs where the winner earns the right to the throne. Human emotion fuels fae power and Scarlett's is the most potent Cade has ever tasted. He's certain she is the key to defeating his brother Raith. But Raith has surprises of his own, and Scarlett fits perfectly into his devious plan.