Renaissance Fiction

It’s the fifteenth century and only heretics are curious about the universe. Germany, 1494. Born under a rare alignment of the stars, Johann Georg Gerlach, "the lucky one" to his mother - is fated for greatness. But Johann’s studies and wonder at the sky have made him suspect. Especially in wake of the child disappearances that have left the God-fearing locals trembling and his one true love trapped in terrified catatonia. Her only words: "I have seen the devil..."

Les aventures du Chevalier de Pardaillan sont celles que l'on dévore sans voir passer les heures, pour retrouver, confus et enthousiaste le bouillonnement d'une épopée traversée par la générosité d'un héros qui se place aux côtés de d'Artagnan et de Cyrano de Bergerac.

A pretend relationship gives two friends more than they bargained for in a Renaissance Faire rom com filled with flower crowns, kilts, corsets, and sword fights.

In the castle at the heart of battle-scarred Elysia, Tessa Serafina di Acampora faces her wedding to Duka Yosef. She’s spent years building herself into a strategic advisor invaluable to the ailing leader of the nation, becoming a woman the world won’t forget. The betrothal should be a boon, a promise of the good life. But she can’t stop thinking of the other beautiful ladies of the court… Prema Nyssa, hero of Elysia who just ended their long war with Ermandi, finds herself dragged to Casteli Valoria to reap the rewards.

On a sweltering summer night in 1925, beauties in beaded dresses mingle with hepcats in dapper suits on the streets of Harlem. The air is thick with reefer smoke, and jazz pours out of speakeasy doorways. Ben Charles and his devoted wife, Angeline, are among the locals crammed into a basement club to hear jazz and drink bootleg liquor. For aspiring poet Ben, the swirling, heady rhythms are a revelation. So is Baby Back Johnston, an ambitious trumpet player who flashes a devilish grin and blasts jazz dynamite from his horn.

Langston Hughes was only twenty-four when he published his debut collection of poetry, The Weary Blues. The poems included here blend vernacular speech and musical rhythms to offer a bracing perspective on the African American experience. Traversing a wide range of settings—including the jazz clubs of Harlem, expansive natural landscapes, and seaside taverns—Hughes’s voice as a poet ties these various places together.

Mary Howard is the dutiful daughter of the infamous Duke of Norfolk. Protected by her prestigious family and wealth, she is swept up in Anne Boleyn’s glittering court. Charmed by talented poets and flirtatious knights, it’s easy to forget that someone is watching her every move. The court grows wilder as the world changes around them. Everything seems possible, even marrying for love. All Mary can think of is her poetry, but then she gets involved in her uncle’s affairs. Soon her world of privilege and safety are torn away. But she’s not a Howard girl for nothing.

1553: deeply divided England rejoices as the rightful heir, Mary Tudor, sweeps to power on a tide of populist goodwill. But the people should have been careful what they wished for: Mary's mission is to turn back time to an England of old. Within weeks there is widespread rebellion in favour of her heir, her half-sister, Princess Elizabeth, who is everything that Mary isn't. From now on, Elizabeth will have to use her considerable guile just to stay alive.

La Celestina narra la historia de Calisto, un joven de la nobleza que se enamora perdidamente de la hija de un mercader, Melibea. A pesar de su rechazo, Calisto se aliará con Celestina, una vieja alcahueta, para que interceda en sus propósitos y calme su obsesión. También conocida como Tragicomedia de Calisto y Melibea, esta comedia humanística aborda temas como las pasiones humanas, la fatalidad y la sociedad conflictiva, y así retratar una época que marcó el inicio del Siglo de Oro de las letras españolas.

Published to great acclaim in 1873, Walter Pater’s compendium of idiosyncratic, impressionistic essays on the Renaissance gained him a reputation as a daring modern philosopher. Oscar Wilde called it the “holy writ of beauty.” It was Pater’s cry of “art for art’s sake” that became the manifesto for the aesthetic movement. He believed that art should be sensual and that beauty should rank as the highest ideal. Marked by elegant fluency, Pater’s essays discuss Botticelli, Michelangelo, Leonardo da Vinci, and other artists who, for him, embodied the spirit of the Renaissance.

This anthology edited by the American writer, philosopher, and patron of the arts Alain Locke brings together some of the most influential pieces of African American works from the late 19th and early 20th centuries. Featuring the voices of Zora Neale Thurston, W. E. B. Du Bois, and Langston Hughes, Locke included commentary on the emergence of the New Negro Movement, also known as the Harlem Renaissance. The New Negro is considered to be the definitive text on the movement.

Il bel Salaì, allievo e figliastro di Leonardo da Vinci, ha messo la testa a posto. Dopo una vita passata tra donne, scorribande e mangiate si è sistemato con moglie e figli su un terreno di Leonardo, dove ha costruito una casetta. Quando il patrigno muore, sorpresa! metà del terreno è andata in eredità a un servo di Leonardo, e la linea di confine passa giusto sotto casa sua. Inizia un costosissimo processo che costringe Salaì a indebitarsi con un crudele usuraio.

In 1565 a young maid of honour named Helena von Snakenborg arrives at the English court from Sweden. Her meeting with Queen Elizabeth I changes her life forever when she is invited to remain in her service. Helena becomes the established favourite and closest companion of the mercurial queen. After her marriage to Lord Northampton she rises to become the third highest lady in the land. But queens and fortunes can be fickle friends and Helena must overcome tragedy and exile in order to achieve happiness.

Pensando al Rinascimento è probabile che vi vengano in mente lo splendore delle città, le opere sublimi, la magnificenza di signori e papi. Aprendo questo libro, mettete da parte ciò che sapete: verrete travolti dallo stupore. State per cominciare un viaggio nei meandri di un tempo imprevedibile, fatto di voli pindarici e cadute fragorose. Popolato di artisti strepitosi oggi dimenticati, contesse guerriere e frati ribelli. Al vostro fianco in questa avventura, ci saranno due giganti della storia dell'arte destinati a odiarsi per tutta la vita.

À la fois roman historique et thriller, 1542: La colonie maudite s’inspire d’un fait réel aussi fascinant que méconnu : l’expédition Cartier-Roberval. Bien qu’aux prises avec la montée des troubles religieux en France, François 1er doit assurer son emprise en Amérique. Il ordonne donc à Jacques Cartier et au Sieur de Roberval d’aller fonder une colonie en Nouvelle-France. Un étonnant amalgame de catholiques et de protestants, ainsi que de repris de justice et d’aristocrates, s’embarque alors pour une formidable épopée.

At the time of its publication, Wallace Thurman’s debut novel was deeply provocative. This was due not only to its frank considerations of race and sex, but also to its vivid portrait of a Harlem that few other writers had dared to explore. At the heart of this journey into new terrain is Emma Lou Morgan, a Black woman who leaves her “color-struck” Idaho hometown behind and strikes out, first for Los Angeles and later for Harlem—where, unfortunately, discrimination simply takes on a new form.

Roma, 1508. Il giovane Salaì, apprendista pittore e figlio adottivo di Leonardo da Vinci, è appena giunto da Firenze nella Città Eterna su incarico del suo celebre patrigno. Deve trovare a tutti i costi un libro appena stampato nella lontana Alsazia, in cui è contenuta la prima carta geografica dell'America. Ma nessuno lo deve sapere. Leonardo infatti, invidiosissimo di Colombo, Vespucci e degli altri grandi esploratori, vuole plagiare la carta dell'America e darla alle stampe a suo nome, per fare bella figura con gli amici fiorentini.

1586 : Le duc de Guise, surnommé le Balafré, contrôle la moitié de la France. Henri III n'est même plus le roi de Paris où la Ligue fait la loi, tandis que le huguenot Henri de Navarre conduit une guerre d'escarmouches dans l'ouest du royaume. Décidée à mettre un terme à cette guerre, Catherine de Médicis part rencontrer Navarre, héritier légitime selon la loi salique, pour le convaincre de se convertir. Mais est-ce la véritable raison de ce voyage ? Pourquoi a-t-elle choisi Michel de Montaigne, l'ami d'Henri de Navarre, comme messager ?

From the author of The Book of Gothel comes the lush, magical story behind Shakespeare's sonnets, as told by one of his most famous subjects—the incendiary and mysterious Dark Lady. My name has only been whispered, heretofore… England, 1591. Rose Rushe’s passion for life runs deep—she...

“Can you recommend fiction that has main characters who are like us?” This is a question we who are disabled, Deaf, neurodiverse, Spoonie, and/or who manage mental illness ask way too often. Typically, we’re faced with stories about us crafted by people who really don’t get us. We’re turned into pathetic, tragic souls; we merely exist to inspire the abled main characters to thrive; or even worse, we’re to overcome “what’s wrong with us” and be cured.