Poverty Fiction

Bess Cunningham has never been popular, and she plans to do something about it. She's got a fresh style, with plenty of unique clothes, and she's the new stage manager for the musical at her middle school. She couldn't care less about the volunteer work her parents do at a soup kitchen until she meets Grace Jarvis Battle. The kind, elderly woman reminds Bess of her grandmothers except for one significant difference - Grace lives on the street and finds food in dumpsters.

At fifteen, Iris is a hobo of sorts - no home, no family, no plan. Her mother died when she was six, and her selfish father hires her out as a companion to a country doctor's elderly mother. Iris, stuck in the middle of 1920s rural Missouri, discovers that "hobo" is short for "homeward bound," and cultivates an eccentric cast of folks into family, creating the home she never had. But when she learns that a neighboring tenant farmer may have had more than his hands on his pregnant daughter, Iris must intervene to save the girl and her unborn baby.

Baby is a teenager in trouble, and her last chance is a foster home with a husband and wife whose idea of fun is dogsledding. Still, it beats going to the juvenile detention center. Baby comes to love the dogs and takes naturally to sledding, but when her old boyfriend, Bobby, shows up, she can't stop herself from running off with him. Life with Bobby goes bad, and Baby has to make some hard decisions.

Through the long years of the Great Depression, Harper Flute watches with a child's clear eyes her family's struggle to survive in a hot and impoverished landscape. As life on the surface grows harsher, her brother Tin escapes ever deeper into a subterranean world of darkness and troubling secrets, until his memory becomes a myth barely whispered around the countryside.

Thirteen-year-old Hadi Toma and his family are displaced. At least that's what the Lebanese government calls them and the thousands of other Syrian refugees that have flooded into Beirut. But as Hadi tries to earn money to feed his family by selling gum on the street corner, he learns that many people who travel the city don't think they're displaced - they think that they don't belong in this country either. Each day he hears insults, but each day he convinces himself they don't matter, approaching the cars again and again. He hardly dares to dream anymore that this might change.

In an old, abandoned mill, a girl and her ma take shelter from their memories of life on the streets, and watch the busy world go by. The girl calls it the Castle because it's the biggest place they've ever stayed, a home of her own like no other. The windows are boarded up and the floorboards are falling in, but for her neither of those things matter. Then developers show up, and it's clear that their lives are about to change forever.

NEW YORK TIMES EDITORS’ CHOICE An immersive debut set across the temples, slums, and gated estates of late-twentieth century Bangkok, telling the story of three families striving to control their destinies in a merciless, sometimes brutally violent, metropolis. “Mai Nardone is a writer...

Riveting, powerful, and a little bit magical, Fault Lines offers readers a slow-burn romance alongside an unflinching examination of socio-economics, gender expectations, and environmental ethics. Gold Winner of the 2024 Nautilus Book Award for Young Adult (YA) Fiction Ever since her aunt died...

Following a devastating betrayal, Beth Bradley, a sixteen-year-old graffiti artist, is suspended from school. Running from a home that she shares with her father who has never recovered after Beth's mother's death, Beth stumbles into the hidden city and meets Filius Viae, London's asphalt-hued crown prince. And her timing couldn't have been more perfect.

When it happened Miguel was sent to Juvi. The judge only gave him a year in a group home - said he had to write in a journal so some counselor could try to figure out how he thinks. The judge had no idea that he'd actually done Miguel a favor. Ever since it happened Miguel’s mom can't even look him in the eye. Any home besides his would be a better place to live. But Miguel didn’t bet on meeting Rondell or Mong or on any of what happened after they broke out. He only thought about Mexico and getting across the border to where he could start over....

It's the 1940s and WWll is raging! There are six girls and three boys living with Mam in a log cabin with no electricity or running water. Pap comes home only when he feels the notion - so life's not easy. The struggles become even more real when 13-year-old Retha Pogue sees her brother, Wilburn, drafted and going off to war. Surprising twists await in this gripping tale of what life was really like for so many families. And you're invited! Come get to know Mam and the children by listening to their stories.

Lorrie Hollander used to be a rich girl, but now she's lost everything because of the secrets and lies of the people around her. It's been 12 years since Lorrie's mother skipped town and left Lorrie in the care of her unstable aunt Gigi. Together they live in a neglected, decrepit mansion called Edgewater, the eyesore in a town of extraordinary wealth and privilege. When Charlie, the son of an esteemed senator, takes an interest in Lorrie, her shame for her family and lifestyle runs deep.

Will trägt die falschen Schuhe – das weiß er selbst, aber wie soll er es ändern? Es sind ja nicht nur die Schuhe: Auch seine Jacke und sein Haarschnitt sind falsch, er kann die Schulmaterialien nicht kaufen, und oft findet er nicht einmal etwas zu essen, wenn er nach Hause kommt. Seine Eltern haben ihre eigenen Sorgen, und Will versucht alles, um in der Schule so wenig wie möglich aufzufallen. Was ihm nicht immer gelingt. In seiner Verzweiflung gerät er kurzzeitig sogar auf die schiefe Bahn.

"Funny, bursting with heart, goofy, wise, and did I mention– wildly wonderfully funny." —Jon Scieszka, First National Ambassador of Young People's Literature and Founder of Guys Read A hilarious and heartfelt young YA comedy about the misadventures of an aspiring young rapper as he navigates...

Con La Buena Tierra la escritora estadounidense Pearl Buck gano el Premio Nobel de 1938, ya que este retrato de un campesino chino, pobrisimo, que a medida que va consiguiendo riquezas se vuelve mas depravado y se llena de vicios, tiene características universales y su hermoso lirismo, ademas de lo fuerte del argumento convirtio la novela en un clasico desde su misma publicacion.

A heart-wrenching first novel about the power of place and family ties, the weight of the stories we choose to tell, and the burden of those we hide Frozen in grief after the loss of her son at sea, Edith Baines stares across the water at a schooner, under full sail yet motionless in the winter...

Alone and on the streets after their mother ends up in hospital, Charlie has promised his little sister, Maisie, he’ll never let her feel frightened again. That promise is hard to keep when Maisie falls ill. Hope comes in the shape of Susan and the other nurses at the local hospital. Times are tough, and lately they’ve seen even more children come through their doors who need kindness and a loving home. The only way to keep Charlie and Maisie out of the orphanage is to find them a good foster home, but there are far too many people who’d take them in for their own ruthless ends.

Eliza was left as a small baby at the workhouse in Whitechapel, wrapped in her mother’s shawl, which is all she has of the mother she never knew. At 11 years old, she has survived sickness, near starvation and harsh beatings. Master Simpkins and his cruel daughter rule the workhouse with a rod of iron, but when Romany boy Joe arrives at the workhouse, his spirit and courage give Eliza hope. When she is sold into service, Eliza is relieved to be out of the workhouse and hopes her fortunes are changing for the better, but cruelty and unkindness are everywhere....

St Saviours children’s home in London’s East End has provided a safe refuge for local children for decades, and Sister Beatrice and her team are as busy as ever. New staff member Jinny is glad to escape the lewd advances of her drunken and slovenly mother’s rotten boyfriends, but can she prove she isn’t a chip off the old block? As ever, the staff are tested when orphaned brother and sister Andy and Beth are brought to the home - they are clearly terrified of something, and Andy refuses to be sent home, but can Sister Beatrice get to the bottom of their story before they are returned to their stepfather?

In one of the poorest parts of rural New Hampshire, teenage girls have been disappearing, snatched from back country roads, never to be seen alive again. For 17-year-old Marjorie Richards, the fear raised by these abductions is the backdrop to what she lives with in her own home, every day. Marjorie has been raised by parents so intentionally isolated from normal society that they have developed their own dialect, a kind of mountain hybrid of English that displays both their ignorance of and disdain for the wider world.