Politics Entertainment

Stephen Mansfield, the acclaimed New York Times best-selling author, has highlighted the growing popularity of Mormonism—a belief system with cultic roots—and the implications of its critical rise. Mormons are moving into the spotlight in pop culture, politics, sports, and entertainment via presidential candidates like Mitt Romney and Jon Huntsman, media personality Glenn Beck, mega-bestselling Twilight author Stephenie Meyer, and The Book of Mormon, the hottest show on Broadway.

Invisible Visibility discusses the key barriers that marginalize disabled artists from taking center stage and looks at examples of good practice through three key case studies. This audiobook puts forward an agenda for change, inclusion, and, ultimately, visibility within the sector and beyond for disabled dancers from culturally diverse backgrounds.

"She sings jumping and dancing, her fists alternately clenching and breaking open to clap; the corners of her marvelous mouth turning down in the fierceness of joy breaking through anguish; her hair covering her eyes until swept back with a meaty hand. In great shouts that send her strings of beads flying and knot her face into grimaces, the energy explodes and explodes again, sending out waves of electrical excitement. Some say she can sing more than one note at a time; maybe, but does it matter? In her every note there are infinite meanings."

Dancer, award-winning choreographer, show producer, stand-up comedienne, TV/film actress, and author, Norma Miller shares her touching historical memoir of Harlem's legendary Savoy Ballroom and the phenomenal music and dance craze that "spread the power of Swing across the world like Wildfire". It was a time when the music was Swing, and Harlem was king.

In From Holmes to Sherlock, Mattias Boström re-creates the full story behind the legendary detective and his many incarnations - a real-life narrative of success, tragedy, and family secrets that has never previously been told in its entirety.

America’s newest enemy launches an audacious plan to incapacitate the country. A never-before-seen danger is about to be unleashed on an unsuspecting public. And the world faces a crisis unlike any before. Can intelligence analyst Haley put the puzzle together in time from the safety of her office—or is she meant to risk it all as a field asset? Is Axe, a former Navy SEAL, capable of overcoming a foe with nothing to lose?

From the Emmy Award-winning Squid Game to streaming sensations like The Glory and Crash Landing on You, Korean television has emerged onto the global pop culture scene as compelling television—but what exactly makes these shows so irresistibly bingeable? And what can we learn about our societies and ourselves from watching them? From stand-up comedian and media studies PhD Grace Jung comes a rollicking deep dive into the cultural significance of Korean television.

Even spies need a vacation. Paris. Amsterdam. Vienna. But what happens when the president's top asset, the warriors of the Jefferson Group, get taken by surprise as they enjoy their well-earned time off in Europe? Not only does the enemy want to wipe out the Jefferson Group, they're also plotting to harpoon the president before the November election. Will Cal Stokes and his team escape the enemy's net, and will the president survive the election?

Told with humor and flair, this is the autobiography of one transsexual's wild ride from boyhood as Alfred Brevard ("Buddy") Crenshaw in rural Tennessee to voluptuous female entertainer in Hollywood. Aleshia Brevard, as she is now known, underwent transitional surgery in Los Angeles in 1962, one of the first such operations in the United States. (The famous sexual surgery pioneer Harry Benjamin himself broke the news to Brevard's parents.)

Shooting Midnight Cowboy is not only the definitive account of the film that unleashed a new wave of innovation in American cinema but also the story of a country (and an industry) beginning to break free from decades of cultural and sexual repression.

Tom Bissell is a prizewinning writer who published three widely acclaimed books before the age of 34. He is also an obsessive gamer who has spent untold hours in front of his various video game consoles, playing titles such as Far Cry 2, Left 4 Dead, BioShock, and Oblivion for, literally, days. If you are reading this copy, the same thing can probably be said of you, or of someone you know.

At the height of the ideological antagonism of the Cold War, the US State Department unleashed an unexpected tool in its battle against Communism: jazz. From 1956 through the late 1970s, America dispatched its finest jazz musicians to the far corners of the earth, from Iraq to India, from the Congo to the Soviet Union, in order to win the hearts and minds of the Third World and to counter perceptions of American racism.

In The Grouchy Historian, Ed Asner leads the charge for liberals to reclaim the Constitution from the right-wingers who use it as their justification for doing whatever terrible thing they want to do, which is usually to comfort the comfortable and afflict the afflicted. It's about time someone gave them hell and explained that Progressives can read, too.

Vivek Shraya knows this to be true: people change. We change our haircuts and our outfits and our minds. We change names, titles, labels. We attempt to blend in or to stand out. We outgrow relationships, we abandon dreams for new ones, we start fresh. We seize control of our stories. We make resolutions. In fact, nobody knows this better than Vivek, who’s made a career of embracing many roles: artist, performer, musician, writer, model, teacher. In People Change, she reflects on the origins of this impulse, tracing it to childhood influences from Hinduism to Madonna.

In his account of the sensational life and murder of Grady Stiles Jr., also known as the legendary carnival freak Lobster Boy, author Fred Rosen explains how Stiles' death was engineered by his wife, Mary Teresa, the carny known as the Electrified Girl. Rosen describes how Mary Teresa arranged for her husband's murder after years of physical and emotional abuse. During Mary Teresa's dramatic trial, Rosen becomes a character in his own book.

On December 22, 1953, Mort Sahl took the stage at San Francisco's hungry i and changed comedy forever. Before him, standup was about everything but hard news and politics. In his wake, a new generation of smart comics emerged - Shelley Berman, Mike Nichols, and Elaine May, Lenny Bruce, Bob Newhart, Dick Gregory, Woody Allen, and the Smothers Brothers, among others.

Forget Rush Limbaugh, Bill O'Reilly, and Sean Hannity--Glenn Beck is the Rights new media darling and the unofficial leader of the conservative grassroots. Lampooned by the Left and Lionized by the far Right, his bluster-and-tears brand of political commentary has commandeered attention on both sides of the aisle. Glenn Beck has emerged over the last decade as a unique and bizarre conservative icon for the new century.

Librarians spend their lives weeding - not weeds, but books - books that have reached the end of their shelf life both literally and figuratively. They remove books that patrons no longer check out, and they put back books they treasure. Annie Spence, who has a decade of experience as a Midwestern librarian, does this not only at her Michigan library but also at home, for her neighbors, at cocktail parties - everywhere. In Dear Fahrenheit 451, she addresses those books directly.

In The Time of My Life, celebrated music journalist Andrea Warner excavates the layers of Dirty Dancing, from its anachronistic, chart-topping soundtrack, to Baby and Johnny’s chemistry, to Bergstein’s political intentions, to the abortion subplot that is more relevant today than ever. The film’s remarkable longevity would never have been possible if it was just a throwaway summer fling story. It is precisely because of its themes—deeply feminist, sensitively written—that we, over 30 years later, are still holding our breath during that last, exhilarating lift.

In Planet Funny, Ken Jennings explores this brave new comedic world and what it means - or doesn’t - to be funny in it now. Tracing the evolution of humor from the caveman days to the bawdy middle-class antics of Chaucer to Monty Python’s game-changing silliness to the fast-paced meta-humor of The Simpsons, Jennings explains how we built our humor-saturated modern age, where lots of us get our news from comedy shows and a comic figure can even be elected president of the United States purely on showmanship.