Renaissance History

In true stories as vivid as the colors in which they painted, Jim Weiss brings to life the astounding Leonardo da Vinci; the volcanic genius Michelangelo; Brunelleschi, who changed the way we see the world; the lighthearted sculptor, Donatello; and other captivating characters. You will watch fierce Pope Julius II drive out invaders while supervising the painting of the Sistine Chapel, and dine in the palace of Lorenzo de Medici, swordsman, statesman and patron of the arts, as he faces treachery and turns war to peace.

The renaissance was a time for change, renewal, rebirth. That’s what we were taught in school, but few of us really understand the complexities of the era. Generations of people don’t understand the bold moves that were made. The risks that were taken by ordinary people who created exceptional art, music, movements, and change are like none the world has yet seen.

Leonardo da Vinci has long been celebrated for his consummate genius. He was the painter who gave us the Mona Lisa and The Last Supper, and the inventor who anticipated the advent of airplanes, hot air balloons, and other technological marvels. But what was the connection between Leonardo the painter and Leonardo the scientist?

In an innovative and engaging narrative of everyday life in Shakespeare’s England, Ramie Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-sixteenth century into the private lives of four women writers working at a time when women were legally the property of men.

From the death of Richard III on Bosworth Field in 1485 to the execution of Charles I, after the Civil Wars of 1642-48, England was transformed by two Dynasties. Firstly the Tudors, who won the crown on the battlefield and changed both the nature of kingship but also the nation itself. England became a Protestant nation and began to establishment itself as a trading power; facing down impossible odds it defeated its enemies on land and sea.

After the long period of cultural decline known as the Dark Ages, Europe experienced a rebirth of scholarship, art, literature, philosophy, and science and began to develop a vision of Western society that remains at the heart of Western civilization today. On visits to the great cities of Europe, Thomas Cahill brilliantly captures the spirit of experimentation, the colorful pageantry, and the passionate pursuit of knowledge that built the foundations for the modern world.

The award-winning Beneath the American Renaissance is a classic work on American literature. It immeasurably broadens our knowledge of our most important literary period, as first identified by F.O. Matthiessen’s American Renaissance. With its combination of sharp critical insight, engaging observation, and narrative drive, it represents the kind of masterful cultural history for which David Reynolds is known. Here the major works of Emerson, Thoreau, Whitman, and others receive striking, original readings set against the rich backdrop of contemporary popular writing.

The Renaissance, or rebirth, was a period of time when Europeans began to question what they had been told was sacrosanct. Through art, inventions, science, literature, and theology, the separate nations of the European continent sought answers that the Roman Catholic Church was unwilling, or perhaps unable, to offer. It was a triumph of the human spirit and a confirmation of human ability, even as it affirmed the willingness of men and women to die for the right to think freely.

Some 500 years ago, Sandro Botticelli, a painter of humble origin, created work of unearthly beauty. An intimate associate of Florence’s unofficial rulers, the Medici, he was commissioned by a member of their family to execute a near-impossible project: to illustrate all 100 cantos of The Divine Comedy by the city’s greatest poet, Dante Alighieri. A powerful encounter between poet and artist, sacred and secular, earthly and evanescent, these drawings produced a wealth of stunning images but were never finished.

Virtually everyone would agree that Leonardo da Vinci was the most important artist of the High Renaissance. It was Leonardo who singlehandedly created the defining features of Western art: a realism based on subtle shading; depth using atmospheric effects; and dramatic contrasts between light and dark.

Charlemagne was easily one of the most fascinating figures of Western civilization, as well as the most heroic and romantic. The 47 years of his reign marked some of the most significant and far reaching events of the Middle Ages. Undoubtedly, it was his enlightened vision for Europe that resulted in the Carolingian Renaissance, a period of cultural flowering that never really ceased to develop, and which led in a straight line directly to that period of astonishing achievement we now call the High Gothic. Even in the 21st century, we still hear the echoes of his deeds in the historical events that unfold today.

Widge is an orphan with a rare talent for shorthand. His fearsome master has just one demand: steal Shakespeare's play "Hamlet" - or else. Widge has no choice but to follow orders, so he works his way into the heart of the Globe Theatre, where Shakespeare's players perform. As full of twists and turns as a London alleyway, this entertaining novel is rich in period details, colorful characters, villainy, and drama.

If you want to discover the captivating history of Europe, then this audiobook might be what you're looking for. It includes five books that cover topics like ancient history, influence of ancient Greece and Rome, fall of the Roman Empire, the Renaissance, important events, and much more.

When Queen Elizabeth was excommunicated by the Pope in 1570, she found herself in an awkward predicament. Now England's key markets would be closed to her Protestant merchants. To complicate matters, the staunchly Catholic king of Spain was determined to destroy her, bolstered by the gold pouring in from the New World. In a bold decision with far-reaching consequences, Elizabeth set her sights on the East.

The aspects of Anne Boleyn's life and death are fiercely debated by historians, yet her ladies-in-waiting remain an understudied topic. Much emphasis is usually put on Anne's relationships with the men in her life: her suitors, her royal husband, her father and brother, and her putative lovers who were executed on May 17, 1536. By concentrating on a previously neglected area of Anne Boleyn's female household, this book seeks to identify the women who served Anne and investigate what roles ladies-in-waiting played in this Queen's household.

Most historians credit the city-state of Florence as the starting place of the Italian Renaissance, a process carried out through the patronage and commission of artists during the late 12th century. If Florence is receiving its due credit, much of it belongs to the Medici family, a Florentine dynasty that ruled at the height of the Renaissance. Both Leonardo and Michelangelo were members of Lorenzo de Medici's court. The famous leader, who also considered himself an artist and poet, became known for securing commissions for the most famous artists of the age.

Red Hugh was a true champion for Irish liberty from Queen Elizabeth's constricting reign in the late 1580's and beyond. Hugh's capture, imprisonment, and escape from the Dublin Castle; his triumph over a blizzard and frostbite; his dramatic rescue of his family's castle; his conflict with the evil Captain Leeds; and his inexhaustible love for Ireland make this a wonderful book for the entire family.

In the winelands of 16th-century Germany, Obsopoeus witnessed the birth of a poisonous new culture of bingeing, hazing, peer pressure, and competitive drinking. Alarmed, and inspired by the Roman poet Ovid's Art of Love, he wrote The Art of Drinking (1536), a how-to manual for drinking with pleasure and discrimination. In How to Drink, Michael Fontaine offers the first proper English translation of Obsopoeus' text, rendering his poetry into spirited, contemporary prose and uncorking a forgotten classic that will appeal to drinkers of all kinds and (legal) ages.

Master Italian sculptor, goldsmith, and writer Benvenuto Cellini is best remembered for his magnificent autobiography. In this work, which was actually begun in 1558 but not published until 1730, Cellini beautifully chronicles his flamboyant times. He tells of his adventures in Italy and France, and his relations with popes, kings, and fellow artists.

It was the splendor and the scandal of the age. In 1506, the ferociously ambitious Renaissance Pope Julius II tore down the most sacred shrine in Europe, the millennium-old St. Peter's Basilica built by the Emperor Constantine over the apostle's grave, to build a better basilica.