Popular Culture History

In 1944, the big top of Ringling Bros. Barnum & Bailey Circus in Hartford caught fire during the middle of an afternoon performance. Nine thousand people were inside. In seconds, the big top was burning out of control. The toll of the fire, and its circumstances, haunt Hartford to the present day. But it is the intense, detailed narrative - before, after, and especially during the panic under the burning tent - that will remain with listeners long after they finish this book.

¿Qué habría sido de nuestra juventud sin el Walkman, Pokémon, Pac-Man, y el anime? ¿Qué sería de nuestros mensajes de texto sin emojis? ¿Y de las celebraciones con amigos sin karaoke? Todas estas innovaciones y más se las debemos a los japoneses. Matt Alt, especialista en Japón y colaborador para medios como The New Yorker, se dio a la tarea de revelar en este libro la historia detrás de las principales creaciones niponas que han conquistado el planeta.

Per gli antichi le Sirene erano mostri orripilanti, per metà uccelli e per metà donne. Eppure, esse avevano qualcosa che le rendeva irresistibili: la voce, suadente e ammaliatrice. Insieme ad altre figure mitologiche a loro affini come Circe, Calipso ed Elena, le Sirene sono in questo libro le protagoniste della prima tappa di un cammino che, partendo da Omero e a Omero ritornando, si concentra sull'Atene del V secolo, la città della democrazia e della parola.

Nel 1933 viene lanciato nei cinema USA "I tre porcellini" di Walt Disney. Questo piccolo avvenimento segna l'inizio della parabola della cultura mainstream promossa dai film delle majors hollywoodiane, raccolta e amplificata dalla radio e dalla tv. Questo tipo di cultura, basata su un'idea consolatoria dell'intrattenimento, fondata su una visione manichea del bene contro il male e sul must del lieto fine, prende forma allora e mette radici nell'immaginario collettivo dell'Occidente.

Schwitzen im Proberaum einer Moskauer Rockband. Ehemalige Sowjetrepubliken, die Kabardino-Balkarien heißen. Ein Stripclub an der Wolga. Techno Clubs, in denen nichts zufällig passiert. Und das Krankenzimmer eines Moskauer Hospitals. Diane Hielscher diskutiert auf Kinderspielplätzen über die Postmoderne, tanzt mit Jugendlichen am schwarzen Meer, trinkt in dunklen Bars und fremden Wohnzimmern. Nebenbei erlernt sie die Feinheiten der russischen Vulgärsprache - während im Kaukasus gerade der Krieg ausbricht.

Taking listeners back to the days of TaB cola, dot matrix printers, and digging through the couch for just one more quarter, Alex Rubens combines his knowledge of the tech industry and experience as a gaming journalist to conjure the wild silicon frontier of the 8-bit ’80s. 8-Bit Apocalypse: The Untold Story of Atari's Missile Command offers the first in-depth, personal history of an era for which fans have a lot of nostalgia.

Danny Goldberg's new book is a subjective history of 1967, the year he graduated from high school. It is, he writes, "an attempt at trying to remember the culture that mesmerized me, to visit the places and conversations I was not cool enough to have been a part of." It is also a refreshing and new analysis of the era; by looking at not only the political causes, but also the spiritual, musical, and psychedelic movements, Goldberg provides a unique perspective on how and why the legacy of 1967 lives on today.

In the late 1990s, Manchester was a city in upheaval. The devastation of the IRA bomb and the closure of the infamous Haçienda nightclub were seismic events that rocked the city’s confidence at a time when identikit bands were flooding its clubs and bars, fuelled on anthemic guitar rock and swagger. Stereotypes were everywhere, while the spirit of Manchester was silently suffocating. Mancunians: Where do we start, where do I begin? is the story of those who didn’t fit the typecast.

"WOW!! I didn't know that!!" - this is what I predict you will say literally hundreds of times as you listen to this book. In fact, in the humblest sort of way, I am confident that you will learn more from this book about the world we live in and interacting with our fellow human beings than you did in all your years of high school and college. I really wish someone would have given me this book before I left school and entered the real world.

Ce livre est le récit d’une rencontre avec un pays, avec la saisissante diversité géographique et humaine de la France, avec des lieux qui disent : ce que nous sommes, notre héritage, ce qui nous lie et nous relie.

In extensive interviews with scene pioneers and mainstays, including Chris Carrabba (Dashboard Confessional), Geoff Rickly (Thursday), Frank Iero (My Chemical Romance), Gabe Saporta (Midtown/Cobra Starship), and Max Bemis (Say Anything), veteran music journalist Michael Tedder has crafted a once-in-a-generation exploration of emo and The Scene that is as forthright as it is tenderly nostalgic, taking to task the elements of toxic masculinity and crass consumerism that bled out of the early 2000s cultural milieu and ultimately led to the implosion of emo's first home, MySpace.

Gay bars have been closing by the hundreds. The story goes that increasing mainstream acceptance of LGBTQ+ people, plus dating apps, have rendered these spaces obsolete. Beyond that, rampant gentrification in big cities has pushed gay bars out of the neighborhoods they helped make hip. Who Needs Gay Bars? considers these narratives, accepting that the answer for some might be: maybe nobody. Greggor Mattson embarks on a journey across the country to paint a much more complex picture of the cultural significance of these spaces, inside "big four" gay cities, but also beyond them.

Reality TV's influence is seismic: twenty-five years ago, the concept didn't exist. Yet today, it is one of the most powerful cultural forces on earth; a multi-billion-dollar machine. Despite that, it is often derided as "trash"; a cultural McDonalds not worthy of examination. The truth is that reality TV offers a profound insight into who we are as human beings, questioning the very nature of what we deem to be entertaining. Writer, broadcaster and reality TV-obsessive Jacques Peretti goes behind the scenes of a world that has entranced and consumed him for two decades.

The year 2000. As Britain celebrates the new millennium, something fluorescent and futuristic is stirring in the crumbling council estates of inner city London. Making beats on stolen software, spitting lyrics on tower block rooftops and beaming out signals from pirate radio aerials, a group of teenagers raised on UK garage, American hip-hop and Jamaican reggae stumble upon a dazzling new genre. Against all odds, these young MCs will grow up to become some of the UK’s most famous musicians, scoring number one records and dominating British pop culture for years to come.

"Quem nunca pecou que atire a primeira pedra", disse Jesus na Bíblia. Dependendo da intenção de quem a jogasse, este também seria considerado um pecador. Se lançasse a pedra com raiva, certamente teria agido com Ira. Se sentisse prazer com o ato, cairia na Luxúria. Se a pedrada fosse por causa de uma dívida, seria um gesto de Cobiça. Se fosse para ficar com os bens da vítima, seria Inveja. Se fosse para aparecer perante os outros, olha aí a Vaidade. Se precisasse beber para tomar coragem, cometeria a Gula.

In his 1967 megahit "San Francisco," Scott McKenzie sang of "people in motion" coming from all across the country to San Francisco, the white-hot center of rock music and anti-war protests. At the same time, another large group of young Americans was also in motion, less eagerly, heading for the jungles of Vietnam.

Misinformation and myths have attached themselves to the Egyptian pyramids since ancient Greece and Rome. While many Americans believe that the pyramids were built by aliens, archaeologists understand that the Giza pyramids were built by the pharaohs of the Fourth Dynasty around 2450 BCE. So why is there such a disconnect between scholarly opinion and the popular view of Egypt? Jason Colavito takes us back to Late Antique Egypt, where the replacement of polytheism with Christianity gave rise to local efforts to rewrite the stories of Egyptian history in the image of the Bible.

La storia dell'arte può essere raccontata da tanti punti di vista: attraverso le tecniche, i movimenti, le committenze, i linguaggi o gli stili. Questo audiolibro sceglie un'altra strada. Ci invita a compiere un viaggio nel tempo, dall'antichità ad oggi, per scoprire come gli artisti hanno rappresentato le emozioni, quelle che si annidano nei nostri stati d'animo più ineffabili e affascinanti.

In 1963, the West Indian Marxist C.L.R. James posed the deceptively benign question: "What do they know of cricket, who only cricket know?" A challenge to the public to reconsider cricket and its meaning by placing the game in its true social, political, and economic context. Different Class does not simply challenge the widely accepted orthodoxy of English cricket, it demonstrates how the values and belief systems at its heart were intentionally developed in order to divide the English along class lines at every level of the game.

For No Reason at All: The Changing Narrative of the First World War in American Film discusses a variety of Great War-themed films made from 1915 to the present, tracing the changing approaches to the conflict over time.