Psychological Suspense

The people who call End of the Line need hope. They need reassurance that life is worth living. But some are unlucky enough to get through to Laura. Laura doesn’t want them to hope. She wants them to die. Laura hasn’t had it easy: she’s survived sickness and a difficult marriage only to find herself heading for forty, unsettled and angry. She doesn’t love talking to people worse off than she is. She craves it. But now someone’s on to her—Ryan, whose world falls apart when his pregnant wife ends her life, hand in hand with a stranger. Who was this man, and why did they choose to die together?

Dans une petite ville où tout se sait, les couloirs d’une école bruissent de rumeurs et de confidences nocturnes. Quand deux univers se percutent, le temps s’étire, la réalité vacille et les limites entre l’amitié, le désir et la loyauté se brouillent. Entre promesses murmurées, regards qui brûlent et silences qui blessent, se joue le pari dangereux d’un premier grand amour, celui qui fait grandir trop vite et bouscule tout ce qu’on croyait immuable.

After the sudden death of her husband, Kate Turner is looking for a fresh start for herself and her teenage daughter, Alex. They relocate to the beachside town of Shoreham, Florida, where all is not as sunny as it seems. Although Kate makes fast friends with a trio of fellow moms, their daughters take an instant dislike to Alex, who attempts to document their bullying in her video diary. Kate brushes off Alex’s concerns—until she receives a series of chilling warnings about the clique of moms from other parents and neighbors.

John Fowles’s The Magus was a literary landmark of the 1960s. Nicholas Urfe goes to a Greek island to teach at a private school and becomes enmeshed in curious happenings at the home of a mysterious Greek recluse, Maurice Conchis. Are these events, involving attractive young English sisters, just psychological games, or an elaborate joke, or more? Reality shifts as the story unfolds. The Magus reflected the issues of the 1960s perfectly, and it continues to create tension and concern today.

Une nuit, Lucy est retrouvée errant dans la rue, les vêtements maculés de sang. Savannah, sa meilleure amie, vient d'être assassinée. Forcément la jeune femme devient la principale suspecte. Mais elle n'a aucun souvenir de cette terrible nuit et la police ne trouve aucune preuve pour l'inculper. Depuis ce drame, cinq années se sont écoulées. Lucy est partie à Los Angeles pour fuir ce passé qui la hante et construire une nouvelle vie. Jusqu'à ce qu'un célèbre podcasteur décide d'enquêter sur le meurtre et d'en faire une série d'émissions.

The summer before fourth grade, Colten Mosley moved into the house across the street from mine, and we became inseparable. He played the piano and baseball. I had a penchant for dead things while at the same time imagining what it would be like to kiss Colten. We were filled with curiosity and overly active imaginations. We were also forbidden to be more than friends. But that didn't stop us. Weeks before graduation, he annihilated my heart, and it's been seventeen years since the day I knew I'd hate him forever.

If She Only Knew, introduces the Cahills, a wealthy San Francisco family - rich in money, twisted secrets, and hidden agendas. Now at the center of their tangled world is Marla Cahill - a woman with no memory of who she is, what she’s done, or why she could be the next to die... It begins on a dark stretch of highway. Two vehicles swerve and crash - leaving one woman dead and another in a coma. When the surviving woman awakens, her memory is gone and her face has been reconstructed. Her family tells her that her name is Marla Cahill - but they’re all strangers to her.

I know my daughter better than I know myself, and if there’s one thing I know for sure at this moment it's that Maisie is not okay. My ex-husband, Shaun, and I are still friends. We would do anything for our beautiful little girl, Maisie. But now Shaun has moved in with Joanne, and suddenly Maisie has a brand-new family. And there’s something not quite right about it.... I know Joanne isn’t everything she says she is. Yet no-one will listen. I need to discover what she’s hiding. Because if I don’t, my daughter will be in terrible danger.

Twenty years ago, student Daisy Harrington went out for the evening and never came home. Her body was found a week later. The killer was caught. Case closed. Now, on what would have been her fortieth birthday, her five university housemates are invited to a weekend gathering. None of them want to go. But none of them can refuse—the invitation makes it clear that if they don’t attend, the past they’ve spent two decades hiding will finally come to light.

Attention ce roman n'est pas à mettre entre toutes les mains. Vous allez entrer dans la tête du tueur... et avec Will Edwards vous n'en sortirez pas indemne. On vous aura prévenu !

Lucy has a kind and adoring husband, a job she loves as a teacher, and a house on Mulberry Avenue with floaty curtains and the softest bed linen. After her troubled childhood, she knows life will never be perfect, but it’s pretty close. She’s also got Amber, right next door. They never run out of things to talk about. Even if Amber’s life - with her high-profile job and handsome, wealthy boyfriend - is more glamorous than Lucy’s, they share a down-to-earth sense of humor. But then Amber starts to hint that her life isn’t all it seems....

Joanne knows how lucky she is—Richard is a wonderful husband, Evie is the most gorgeous baby girl, they live in a beautiful house—life couldn't be better. But then Richard's twenty-year-old daughter Chloe turns up. Chloe hasn’t spoken to her father since the day he married Joanne two years ago. But with the arrival of her baby sister Evie, Chloe wants to make peace. Richard is delighted, and since Joanne is struggling with the new baby, he suggests Chloe could move in and help.

The Cahills of San Francisco are famous for two things: their vast wealth, and the scandals that surround them. Murder, greed, deadly ambition...some people will do anything to get, and keep, the Cahills' kind of money. Not that James Cahill wants any of it. He's tried to make his own way, less interested in a future inheritance than in his construction company - and in enjoying the many women taken in by the easy charms of a handsome, soon-to-be-rich bad boy.

Libbie Havens is fine on her own. When she chances upon the secluded house on Cub Creek, she purchases it. She'll show her cousin Liz, and other doubters, that she can rise above her past and live happily and successfully on her own terms. Libbie has emotional problems born of a troubled childhood. Raised by a grandmother she could never please, Libbie is more comfortable not being comfortable with people. She knows she's different from most. She has special gifts, or curses, but are they real? Or are they products of her history and dysfunction?

Gwen Proctor escaped her serial-killer husband and saved her family. What she can’t seem to outrun is his notoriety. Or the sick internet vigilantes still seeking to avenge his crimes. For Gwen, hiding isn’t an option. Not when her only mission is to create a normal life for her kids. But now, a threatened woman has reached out. Marlene Crockett, from the remote town of Wolfhunter, is panicked for herself and her daughter. When Gwen arrives in the small, isolated rural community, Marlene is already dead - her own daughter blamed for the murder.

Inside the walls of Indiana’s elite Westmont Preparatory High School, expectations run high and rules are strictly enforced. But in the woods beyond the manicured campus and playing fields sits an abandoned boarding house that is infamous among Westmont’s students as a late-night hangout. Here, only one rule applies: don’t let your candle go out - unless you want the Man in the Mirror to find you....

There’s a dress in Daisy’s closet. Silver. Low-backed. Tiny spaghetti straps. She’ll wear it to prom on the arm of Harris Zandari, the most gorgeous senior at her school. How did quiet, barely-there Daisy, land Harris Zandari? She watched him. She watched him so closely, and for so long, that she saw things no one else did. She saw through his charm, his bright, smiling face, to the sad, broken person underneath just waiting for the perfect sad, broken girl to complete him. Daisy was that girl.

They never considered how his wife might react, or that by the end of the summer a man would be dead. But Blakely always got her way, and the others followed her lead—even when they knew it was dead wrong. The girls had been friends from day one at Camp Pendleton, a haven for gifted children. But their senior summer was different. When Mr. Crosby, the handsome tennis coach, wound up murdered after a reckless lie, Blakely, Grace, Meg, and Thera swore themselves to secrecy. And never spoke to each other again.

Et si chaque indice n’était qu’un leurre? Dans ce jeu de pistes où les certitudes vacillent, la vérité se dévoile par fragments puis se dérobe, forçant à recomposer le tableau pièce par pièce. Pierre Cusson installe un suspense feutré où le moindre détail peut tout faire basculer. Au fil de l’écoute, les signes se répondent, les hypothèses s’affrontent, et il faut choisir quoi croire—ou qui. Une immersion haletante pour celles et ceux qui aiment dénouer les énigmes et suivre les traces jusqu’au dernier tournant, sans jamais perdre le fil.

Visiting her family's South Carolina estate, socialite Gray Godfrey wakes from a night out to an empty bed. Her husband, Paul, is gone, and a thrashing hangover has wiped her memory clean. At first, she's relieved for the break from her tumultuous marriage; perhaps Paul just needed some space. But when his car is found abandoned on the highway, Gray must face the truth: Paul is gone. And Gray may not want him found. Her life is unraveling. When a stranger named Annie calls claiming to know Paul's whereabouts, Gray reluctantly accepts her help.