Popular Culture History

Popular culture has taught us to picture the Old West as a land of men, whether it's the lone hero on horseback or crowds of card players in a rough-and-tumble saloon. But the taming of the frontier involved plenty of women, too - and this book tells their stories. At first, female pioneers were indeed rare - when the town of Denver was founded in 1859, there were only five women among a population of almost a thousand. But the adventurers arrived, slowly but surely.

In 1977 a group of scientists, artists and writers gathered in a house in Ithaca, New York to work on the most important mixtape ever conceived. It wasn’t from one person to another - it was from Earth to the cosmos. When NASA sent Voyagers 1 and 2 on a grand tour of the outer planets, they knew the ultimate fate of these plucky probes would be to drift forever in the unimaginable void of interstellar space.

Boomer tells the story of a generation born in the immediate aftermath of the Second World War and whose members, the Baby Boomers, are now in their mid to late seventies. It is a generation that has experienced more technological, social, and cultural changes than any other in history.

Nel 1933 viene lanciato nei cinema USA "I tre porcellini" di Walt Disney. Questo piccolo avvenimento segna l'inizio della parabola della cultura mainstream promossa dai film delle majors hollywoodiane, raccolta e amplificata dalla radio e dalla tv. Questo tipo di cultura, basata su un'idea consolatoria dell'intrattenimento, fondata su una visione manichea del bene contro il male e sul must del lieto fine, prende forma allora e mette radici nell'immaginario collettivo dell'Occidente.

Mathabane argues that the reason many Americans are turned off by the current divisive racial dialogue is because the discussion has mostly been about the politics of race and avoids the elephant in the room - - what each of us can do to become agents for racial healing. His solution is for people to learn to speak the language of Ubuntu, a Zulu word for common humanity.

Of all the white American pop music groups that hit the charts before the Beatles, only the Beach Boys continued to thrive throughout the British Invasion to survive into the 1970s and beyond. The Beach Boys helped define both sides of the era we broadly call the sixties, split between their early surf, car, and summer pop and their later hippie, counterculture, and ambitious rock.

Schwitzen im Proberaum einer Moskauer Rockband. Ehemalige Sowjetrepubliken, die Kabardino-Balkarien heißen. Ein Stripclub an der Wolga. Techno Clubs, in denen nichts zufällig passiert. Und das Krankenzimmer eines Moskauer Hospitals. Diane Hielscher diskutiert auf Kinderspielplätzen über die Postmoderne, tanzt mit Jugendlichen am schwarzen Meer, trinkt in dunklen Bars und fremden Wohnzimmern. Nebenbei erlernt sie die Feinheiten der russischen Vulgärsprache - während im Kaukasus gerade der Krieg ausbricht.

Misinformation and myths have attached themselves to the Egyptian pyramids since ancient Greece and Rome. While many Americans believe that the pyramids were built by aliens, archaeologists understand that the Giza pyramids were built by the pharaohs of the Fourth Dynasty around 2450 BCE. So why is there such a disconnect between scholarly opinion and the popular view of Egypt? Jason Colavito takes us back to Late Antique Egypt, where the replacement of polytheism with Christianity gave rise to local efforts to rewrite the stories of Egyptian history in the image of the Bible.

Danny Goldberg's new book is a subjective history of 1967, the year he graduated from high school. It is, he writes, "an attempt at trying to remember the culture that mesmerized me, to visit the places and conversations I was not cool enough to have been a part of." It is also a refreshing and new analysis of the era; by looking at not only the political causes, but also the spiritual, musical, and psychedelic movements, Goldberg provides a unique perspective on how and why the legacy of 1967 lives on today.

In the late 1990s, Manchester was a city in upheaval. The devastation of the IRA bomb and the closure of the infamous Haçienda nightclub were seismic events that rocked the city’s confidence at a time when identikit bands were flooding its clubs and bars, fuelled on anthemic guitar rock and swagger. Stereotypes were everywhere, while the spirit of Manchester was silently suffocating. Mancunians: Where do we start, where do I begin? is the story of those who didn’t fit the typecast.

"WOW!! I didn't know that!!" - this is what I predict you will say literally hundreds of times as you listen to this book. In fact, in the humblest sort of way, I am confident that you will learn more from this book about the world we live in and interacting with our fellow human beings than you did in all your years of high school and college. I really wish someone would have given me this book before I left school and entered the real world.

La storia dell'arte può essere raccontata da tanti punti di vista: attraverso le tecniche, i movimenti, le committenze, i linguaggi o gli stili. Questo audiolibro sceglie un'altra strada. Ci invita a compiere un viaggio nel tempo, dall'antichità ad oggi, per scoprire come gli artisti hanno rappresentato le emozioni, quelle che si annidano nei nostri stati d'animo più ineffabili e affascinanti.

Ce livre est le récit d’une rencontre avec un pays, avec la saisissante diversité géographique et humaine de la France, avec des lieux qui disent : ce que nous sommes, notre héritage, ce qui nous lie et nous relie.

Gay bars have been closing by the hundreds. The story goes that increasing mainstream acceptance of LGBTQ+ people, plus dating apps, have rendered these spaces obsolete. Beyond that, rampant gentrification in big cities has pushed gay bars out of the neighborhoods they helped make hip. Who Needs Gay Bars? considers these narratives, accepting that the answer for some might be: maybe nobody. Greggor Mattson embarks on a journey across the country to paint a much more complex picture of the cultural significance of these spaces, inside "big four" gay cities, but also beyond them.

Reality TV's influence is seismic: twenty-five years ago, the concept didn't exist. Yet today, it is one of the most powerful cultural forces on earth; a multi-billion-dollar machine. Despite that, it is often derided as "trash"; a cultural McDonalds not worthy of examination. The truth is that reality TV offers a profound insight into who we are as human beings, questioning the very nature of what we deem to be entertaining. Writer, broadcaster and reality TV-obsessive Jacques Peretti goes behind the scenes of a world that has entranced and consumed him for two decades.

In his first memoir, Ander Monson guides listeners through a scene-by-scene exploration of the 1987 film Predator, which he has watched 146 times. Some fighters might not have time to bleed, but Monson has the patience to consider their adventure, one frame at a time. He turns his obsession into a lens through which he poignantly examines his own life, formed by mainstream white male American culture.

Oggi per la Chiesa la situazione è molto difficile. Si tratta di una delle tante crisi che il cristianesimo ha vissuto o di un definitivo declino? È un interrogativo che inquieta anche chi guarda al cristianesimo dall’esterno. Ma crisi non vuol dire necessariamente fine. Può essere un’opportunità per aprirsi al futuro, sapendo che il grande rischio è accontentarsi di sopravvivere, rimpiangendo un passato migliore. La soluzione è vivere nella crisi. La Chiesa oggi è chiamata a una condizione di lotta, questa volta non contro nemici esterni ma contro l’indifferenza e il discredito.

Легенды и мифы об исчезнувших артефактах и кладах столетиями будоражат воображение искателей сокровищ. Воды морей и океанов, по мнению историков, скрывают богатства сотен потерпевших крушение судов. Они везли фарфор и пряности, ткани, изделия из драгоценных металлов и многое другое.

From an author praised for writing “delicious social history” (Dwight Garner, The New York Times) comes a lively account of memorable Miss America contestants, protests, and scandals - and how the pageant, nearing its one hundredth anniversary, serves as an unintended indicator of feminist progress.

"Quem nunca pecou que atire a primeira pedra", disse Jesus na Bíblia. Dependendo da intenção de quem a jogasse, este também seria considerado um pecador. Se lançasse a pedra com raiva, certamente teria agido com Ira. Se sentisse prazer com o ato, cairia na Luxúria. Se a pedrada fosse por causa de uma dívida, seria um gesto de Cobiça. Se fosse para ficar com os bens da vítima, seria Inveja. Se fosse para aparecer perante os outros, olha aí a Vaidade. Se precisasse beber para tomar coragem, cometeria a Gula.