Politics Entertainment

It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first significant film role, High Noon was shot on a lean budget over just 32 days but achieved instant box-office and critical success. It won four Academy Awards in 1953, including a best actor win for Cooper. And it became a cultural touchstone, often cited by politicians as a favourite film, celebrating moral fortitude.

When a major Hollywood studio released Five Fingers of Death to thrill-seeking Times Square moviegoers on March 21, 1973, only a handful of Black and Asian American audience members knew the difference between an Iron Fist and an Eagle's Claw. That changed overnight as kung fu movies kicked off a craze that would earn millions at the box office, send TV ratings soaring, sell hundreds of thousands of video tapes, influence the birth of hip hop, reshape the style of action we see in movies today, and introduce America to some of the biggest non-White stars.

Is the top still spinning? Was it all a dream? In the world of Christopher Nolan's four-time Academy Award-winning movie, people can share one another's dreams and alter their beliefs and thoughts. Inception is a metaphysical heist film that raises more questions than it answers: Can we know what is real? Can you be held morally responsible for what you do in dreams? What is the nature of dreams, and what do they tell us about the boundaries of "self" and "other"?

Michael Reagan's life is much more than just an interesting story. It is a testimony of how Christ allowed him to find healing from many of the issues that confront our culture today, such as sexual abuse, divorce, loneliness, the feeling of rejection, and the belief that God does not care about us. Michael Reagan's first adoption gave him an identity, but he did not find his true identity until he found Christ.

A welcome surprise: more than 50 prose pieces, gathered together for the first time, by one of America's most revered and admired novelists and short-story writers, whose articles, essays, and cultural commentary - appearing in the New York Review of Books, the New York Times Book Review, The New Yorker, The Atlantic, The Guardian, Harper's Magazine, and elsewhere - have been parsing the political, artistic, and media idiom for the last three decades.

Beauchamp writes about the pictures Kennedy produced, the stars he made - and destroyed - and the men who did his bidding. She also writes about the Hollywood titans in his midst: William Randolph Hearst, Cecille B. DeMille, and David Sarnoff, whose collaboration with Kennedy resulted in the formation of RKO Studios.

Officer Clemmons: A Memoir details the incredible life story of François Clemmons, beginning with his early years in Alabama and Ohio, marked by family trauma and loss, through his studies as a music major at Oberlin College, where Clemmons began to investigate and embrace his homosexuality, to a chance encounter with Fred Rogers which changed the whole course of both men's lives, leading to a deep, spiritual friendship and mentorship spanning nearly forty years.

Die neue Prinzessin der Herzen: Mit ihrem natürlichen Charme verzaubert Meghan Markle nicht nur Prinz Harry, sondern die Menschen weltweit. Die Amerikanerin, bekannt aus der TV-Serie "Suits", lebt ein echtes Märchen: Im Mai heiratet sie Prinz Harry und wird damit offizielles Mitglied des britischen Königshauses. In der Biografie erzählt Bestseller-Autor Andrew Morton, einzigartiger Kenner der Royals, umfassend über ihre Kindheit, ihren Mut und ihre Courage und zeigt mit viel Insiderwissen, was von Meghan in ihrer neuen Rolle zu erwarten ist.

I'm Just Dead, I'm Not Gone chronicles Jim Dickinson's extraordinary life in the Memphis music scene of the fifties and sixties and how he went on to play with and produce a rich array of artists, including Aretha Franklin, the Rolling Stones, Ry Cooder, Duane Allman, Arlo Guthrie, and Albert King. With verve and wit, Dickinson (1941-2009) describes how his trip to Blind Lemon's grave on the Texas flatlands as a college student and how that encounter inspired his return to Memphis.

Black Music is a book about the brilliant young jazz musicians of the early 1960s: John Coltrane, Thelonious Monk, Miles Davis, Ornette Coleman, Cecil Taylor, Archie Shepp, Sun Ra, and others. It is composed of essays, reviews, interviews, liner notes, musical analyses, and personal impressions from 1959-1967. Also includes Amiri Baraka's reflections in a 2009 interview with Calvin Reid of Publishers Weekly.

The national debate over popular music's effect on character is both furious and confused. Conservatives complain primarily about lyrics, appealing to public decency and safety. Liberals, swift to the defense of any self-expression, simultaneously celebrate rock's liberating ethos and deny its cultural influence.

The 12th Duke of Beaufort, known to his friends as 'Bunter', inherited his Dukedom and Badminton House in 2017, at the age of sixty-five. But he is also a singer and songwriter with the rock group The Listening Device. Now he combines his responsibilities as Duke with his life as a rock performer. In this lively and anecdote-filled memoir, Harry Beaufort takes us behind the scenes of his varied life: from playing poker with politicians, to partying on Ibiza with film stars to people watching with The Queen from a balcony at Windsor Castle.

When you sit down at a play, movie, or concert—or even in front of the TV or scrolling on your phone—you are taking part in one of the oldest and most mysterious forms of human behavior. Being part of an audience is an age-old experience that we all crave, one that has evolved from amphitheaters to screens. Right This Way is a pop history of audiences through the ages. Playbill editor Robert Viagas unfolds the unique aspects of what he calls “audiencing” with stories from the age of the Greeks to the world of Zoom.

This book is the first anthology to explore the connection between race and the suburbs in American cinema from the end of World War II to the present. It builds upon the explosion of interest in the suburbs in film, television, and fiction in the last fifteen years, concentrating exclusively on the relationship of race to the built environment. Race and the Suburbs in American Film is a stimulating resource for considering the manner in which race is foundational to architecture and urban geography, which is reflected, promoted, and challenged in cinematic representations.

Black Panther is one of the most financially successful and culturally impactful films to emerge from the American film industry in recent years. When it was released in 2018 it broke numerous records and resonated with audiences all around the world. In Black Panther: Interrogating a Cultural Phenomenon, author Terence McSweeney explores the film from a diverse range of perspectives, seeing it as not only a comic book adaptation and a superhero film, but also a dynamic contribution to the discourse of both African and African American studies.

Conceived in the Gilded Age, the Ferry Building opened in 1898 as San Francisco's portal to the world—the terminus of the transcontinental railway and a showcase of civic ambition. In silent films and World's Fair postcards, nothing said "San Francisco" more than its soaring clock tower. But as acclaimed architectural critic John King recounts, the rise of the automobile and double-deck freeways severed the city from its beloved structure. King's narrative spans the rise and fall and rebirth of the Ferry Building, introducing colorful figures who fought to preserve its character.

In the tradition of Just Kids, Ronen Givony's Us v. Them chronicles the generation of young artists who came to Brooklyn in the mid-2000s: a small but seismic scene that coalesced under a billionaire mayor, a series of forever wars, and a music industry in free fall. In tandem with the impresarios and unlicensed venues that lined the Williamsburg waterfront, combining elements of noise and pop, a few became unlikely superstars. Meanwhile, countless flared and vanished, reminders of an unusually fertile moment—the age of indie—that now means little more than a term of marketing.

With almost 20 million listeners on more than six hundred stations, Rush Limbaugh is the leading and most dangerous figure in the conservative movement today. John K. Wilson uses the most effective strategy of all—Rush’s own words—to show how Limbaugh’s flagrant disregard for the truth and penchant for savage personal attacks laced with racist, sexist, and homophobic slurs have held the political arena hostage.

Nel 1933 viene lanciato nei cinema USA "I tre porcellini" di Walt Disney. Questo piccolo avvenimento segna l'inizio della parabola della cultura mainstream promossa dai film delle majors hollywoodiane, raccolta e amplificata dalla radio e dalla tv. Questo tipo di cultura, basata su un'idea consolatoria dell'intrattenimento, fondata su una visione manichea del bene contro il male e sul must del lieto fine, prende forma allora e mette radici nell'immaginario collettivo dell'Occidente.

In Bright Boulevards, Bold Dreams, Donald Bogle tells - for the first time - the story of a place both mythic and real: Black Hollywood. Spanning 60 years, this deliciously entertaining history uncovers the audacious manner in which many Blacks made a place for themselves in an industry that originally had no place for them. Through interviews and the personal recollections of Hollywood luminaries, Bogle pieces together a remarkable history that remains largely obscure to this day.