Politics Entertainment

Women have been instrumental in the success of American cinema since its very beginning. One of the first people to ever pick up a motion picture camera was a woman, as was the first screenwriter to win two Academy Awards, the inventor of the boom microphone, and the first person to be credited with the title film editor. Throughout the entire history of Hollywood women have been revolutionizing, innovating, and shaping how we make movies. Yet their stories are rarely shared. This is what film reporter Alicia Malone wants to change. Backwards and in Heels tells the history of women in film in a different way.

Streaming video games is now a billion-dollar industry. In 2022, Twitch alone had over 140 million active monthly users, with top players earning millions each year. But success breeds envy, and when big money's being made, everyone wants a piece.

Imagine stepping into a fully immersive game, socializing with friends from around the globe in a virtual lounge, or exercising in an environment tailored to your exact preferences—all from the comfort of your home. Smart Entertainment explores the incredible advancements in AR/VR technologies that are turning these fantasies into realities, and reveals the innovative applications that will shape how we relax, connect, and have fun in the future.

In a world where violence—of the market, of climate change, of capitalism—is part of our everyday lives, Which as You Know Means Violence focuses on those who enact violence on themselves, or for art and entertainment, and analyzes the role that violence plays in 21st century culture.

Marlene Wagman-Geller, author of Once Again to Zelda and Behind Every Great Man, presents a fascinating collection of biographical vignettes of dozens of women of a certain age who have excelled, inspired, and achieved. Learn how these women changed their respective fields of art, politics, science, mathematics, media, literature, activism, education, and more. From actresses, yoga teachers, folk artists to business women, prime ministers, monarchs, and authors, this group of exceptional women will illustrate that women can achieve anything, no matter their age.

Universal Studios never really wanted to get into the theme park business. They wanted to be the anti-Disney. But when forced to do so, they did it in a big way. Despite the fits and starts of multiple owners, the parks have finally gained the momentum to mount a serious challenge to the Walt Disney Company. How did this happen? Who made it happen? What does this mean for the theme park industry?

A welcome surprise: more than 50 prose pieces, gathered together for the first time, by one of America's most revered and admired novelists and short-story writers, whose articles, essays, and cultural commentary - appearing in the New York Review of Books, the New York Times Book Review, The New Yorker, The Atlantic, The Guardian, Harper's Magazine, and elsewhere - have been parsing the political, artistic, and media idiom for the last three decades.

Philip Gardiner has spent his life on a crusade uncovering the truth behind myths, legends and ancient mysteries. Author of the best selling Secrets of the Serpent and The Ark, the Shroud and Mary, the author now delves into another aspect of the human enigma with Secret Societies. In Secret Societies, Gardiner's quest is to uncover truths and secrets of the world's most powerful men in history.

This book uses a black/white interracial lens to examine the lives and careers of eight prominent American-born actresses from the silent age through the studio era, New Hollywood, and into the present century: Josephine Baker, Nina Mae McKinney, Fredi Washington, Lena Horne, Dorothy Dandridge, Lonette McKee, Jennifer Beals and Halle Berry.

I'm Just Dead, I'm Not Gone chronicles Jim Dickinson's extraordinary life in the Memphis music scene of the fifties and sixties and how he went on to play with and produce a rich array of artists, including Aretha Franklin, the Rolling Stones, Ry Cooder, Duane Allman, Arlo Guthrie, and Albert King. With verve and wit, Dickinson (1941-2009) describes how his trip to Blind Lemon's grave on the Texas flatlands as a college student and how that encounter inspired his return to Memphis.

Sex. Drugs. Loud music. Wild costumes. Dazzling light shows. These words can all describe a great rock concert or a hot dance club, but they were also part and parcel of the ancient cultural phenomenon known as the "Mystery religions". In this book, author Christopher Knowles shows how the long-dead Mystery religions got a secular reincarnation when a new musical form called rock 'n' roll burst onto the scene.

Stone Free is the third part of my triography. It is an affectionate look at impresarios I have admired, loved and loathed. There are profiles on Serge Diaghilev, Mike Todd, Otto Preminger, Larry Parnes and John Kennedy, Brian Epstein, Don Arden, Kit Lambert and Chris Stamp, Malcolm McLaren, Albert Grossman, Phil Spector, Allen Klein, and more. It is also a summing up of the bands and lads who started out in the '60's and are now leaving their own - as bands become brands and enter their 70s - what's left of The Beatles, The Stones, and The Who.

After escaping a dark past, Jason Miles has finally built the life he always wanted—a beautiful wife, loyal friends, and a rising career as a security expert at Safe Harbor Bank. But when Jason and his coworker gain access to hidden files, he uncovers a massive tax fraud scheme for the world’s elite and mysterious offshore transfers no one can explain.

This book is the first anthology to explore the connection between race and the suburbs in American cinema from the end of World War II to the present. It builds upon the explosion of interest in the suburbs in film, television, and fiction in the last fifteen years, concentrating exclusively on the relationship of race to the built environment. Race and the Suburbs in American Film is a stimulating resource for considering the manner in which race is foundational to architecture and urban geography, which is reflected, promoted, and challenged in cinematic representations.

When you sit down at a play, movie, or concert—or even in front of the TV or scrolling on your phone—you are taking part in one of the oldest and most mysterious forms of human behavior. Being part of an audience is an age-old experience that we all crave, one that has evolved from amphitheaters to screens. Right This Way is a pop history of audiences through the ages. Playbill editor Robert Viagas unfolds the unique aspects of what he calls “audiencing” with stories from the age of the Greeks to the world of Zoom.

Black Panther is one of the most financially successful and culturally impactful films to emerge from the American film industry in recent years. When it was released in 2018 it broke numerous records and resonated with audiences all around the world. In Black Panther: Interrogating a Cultural Phenomenon, author Terence McSweeney explores the film from a diverse range of perspectives, seeing it as not only a comic book adaptation and a superhero film, but also a dynamic contribution to the discourse of both African and African American studies.

Conceived in the Gilded Age, the Ferry Building opened in 1898 as San Francisco's portal to the world—the terminus of the transcontinental railway and a showcase of civic ambition. In silent films and World's Fair postcards, nothing said "San Francisco" more than its soaring clock tower. But as acclaimed architectural critic John King recounts, the rise of the automobile and double-deck freeways severed the city from its beloved structure. King's narrative spans the rise and fall and rebirth of the Ferry Building, introducing colorful figures who fought to preserve its character.

With almost 20 million listeners on more than six hundred stations, Rush Limbaugh is the leading and most dangerous figure in the conservative movement today. John K. Wilson uses the most effective strategy of all—Rush’s own words—to show how Limbaugh’s flagrant disregard for the truth and penchant for savage personal attacks laced with racist, sexist, and homophobic slurs have held the political arena hostage.

Nel 1933 viene lanciato nei cinema USA "I tre porcellini" di Walt Disney. Questo piccolo avvenimento segna l'inizio della parabola della cultura mainstream promossa dai film delle majors hollywoodiane, raccolta e amplificata dalla radio e dalla tv. Questo tipo di cultura, basata su un'idea consolatoria dell'intrattenimento, fondata su una visione manichea del bene contro il male e sul must del lieto fine, prende forma allora e mette radici nell'immaginario collettivo dell'Occidente.

In Bright Boulevards, Bold Dreams, Donald Bogle tells - for the first time - the story of a place both mythic and real: Black Hollywood. Spanning 60 years, this deliciously entertaining history uncovers the audacious manner in which many Blacks made a place for themselves in an industry that originally had no place for them. Through interviews and the personal recollections of Hollywood luminaries, Bogle pieces together a remarkable history that remains largely obscure to this day.