Oral Tradition

Every Tongue Got to Confess is an extensive volume of African American folklore that Zora Neale Hurston collected on her travels through the Gulf States in the late 1920s. The bittersweet and often hilarious tale, which range from longer narratives about God, the Devil, white folk, and mistaken identity to witty one-liners, reveal attitudes about faith, love, family, slavery, race, and community.

"What is your favorite story?" is the question children across the country often ask professional storyteller Pleasant DeSpain. As he attempts to answer, his list grows longer and longer, until he confesses he likes them all. An untiring researcher of oral traditions, DeSpain is known for his concise versions of world folktales specifically crafted for retelling.

Gathering a wide range of traditional African myths, this compelling new collection offers tales of heroes battling mighty serpents and monstrous birds, brutal family conflict and vengeance and desperate migrations across vast and alien lands. From impassioned descriptions of animal-creators to dramatic stories of communities forced to flee monstrous crocodiles, all the narratives found here concern origins - whether of the universe, peoples or families.

In these essays, stories, and reflections, trailblazing Yankton Dakota writer and artist Zitkála-Šá honors the rich heritage of Sioux oral tradition. She muses on her childhood and early schooling, shares warrior tales of ancient spirits, and tells of the foreboding appearance of white settlers and missionaries. As a committed activist and a seminal voice for change, Zitkála-Šá also explores the oppressive forces that sought to erase her culture and remove her people from their land.

In this exquisite collection of children’s folktales, Zitkála-Šá shares the legends that were handed down to her through generations of Yankton storytellers. These tales display the wide range of insights and observations that accrue to such stories through repeated iteration, but they also benefit from the sharp ear and finely tuned sensibility of Zitkála-Šá as a writer. Her characters seem to speak to us—often crying out to us—in the same tones that Zitkála-Šá must once have heard.